Rorschach Posted September 29, 2018 Share Posted September 29, 2018 @CayomMagazine Timothy Spall has been added to the cast of The Odyssey: Homecoming. It is reported that Michelle Pfeiffer's role as the goddess Hera has been cut from the film. Matt Reeves expressed sadness in having to cut her from the final product but hinted that she may appear in the future extended edition of the film. Quote Link to comment Share on other sites More sharing options...
Blankments Posted September 29, 2018 Share Posted September 29, 2018 Who Recycled Roger Rabbit Officially Delayed to Summer Year 5. 1 2 Quote Link to comment Share on other sites More sharing options...
Xillix Posted September 29, 2018 Share Posted September 29, 2018 2 minutes ago, Blankments said: Who Recycled Roger Rabbit Officially Delayed to Summer Year 5. In related news, as promised, that means I'll move "Flights of Fire" to the 11th. 1 Quote Link to comment Share on other sites More sharing options...
YM! Posted September 30, 2018 Share Posted September 30, 2018 @cayommagazine The first teaser for the upcoming tentpole Lost Earth will debut before Voltron: Reunion. 1 1 Quote Link to comment Share on other sites More sharing options...
YM! Posted September 30, 2018 Share Posted September 30, 2018 @cayommagazine James Hetfield (lead in Metallica) to have a voice cameo in Skylanders. Skylanders will arrive in theaters Summer Y5 1 Quote Link to comment Share on other sites More sharing options...
Reddroast Posted October 1, 2018 Share Posted October 1, 2018 Horizon Entertainment to announce a new high concept horror project tomorrow. Quote Link to comment Share on other sites More sharing options...
Xillix Posted October 2, 2018 Share Posted October 2, 2018 WRITER, DIRECTOR DISAVOW THEATRICAL CUT OF 'SPIRIT CURSE' The American screenwriter of Red Crescent Pictures' March 13th release Spirit Curse has released a written statement today on behalf of himself and director Kôji Shiraishi, who also helmed the 2004 Japanese picture the horror remake is adapted from. In the statement, the pair attempt to disassociate themselves from the movie being released to theatres, claiming that Shiraishi was essentially dropped from the project in post-production and the movie was recut without his involvement. Allegedly the film's producers wanted a much speedier pace than what Shiraishi wound up with in his cut, and as a result excised over ten minutes of the film, mostly towards the end. Per the filmmakers, this resulted not only in compromised atmosphere and suspense but the removal or muddying of key plot points. Reached for comment, a representative for Red Crescent said that the studio was unaware of the behind-the-scenes drama, as Spirit Curse was an independent production they'd picked up for distribution after its completion. However, they confirmed Red Crescent was reaching out to both Shiraishi and the film's producers in hopes of acquiring or finishing a Director's Cut for release on home video. 1 2 Quote Link to comment Share on other sites More sharing options...
Rorschach Posted October 3, 2018 Share Posted October 3, 2018 The Odyssey: Homecoming - Official Soundtrack For the final film in the trilogy, the drama and tension have amped up majorly. Although the film isn’t nearly as action-heavy as its predecessors, it still boasts a grand and epic score. The same themes and leitmotifs from the previous two films are used here along with several new additions for new characters. Characters such as Calypso, Peisistratus, and Melantho/Melanthius get their own themes. Telemachus and Melantho are given a love theme, similar to “Across the Stars” from the Star Wars movies. Mount Olympus gets its own theme as well, with triumphant brass music and an Olympics style entrance. The score this time around is much more subdued but has a layer of darkness to it. The Ithaca theme in this film is purposely slowed down and has a much more sinister edge to it, meant to show how the suitors’ influence has corrupted Ithaca. The pieces for the final fight scenes (the giant free-for-all fight and the Mano e Mano fights) are similar in style to The Dark Knight Rises. References from other soundtracks are listed below to the tracklist: WARNING: Tracklist may or may not invoke spoilers or plot points in the final film. Please read film before looking at trackless if you don't want to be spoiled. Spoiler Wolves of the Night (1) Mt. Olympus Hell on Earth A Council of Fools A Cause to Believe In Only a Messenger Pylos Gods on Earth Shapeshifter (2) Calypso’s Farewell A Godly Warning Hell or High Water (3) An Aimless Drifter (4) Tranquil Slumber Dark and Deceiving Men Reunion Heart to Heart (5) A Chameleon in the Crowd Courtyard Throw-down True Intentions An Old Friend Familiar Faces Shadows in the Night Persecution A New Age (6) Darkness Falls Across The Land Forgotten Faces A Beacon of Ithaca (7) Bloody Revolution Sparks in the Dark (8) Homecoming (9) Cleansing The Best Dream Epilogue/Traid Sunset “Coda” by Bruce Springsteen (10) 1. Spoiler 2. Spoiler 3. Spoiler 4. Spoiler 5. Spoiler 6. Spoiler 7. Spoiler 8. Spoiler 9. Spoiler 10. Spoiler 2 Quote Link to comment Share on other sites More sharing options...
Ezen Baklattan Posted October 3, 2018 Share Posted October 3, 2018 17 minutes ago, Rorschach said: The Odyssey: Homecoming - Official Soundtrack For the final film in the trilogy, the drama and tension have amped up majorly. Although the film isn’t nearly as action-heavy as its predecessors, it still boasts a grand and epic score. The same themes and leitmotifs from the previous two films are used here along with several new additions for new characters. Characters such as Calypso, Peisistratus, and Melantho/Melanthius get their own themes. Telemachus and Melantho are given a love theme, similar to “Across the Stars” from the Star Wars movies. Mount Olympus gets its own theme as well, with triumphant brass music and an Olympics style entrance. The score this time around is much more subdued but has a layer of darkness to it. The Ithaca theme in this film is purposely slowed down and has a much more sinister edge to it, meant to show how the suitors’ influence has corrupted Ithaca. The pieces for the final fight scenes (the giant free-for-all fight and the Mano e Mano fights) are similar in style to The Dark Knight Rises. References from other soundtracks are listed below to the tracklist: WARNING: Tracklist may or may not invoke spoilers or plot points in the final film. Please read film before looking at trackless if you don't want to be spoiled. Reveal hidden contents Wolves of the Night (1) Mt. Olympus Hell on Earth A Council of Fools A Cause to Believe In Only a Messenger Pylos Gods on Earth Shapeshifter (2) Calypso’s Farewell A Godly Warning Hell or High Water (3) An Aimless Drifter (4) Tranquil Slumber Dark and Deceiving Men Reunion Heart to Heart (5) A Chameleon in the Crowd Courtyard Throw-down True Intentions An Old Friend Familiar Faces Shadows in the Night Persecution A New Age (6) Darkness Falls Across The Land Forgotten Faces A Beacon of Ithaca (7) Bloody Revolution Sparks in the Dark (8) Homecoming (9) Cleansing The Best Dream Epilogue/Traid Sunset “Coda” by Bruce Springsteen (10) 1. Reveal hidden contents 2. Reveal hidden contents 3. Reveal hidden contents 4. Reveal hidden contents 5. Reveal hidden contents 6. Reveal hidden contents 7. Reveal hidden contents 8. Reveal hidden contents 9. Reveal hidden contents 10. Reveal hidden contents This is baby length compared to what I have planned for SPARK: BEYOND THE SKY and SPARK: [[REDACTED]]. ....Not that I'm still bitter about Homeward losing score in that 4-way tie or anything. 1 Quote Link to comment Share on other sites More sharing options...
4815162342 Posted October 3, 2018 Share Posted October 3, 2018 19 minutes ago, Rorschach said: The Odyssey: Homecoming - Official Soundtrack This is what happens when I decide to re-read Odyssey 3 for my review, I get ninja'd again. Quote Link to comment Share on other sites More sharing options...
Rorschach Posted October 3, 2018 Share Posted October 3, 2018 2 minutes ago, Spagheditary said: This is baby length compared to what I have planned for SPARK: BEYOND THE SKY and SPARK: [[REDACTED]]. ....Not that I'm still bitter about Homeward losing score in that 4-way tie or anything. Your boy already got an Oscar though (he hasn't even gotten anything in real life). Why would he be upset? Quote Link to comment Share on other sites More sharing options...
Ezen Baklattan Posted October 3, 2018 Share Posted October 3, 2018 10 minutes ago, Rorschach said: Your boy already got an Oscar though (he hasn't even gotten anything in real life). Why would he be upset? He feels left out. Quote Link to comment Share on other sites More sharing options...
cookie Posted October 3, 2018 Share Posted October 3, 2018 26 minutes ago, Spagheditary said: He feels left out. He got a whole lot of bottom votes while everyone else were very split. Quote Link to comment Share on other sites More sharing options...
Ezen Baklattan Posted October 3, 2018 Share Posted October 3, 2018 4 minutes ago, cookie said: He got a whole lot of bottom votes while everyone else were very split. To whoever voted him in 5th place: Quote Link to comment Share on other sites More sharing options...
cookie Posted October 3, 2018 Share Posted October 3, 2018 Now I just gotta hope TSW doesn't end up in a Spark-style situation with the sequel. They had somewhat similar win patterns after all. 1 Quote Link to comment Share on other sites More sharing options...
Rorschach Posted October 3, 2018 Share Posted October 3, 2018 13 minutes ago, Spagheditary said: To whoever voted him in 5th place: Spoiler I had him in 4th 1 Quote Link to comment Share on other sites More sharing options...
Ezen Baklattan Posted October 3, 2018 Share Posted October 3, 2018 In all seriousness, I did intend SPARK II to be a bit of a breather between Rising and BTS, but I'm intending the new film to really up the scale and ante of the franchise. Quote Link to comment Share on other sites More sharing options...
Ezen Baklattan Posted October 3, 2018 Share Posted October 3, 2018 But for real and without me being a side-tracking diva, super cool summary @Rorschach. Will try to read Oddy3 this weekend. If it's really good, I can forgive the lack of a certain dog. Quote Link to comment Share on other sites More sharing options...
Blankments Posted October 3, 2018 Share Posted October 3, 2018 y'all fuckers doing goddamn soundtrack playlists now? damn this game got too complicated for me lmao 1 Quote Link to comment Share on other sites More sharing options...
4815162342 Posted October 3, 2018 Share Posted October 3, 2018 MASS EFFECT OFFICIAL SOUNDTRACK Original Music by Clint Mansell IMPORTANT! DO NOT LOOK UNDER THE TAGS UNTIL AFTER YOU READ THE FILM AS IT MAY GIVE AWAY PLOT POINTS Spoiler 1. Shine on You Crazy Diamond (Parts I-V) (by Pink Floyd) – 13:30 2. N7 – 2:46 (This is Shepard’s theme. The primary version we get scattered in the film is based around horns with some other instrumental backup, with an ambitious, energetic, martial tone to convey a soldier in action, taking on the odds. During the film we get a more subdued, sober version appearing here and there in character moments that is based upon string instruments) 3. A Mother’s Advice – 2:39 (The sober version of Shepard’s theme peeks in here, though the main melody of the track is a soft piano cue reflecting the close bond between Shepard and her mother and her mother reassuring her) 4. Welcome Aboard – 4:11 (The theme for the Normandy appears here for the first time, rising to a crescendo of triumph as Shepard and her mom arrive to dock, a la Enterprising Young Men in the Star Trek 09 soundtrack. The track then segues into a little incidental martial-oriented music, before we get a cue of Anderson’s theme, which is a solemn use of horns and strings compared to the energetic Shepard, before fading out) 5. The Ruins of Diomedes -3:30 (The track here is very ambient and atmospheric, relying on synths and deep string instruments to convey a sense of loss, destruction, and grim determination as the Normies pick their way through the colony ruins.) 6. Biotic Burglary – 7:52 (An action-packed track that follows the Normies as they interrupt the assault on the Philoctetes facility. This is the first track in the released score where we get to hear Haliat’s cue, which is a big bossy bombastic motif of horns and percussion similar to that of Vulture in Spider-Man Homecoming. We also get snippets of Shepard’s theme, the Normandy theme, as well as a cue for Kaidan and Sanders as their characters get involved in the fracas. The music rises to loud cacophony as the Forsaken Sons escape the planet) 7. Benefactor – 2:17 (A low and foreboding theme that is synth-based, echoing the artificial construct that is the Benefactor as he implements machinations to escalate the conflicts.) 8. Spectres – 3:16 (A mash-up of the two motifs for the two Spectres in the film. Nihlus’ motif is proud but careful, relying on percussion and woodwinds to show a military figure ready to get down to business, but not reckless. Saren’s motif is much more quieter, synth-based, evoking a veteran tactician scrutinizing every detail.) 9. The Modos Gambit – 12:42 (A track that covers the gamut of the Illium operation, starting with light, airy, and fancy music showing a high-class party, with an undercurrent of tension as the Normies take positions, then an intercession of Shepard’s theme and our first mention of Banes’ theme in this release. Bane’s theme is in many ways an older, wearier mirror of Shepard’s, reflecting his status as her mentor, but more mature and violent diversions and variations. The track then shifts to ominous foreboding, with Haliat’s cue popping in, and then after a peak of Markor’s cue hell breaks lose with the shift to a shootout, percussion, synths, and horns driving up the action wall. This action music ebbs and flows with spikes and lows, shifting to a more staccato-flavor with the introduction of some electric guitar as the action shifts to the airspeeder chase in the Illium skylanes before finally slamming down as the parties confront one another on a platform. After a second flare of Markor’s cue the music trails off) 10. We Won’t Let It Happen Again – 2:54 (This track features soft variations of Shepard’s theme and Banes’ theme as the two characters reminisce and talk about where things are going in the whole matter. As before, there are darker tinges to Banes’ theme) 11. I’m a Soldier – 5:39 (The track starts with a slow build of synth and string tension as the Normies lay their trap for Markor’s men, and then bursts into action flair as the combat breaks out. The action music then shifts to a rumbling of percussion instruments with intermittent stabs of horns as Shepard pursues Markor, the stabs of horn music becoming more dominant as it shifts to their hand-to-hand combat. The track then segues into an intermingling of Markor’s cue and the Benefactor motif, slowly rising in tension and volume, until suddenly cut short) 12. The Hegemony’s Honor – 3:22 (This is the first appearance of Balak’s motif in the released soundtrack, a proud but violent and destructive cue of music. It rises and rises in connection with his propaganda spiels, until subsiding. Low and meditative incidental music follows, until the Normandy theme slowly shifts in, building and building up until a determined and energetic flourish) 13. Bring Down the Sky, Part 1 – 9:45 (This first chunk of the battle of X57 starts off with synth-based tension music as the Normies take their positions and make their observations and plans. Then with a spike of music coinciding with the destruction of the coolant station, the action music takes off, with various character themes popping in here and there as they take action in particular moments. The action music also conveys a desperate tension as the stakes are very high. The music stalls, just as the Normies hit a wall in their assault in the film, until Shepard’s theme erupts in a big triumphant blast as it overpowers the other music to victory) 14. Bring Down the Sky, Part 2 – 6:21 (The track starts off with a pompous, foreboding rendition of Balak’s motif, looming over the music, until it is suddenly cut short. After a few seconds of ambience, a short but vicious eruption of action music takes over for a minute, until it fades out as the final Batarian falls. The music then shifts to a slowly building and tense rendition of Banes’ theme as truth comes to light, his theme growing more and more intense with violent variations, string music and vocalizing backing it up strongly. Shepard’s theme in the final minute or two slowly starts to interject, competing for atmosphere and space, until a final blast of music cuts it all short) 15. He was Family – 1:56 (A short piano-based piece that features appearances by Shepard and Kaidan’s themes as they have a quiet character bonding moment, reflecting on what happened. A brief and sad variation of Banes’ cue appears here as well) 16. Commendation – 5:29 (The track starts off with military-inspired music reflecting the honoring of the Normandy and its crew, before shifting into quieter character music with reflections of Shepard’s theme and Anderson’s theme amidst sober but proud strings and horns. The track then jumps into an energetic rendition of the Normandy theme, isolated and playful variations of cues for Sanders, Joker, Kaidan, etc. popping in as they ready their stations, before another full surge of the Normandy theme as the ship takes off and blasts into what comes next) 17. Normandy – 3:50 (The full rendition of the Normandy theme, trombones leading the way with brassy and debonair music, with interludes of percussion and strings taking the lead, before returning once more to the brass bombast for a finale flourish) 18. Shine on You Crazy Diamond (Parts VI-IX) (by Pink Floyd) – 12:26 Quote Link to comment Share on other sites More sharing options...
