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South Korea Box Office

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If this keeps up, Big Hero 6 looks to perform very well indeed for an animated feature, even in comparison to those from DWA. :D

 

I think most people were hoping that it wouldn't just do well for an animated feature but do numbers comparable to successful live action films too. It also has the added benefit of direct goodwill from Frozen, something all the other preceding animated films lacked. 

 

They haven't embraced any other WDAS (or Pixar, for that matter) animated feature like they have Big Hero 6, either, though. For what it's worth, it's doing a lot better than I expected Frozen to do last year, and close to the upside that I merely hoped for and considered remotely possible.

 

From what I recall many people were thinking 2M-3M admissions for Frozen last year which is where I think BH6 will more or less land. Also, like I said, none of them had goodwill from a behemoth film like Frozen to boost it. 

 

 

Well, BH6 has surpassed other animated musicals and seemingly will surpass some (or most or maybe all, who knows?) DWA movies, too.

 

To which animated musicals are you referring to? Most that I'm aware of were released when the box office wasn't as large as it is now. With films like Tangled, the musical numbers was very poorly received hence the bad numbers. But that aside I was more or less saying that a decent musical element would have helped it's box office numbers since Koreans dig that kind of film. And no, I highly doubt BH6 will be challenging KFP1-2. It would require very good legs to challenge Shrek or HTTYD.

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Big Hero 6 remained on par despite losing a fifth of it's showtimes

 

Walt Disney Animated Studio productions (Admissions: 2002~)

1. 10,296,101 Frozen (2014)

2.   1,058,602 Big Hero 6 (2015)

3.   1,011,163 Tangled (2010)

4.      918,299 Wreck-it-Ralph (2012)

5.      757,337 Bolt (2008)

6.      584,706 Chicken Little (2005)

7.      352,691 Brother Bear (2003)

8.      235,724 Treasure Planet (2002)

9.      110,963 Meet the Robinsons (2007)

10.    105,654 The Princess and the Frog (2009)

11.      14,396 Home on the Range (2004)

Lol those WDAS films look like a complete flop in comparison to Frozen. And yasssss at BH6 snatching that runner up slot already!

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South Korea Daily Box Office (January 29)

 

-Admissions  (Total Adm)   Daily%   Gross  (weekly%)  [sC]  <Title>
 
1. 80,453   (12,298,517) +9.02%  $530K   (-7.16%)   [473] <Ode to my Father>
---------------------------------------------------------------------------------------------------------
2. 74,378     (1,364,395)  -23.4%  $525K   (-42.2%)   [608] <Gangnam Blues>
---------------------------------------------------------------------------------------------------------
3. 67,980     (1,128,049)  -10.9%  $463K   (-28.3%)   [577] <Big Hero 6>
---------------------------------------------------------------------------------------------------------
4. 40,127        (104,505)  -33.6%  $262K        (--)       [420] <Shoot me in the heart> 
--------------------------------------------------------------------------------------------------------- 
5. 23,916     (1,685,094)  -20.8%  $159K   (-57.7%)   [355] <Love Forecast>

 

Total admissions: 367,069

Total Gross: $2,474,838

January Total: $151,430,940

 

Cumulative gross

Ode to my father: $88.18 million

Big Hero 6: $8.19 million
Gangnam Blues: $9.95 million
 
Current presales (Midnight)
01. 35.8% (82,889) Big Hero 6
02. 15.5% (35,886) Ode to my Father
03. 14.2% (32,979) Gangnam Blues
04.   7.1% (16,496) Shoot me in the heart
05.   3.8%   (8,709) Love Forecast
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Admissions

 

Day Frozen   Big Hero  Dragon 2

1              84.387    71.826
2   165.861    94.691    90.222
3   169.536    99.446   124.043
4   429.047   274.096   307.039
5   434.903   286.875   303.178
6   156.831    67.273   145.746
7   186.830    75.594   158.291
8   161.000    76.078   167.810
9   173.123    67.980   162.961

T 1.877.131 1.126.420 1.531.116

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I'll boldly increase my prediction for Big Hero 3 from $15 million to $20 million.  Unless the movie drops drastically, I see it reaching $15 million in the upcoming weeks and if it has good holds, it should reach $20 million.  I know this is quite a lot to ask of BH6 because daily numbers aren't looking that great but still, I believe in this film.  If it disappoints, oh well, you can't expect an awe-inspiring performance from a movie that just got released after one of, if not the biggest movie of the decade.  

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Lol those WDAS films look like a complete flop in comparison to Frozen.

On a per-capita basis in a first-world market that has ticket prices comparable to those in NA, they all are flops, while Frozen is a monstrous blockbuster. The population ratio is close to 7:1, so using simple arithmetic it would be as though in the DOM market Toy Story 3 grossed only a little more than Penguins of Madagascar, and every other WDAS or Pixar animated feature grossed less than $70M, while Frozen grossed about $530M. :lol:

 

 

I'll boldly increase my prediction for Big Hero 3 from $15 million to $20 million.  Unless the movie drops drastically, I see it reaching $15 million in the upcoming weeks and if it has good holds, it should reach $20 million.

For a WDAS movie in South Korea, I would consider $20M a breakout, relatively speaking. Even many/most DWA animated features don't fare better, so it would be really good for an animated feature in South Korea in general (even $15M would be quite good).

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Why Frozen was such a success there and Tangled was a flop? Both movies are pretty similar and the targeted audience is the same. And Rapunzel is a well know character, at least here in Europe. Personally I prefer "I see the lights" over "Let it go".

 

For whatever reason, adults ( especially women) took to Frozen in a big way which escalated it from a kids film, where the absolute ceiling is KF2 numbers to the stratosphere where anything is possible.

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It also has the added benefit of direct goodwill from Frozen, something all the other preceding animated films lacked.

Would this be more true of South Korea than other markets? Historically, at least in NA WDAS animated features have tended not to benefit from their immediate predecessors being mega-blockbusters. For example, right from the beginning Pinocchio, considered a true classic today, lost money after Snow White and the Seven Dwarfs wowed everybody and literally bought Disney their current studio lot and headquarters. Also, Pocahontas didn't seem to benefit from The Lion King being such a huge hit, and if anything it seems that Frozen has overshadowed Big Hero 6 to some degree.

Maybe given South Korea's general views on animated features, it can be supposed that Frozen might have changed some views on animation or at least WDAS specifically (like The Little Mermaid did in NA and much of the world), but I'm not sure about that, as even DWA's fortunes have varied greatly there. The Kung Fu Panda movies, particularly the sequel, might have been bigger than any of their other movies because of their subject matter, and this too might apply to Big Hero 6 in relation to WDAS' previous movies (with the exception of Frozen). Basically, maybe it is more appealing to Korean children than most other WDAS movies because it's about Asians and robots :), but doesn't necessarily benefit from Frozen's still-exceptional status as a four-quadrant animated phenomenon.

I'm just brainstorming here--if anything, you'd know better, of course.

 

 

To which animated musicals are you referring to? Most that I'm aware of were released when the box office wasn't as large as it is now. With films like Tangled, the musical numbers was very poorly received hence the bad numbers.

That's one example.

 

Why Frozen was such a success there and Tangled was a flop? Both movies are pretty similar and the targeted audience is the same.

Well, Tangled and Frozen seem rather different to me, and I'm American. Their styles of music and overall tone, just for a start, stand in stark contrast, in my opinion. Koreans just didn't see the appeal of Tangled (which I adore, personally, don't get me wrong)--at least not enough to overcome the widely-held perception in this market of animation being a children's medium (one that to be fair persists in the NA market to a significant degree, as well--just not as much anymore).

Edited by Melvin Frohike
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For whatever reason, adults ( especially women) took to Frozen in a big way which escalated it from a kids film, where the absolute ceiling is KF2 numbers to the stratosphere where anything is possible.

Thanks! Now I understand. I asked because in Latin America and in many European countries (Including Germany, Spain and France) Tangled only did 10 to 20% less than Frozen, even though the singer of the Spanish version of "Let it Go" is very very famous among teenager girls. The Frozen fever came later here due to the huge success it had everywhere, specially in Japan, South Korea and DOM. All the Frozen related toys were sold out last Christmas.

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Thanks! Now I understand. I asked because in Latin America and in many European countries (Including Germany, Spain and France) Tangled only did 10 to 20% less than Frozen, even though the singer of the Spanish version of "Let it Go" is very very famous among teenager girls. The Frozen fever came later here due to the huge success it had everywhere, specially in Japan, South Korea and DOM. All the Frozen related toys were sold out last Christmas.

 

Tangled still saw like, a 900% increase from the Princess and the Frog.. lol

10 times more admissions. and then Frozen jumped like another 900% from Tangled, so I'm totally excited for the Disney's next princess movie cause obviously that'll magically attract 100 million admin in Korea somehow haha.

Edited by yjs
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Honestly the music was the biggest reason Frozen succeeded in Korea. Even completely unknown films such as Begin again can become breakout hits if the music is well received. Let it go and Do you want to build a snowman became major hits on a level that I see the lights could only dream of. I guess it also helped that it was more similar thematically to the renaissance Disney films (which were big hits at the time) than all the post-renaissance films that came after. 

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Friday Box Office (January 30)

 

-Admissions (Total Adm)   Daily%   Gross  (weekly%)  [sC]  <Title>
 
1. 86,277    (1,451,892) +14.1%  $652K   (-41.8%)   [637] <Gangnam blues>
---------------------------------------------------------------------------------------------------------
2. 84,925  (12,384,096) +4.81%  $599K   (-8.91%)   [506] <Ode to my father>
---------------------------------------------------------------------------------------------------------
3. 84,210    (1,212,584) +23.6%  $605K   (-15.7%)   [602] <Big Hero 6>
---------------------------------------------------------------------------------------------------------
4. 42,952       (147,886) +5.91%  $293K        (--)       [438] <Shoot me in the heart> 
--------------------------------------------------------------------------------------------------------- 
5. 26,896    (1,712,332) +11.3%  $193K   (-56.3%)   [368] <Love Forecast>

 

Total admissions: 415,264

Total Gross: $2,972,969

January Total: $154,403,909

 

Cumulative gross

Ode to my father: $88.78 million

Big Hero 6: $8.80 million
Gangnam Blues: $10.60 million
 
Current presales (Midnight)
01. 41.0% (146,693) Big Hero 6
02. 16.5%   (59,113) Ode to my Father
03. 12.2%   (43,519) Gangnam Blues
04.   5.5%   (19,587) Shoot me in the heart
05.   3.5%   (12,441) Night at the Museum 3
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10 Million admission films (Official Record)
01. 17,613,702 Roaring Currents
02. 13,624,328 Avatar
03. 13,019,740 The Host
04. 12,983,330 The Thieves
05. 12,811,206 Miracle in cell no.7
06. 12,384,096 Ode to my Father
07. 12,319,542 Masquerade
08. 12,302,831 King and the Clown
09. 11,746,135 Taegukgi: Brotherhood of War
10. 11,435,338 Haeundae
11. 11,375,944 The Attorney
12. 11,081,000 Silmido
13. 10,296,101 Frozen
14. 10,267,525 Interstellar
Edited by Rsyu
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Looking at the presales it's a no-brainer but walk-ins are so weak I'm not at all confident it will win. I don't think I've ever seen such a large discrepancy between the presale figures and the actual box office numbers. A normal film with those types of presales and decent walk ins would be at 2M admissions by now..

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