JAPAN BOX OFFICE | Demon Slayer breaks all time record for OW

[rayjulio]

1 hour ago, Issac Newton said:

Oppenheimer

 

357,237 / 1,252 Shows (251 TC)

 

Tracked Seating Capacity

i thought it released in more than 300 TC ?

 

So mimorin tracked around 58% of all the capacity for oppenheimer ? 

[Issac Newton]

11 minutes ago, rayjulio said:

i thought it released in more than 300 TC ?

 

So mimorin tracked around 58% of all the capacity for oppenheimer ? 

339 Listed TC

 

I combined the Tracked Seating Capacity from Mimorin (148 TC) &Plaza (Aeon 90 TC + Cinema Sunshine 13 TC) for 251 TC

 

So Mimorin is tracking 43.9% of all TC (They have listed 337 TC)

Spoiler

座席数・上映回数・館数前日集計：20240329
順位 座席数 回数 箱平均 番箱 取得館 上映館 取得率 映画（作品名）
*1　210802　764　275.9　2.9　148　337　43.9%　オッペンハイマー
*2　183692　751　244.6　3.2　149　318　46.9%　変な家
*3　166752　837　199.2　4.3　161　374　43.0%　劇場版ハイキュー！！ ゴミ捨て場の決戦
*4　139634　592　235.9　3.6　160　383　41.8%　映画ドラえもん のび太の地球交響楽
*5　128146　847　151.3　5.8　161　**0　*****　ゴーストバスターズ／フローズン・サマー
*6　*77806　598　130.1　6.9　134　254　52.8%　四月になれば彼女は
*7　*63786　414　154.1　6.0　158　382　41.4%　ゴジラ－１．０
*8　*48714　352　138.4　7.0　161　344　46.8%　デューン 砂の惑星 ＰＡＲＴ２
*9　*38829　305　127.3　7.4　149　330　45.2%　恋わずらいのエリー
10　*34790　303　114.8　8.2　124　222　55.9%　デッドデッドデーモンズデデデデデストラクション 前章

 

[Issac Newton]

Top 20 Longest Screening Works (Pre-Jaws)

 

R.	Title	Distributor	Year	Days	Theater	Gross	Admits
1.	West Side Story	UA	1961	511	Marunouchi Piccadilly	¥449,681,514	1,525,849
2.	Ben Hur	MGM	1960	469	Theater Tokyo	¥316,733,201	954,318
3.	How The West Was Won	Toho	1962	463	Theater Tokyo	¥297,604,476	608,209
4.	Cinerama Holiday	Toho	1955	453	Imperial Theater	¥287,858,049	1,067,628
5.	Seven Wonders Of the World	Toho	1957	441	Imperial Theater	¥278,343,851	1,091,634
6.	South Seas Adventure	Toho	1959	431	Imperial Theater	¥217,638,331	837,235
7.	This is Cinerama	Toho	1955	346	Imperial Theater	¥195,176,068	667,447
8.	Search For Paradise	Toho	1958	328	Imperial Theater	¥179,915,534	716,500
9.	My Fair Lady	Warner Bros.	1964	294	Yurakuza	¥392,489,121	679,590
10.	Cleopatra	Fox	1963	280	Yurakuza	¥327,889,234	488,667
11.	Grand Prix	MGM	1967	246	Theater Tokyo	¥224,580,698	401,310
12.	The Wonderful World Of The BG	Toho	1964	240	Theater Tokyo	¥113,075,897	274,840
13.	Around The World In 80-Days	UA/Shochiku	1957	238	Marunouchi Piccadilly	¥67,561,330	392,707
14.	Windjammer	Toho	1962	232	Imperial Theater	¥136,637,137	366,106
15.	Lawrence Of Arabia	Columbia	1963	225	Yurakuza	¥278,314,400	599,535
16.	Seven Wonders Of the World A.	Toho	1960	215	Imperial Theater	¥92,248,228	372,021
17.	The Greatest Story Ever Told	UA	1965	209	Theater Tokyo	¥203,551,656	357,118
18.	Battle Of The Bulge	Warner Bros.	1966	209	Theater Tokyo	¥172,720,635	323,154
19.	The Godfather	CIC	1972	203	Theater Tokyo	¥396,499,588	581,159
20.	Mutiny On The Bounty	MGM	1962	203	Imperial Theater	¥73,255,308	192,435

[SchumacherFTW]

3 hours ago, Issac Newton said:

Top 20 Longest Screening Works (Pre-Jaws)

 

R.	Title	Distributor	Year	Days	Theater	Gross	Admits
1.	West Side Story	UA	1961	511	Marunouchi Piccadilly	¥449,681,514	1,525,849
2.	Ben Hur	MGM	1960	469	Theater Tokyo	¥316,733,201	954,318
3.	How The West Was Won	Toho	1962	463	Theater Tokyo	¥297,604,476	608,209
4.	Cinerama Holiday	Toho	1955	453	Imperial Theater	¥287,858,049	1,067,628
5.	Seven Wonders Of the World	Toho	1957	441	Imperial Theater	¥278,343,851	1,091,634
6.	South Seas Adventure	Toho	1959	431	Imperial Theater	¥217,638,331	837,235
7.	This is Cinerama	Toho	1955	346	Imperial Theater	¥195,176,068	667,447
8.	Search For Paradise	Toho	1958	328	Imperial Theater	¥179,915,534	716,500
9.	My Fair Lady	Warner Bros.	1964	294	Yurakuza	¥392,489,121	679,590
10.	Cleopatra	Fox	1963	280	Yurakuza	¥327,889,234	488,667
11.	Grand Prix	MGM	1967	246	Theater Tokyo	¥224,580,698	401,310
12.	The Wonderful World Of The BG	Toho	1964	240	Theater Tokyo	¥113,075,897	274,840
13.	Around The World In 80-Days	UA/Shochiku	1957	238	Marunouchi Piccadilly	¥67,561,330	392,707
14.	Windjammer	Toho	1962	232	Imperial Theater	¥136,637,137	366,106
15.	Lawrence Of Arabia	Columbia	1963	225	Yurakuza	¥278,314,400	599,535
16.	Seven Wonders Of the World A.	Toho	1960	215	Imperial Theater	¥92,248,228	372,021
17.	The Greatest Story Ever Told	UA	1965	209	Theater Tokyo	¥203,551,656	357,118
18.	Battle Of The Bulge	Warner Bros.	1966	209	Theater Tokyo	¥172,720,635	323,154
19.	The Godfather	CIC	1972	203	Theater Tokyo	¥396,499,588	581,159
20.	Mutiny On The Bounty	MGM	1962	203	Imperial Theater	¥73,255,308	192,435

Nice, Formula 1 was popular in Japan even before the first Japanese GP in 76

[Issac Newton]

Godzilla -1.0 passed ¥7.0B with est. ¥40M Thursday for a total of ¥7.017B. 

 

[Issac Newton]

Box Office/Admission Trends (1946-2023)

 

 

 

 

Year	Screens	Admission (in K)	Gross (in K)
1945	845	-	-
1946	1,376	732,740	¥1,612,028
1947	1,505	756,080	¥4,309,656
1948	2,003	758,680	¥8,079,729
1949	2,374	786,760	¥12,824,188
1950	2,641	718,700	¥17,608,150
1951	3,693	731,680	¥25,755,136
1952	4,109	732,270	¥32,366,334
1953	4,455	764,182	¥43,904,465
1954	4,664	818,510	¥49,664,559

 

Posting the Breakdown for Pre-1955 (From 1955-2023, You can check out at Eiren (link))

 

Edited March 29 by Issac Newton

[Issac Newton]

I forgot that "Blue Lock: Episode Nagi" is releasing in April. Can you go with ¥2.0B+ Final <⁠(⁠￣⁠︶⁠￣⁠)⁠>

[Issac Newton]

Oppenheimer 

 

Some theaters have posted trigger warnings from its Japanese distributor informing moviegoers that the film shows atomic explosions

 

 

[Issac Newton]

Oppenheimer 

 

+30,317 / 178,724 | 657 Shows (170 TC)

+*6,407 /  *99,936 | 326 Shows (90 TC)

+*2,234 /    *9,880 |   48 Shows (12 TC)

 

38,958 / 288,560 | 1,031 Shows (272 TC)

 

Tracked Data as of 19:00

[enenpoi]

In the future, I guess the only growth point for Hollywood movies in Japan is IMAX box office.

The same goes for China and South Korea. I remember that Dune 2 Box office in China had a very high share of IMAX.

[enenpoi]

Japan's IMAX screens have just entered a period of rapid growth, and most of Japan's cinemas are old, causing many cinemas to malfunction during the release of Avatar 2. The future of IMAX is bright.

[enenpoi]

1 hour ago, Issac Newton said:

Oppenheimer 

 

+30,317 / 178,724 | 657 Shows (170 TC)

+*6,407 /  *99,936 | 326 Shows (90 TC)

+*2,234 /    *9,880 |   48 Shows (12 TC)

 

38,958 / 288,560 | 1,031 Shows (272 TC)

 

Tracked Data as of 19:00

Oppenheimer 's evening grossing is very strong(It shows The Hollywood audience in Japan now only middle-aged and elderly people.)The final box office may have a chance to touch 3b.

Edited March 29 by enenpoi

[Issac Newton]

15 minutes ago, enenpoi said:

Oppenheimer 's evening grossing is very strong(It shows The Hollywood audience in Japan now only middle-aged and elderly people.)The final box office may have a chance to touch 3b.

Friday went well. I will see how Weekend Paced up. So for the current time I am going with ¥2.0B at the highest possibility 

 

23 minutes ago, enenpoi said:

In the future, I guess the only growth point for Hollywood movies in Japan is IMAX box office.

The same goes for China and South Korea. I remember that Dune 2 Box office in China had a very high share of IMAX.

Yes, IMAX being the only point of growth for Hollywood but I guess that Disney Animation & Illumination that can do numbers without much support from premium screens

Edited March 29 by Issac Newton

[enenpoi]

16 minutes ago, Issac Newton said:

星期五过得很顺利。我会看看周末的节奏如何。所以目前我最有可能选择 ¥2.0B 

 

是的，IMAX 是好莱坞 唯一的增长点，但我猜迪士尼动画和照明公司无需高级银幕的太多支持也能实现数字化

TIKTOK getting young audiences into the cinema like "ano hana" and "変な家" in charge of the afternoon box office, and Hollywood movies "Oppenheimer" all older audiences in charge of night box office

Edited March 29 by enenpoi

[enenpoi]

19 minutes ago, Issac Newton said:

Friday went well. I will see how Weekend Paced up. So for the current time I am going with ¥2.0B at the highest possibility 

 

Yes, IMAX being the only point of growth for Hollywood but I guess that Disney Animation & Illumination that can do numbers without much support from premium screens

Not all Illumination are doing well. Example for <Migration>.  

[Issac Newton]

Just now, enenpoi said:

Not all Illumination are doing well. Example for <Migration>.  

That's obviously true but I do expect Despicable Me 4 to better (DM3 did above ¥7.0B) 

[enenpoi]

4 minutes ago, Issac Newton said:

That's obviously true but I do expect Despicable Me 4 to better (DM3 did above ¥7.0B) 

This Year's Summer Lineup will be Extremely Packed. Not Counting Those Movies that haven’t been scheduled in Summer yet and it already had 10+ good titles in competition.

Still no news for Mamoru Hosoda's new work.

 

Edited March 29 by enenpoi

[Issac Newton]

Talking about "Strange House" (変な家), distributor says that it's fixed that the title will cross ¥3.0B and a chance of ¥3.5B is still at the range. Really an Expectational Performance !

[enenpoi]

7 minutes ago, Issac Newton said:

Talking about "Strange House" (変な家), distributor says that it's fixed that the title will cross ¥3.0B and a chance of ¥3.5B is still at the range. Really an Expectational Performance !

Waitting for the confirm of the "Strange House 2" and "Strange Draws"Movies.

Edited March 29 by enenpoi

[enenpoi]

GKIDS has announced the acquisition of North American rights to Mamoru Hosoda’s entire film catalog this month, so I still expect we’ll have new updates for his works soon.

Edited March 29 by enenpoi