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Film Critics Awards 2012 (Winners in 1st post)

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Best Picture“Life of Pi”Best ActorDaniel Day Lewis, “Lincoln”Best ActressJennifer Lawrence, “Silver Linings Playbook”Best Supporting ActorTommy Lee Jones, “Lincoln”Best Supporting ActressAnne Hathaway, “Les Miserables”Best DirectorAng Lee, “Life of Pi”Best ScreenplayRian Johnson, “Looper”Best CinematographyClaudio Miranda, “Life of Pi”Best Film EditingWilliam Goldenberg and Dylan Tichenor, “Zero Dark Thirty”Best Costume DesignJacqueline Durran, “Anna Karenina”Best Art DirectionAlex Cameron, “Prometheus”Best Visual Effects“Life of Pi”Best ScoreMychael Danna, “Life of Pi”Best Song“Skyfall”Best Documentary“Bully”Best Animated Film“Paranorman”Best Foreign Film“Amour” (Germany)Youth in FilmSuraj Sharma, “Life of Pi”Breakout Filmmaker of the YearBenh Zeitlin, “Beasts of the Southern Wild”Best DVD (Packaging, Design and Content)“Hitchcock Collection – Masterpiece Collection” (Blu-Ray)William Holden Lifetime Achievement AwardAlan ArkinLVFCS Top 10 Films of 2012Life of PiZero Dark ThirtyArgoSilver Linings PlaybookLincolnMoonrise KingdomThe ImpossibleLes MiserablesBeasts of the Southern WildThe Master http://www.awardsdaily.com/blog/2012/12

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Meryl was good in Hope Springs, like this performance better than her work with Iron Lady, Julie and Julia and Doubt. I'm glad she got a nomination. She requested Sony not to send screeners for this and campaign her so she's taking the year off :D

Edited by forg
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Life Of Pi is my dark horse contender for BP win. This is a strong year for frontrunners so the probablity of LOP winning isn't that high but it will be sort of a poetic justice if the frontrunners stumble and an Ang Lee movie wins BP.

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Detroit Film Critic Society Winners1. BEST PICTURESILVER LININGS PLAYBOOK2. BEST DIRECTORDAVID O. RUSSELL – SILVER LININGS PLAYBOOK3. BEST ACTORDANIEL DAY-LEWIS – LINCOLN4. BEST ACTRESSJENNIFER LAWRENCE – SILVER LININGS PLAYBOOK5. BEST SUPPORTING ACTORROBERT DENIRO – SILVER LININGS PLAYBOOK6. BEST SUPPORTING ACTRESSANNE HATHAWAY – LES MISÉRABLES7. BEST ENSEMBLELINCOLN8. BREAKTHROUGH PERFORMANCEZOE KAZAN – RUBY SPARKS9. BEST SCREENPLAYDAVID O. RUSSELL – SILVER LININGS PLAYBOOK10. BEST DOCUMENTARYJIRO DREAMS OF SUSHI

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Chicago Film Critics Association noms (They are the most important regional critic group after NY and LA):

BEST PICTURE

Argo

Beasts of the Southern Wild

Lincoln

The Master

Zero Dark Thirty

BEST DIRECTOR

Ben Affleck, Argo

Paul Thomas Anderson, The Master

Kathryn Bigelow, Zero Dark Thirty

Steven Spielberg, Lincoln

Benh Zeitlin, Beasts of the Southern Wild

BEST ACTOR

Daniel Day-Lewis, Lincoln

John Hawkes, The Sessions

Denis Lavant, Holy Motors

Joaquin Phoenix, The Master

Denzel Washington, Flight

BEST ACTRESS

Jessica Chastain, Zero Dark Thirty

Helen Hunt, The Sessions

Jennifer Lawrence, Silver Linings Playbook

Emmanuelle Riva, Amour

Quvenzhane Wallis, Beasts of the Southern Wild

Naomi Watts, The Impossible

BEST SUPPORTING ACTOR

Jason Clarke, Zero Dark Thirty

Leonardo DiCaprio, Django Unchained

Dwight Henry, Beasts of the Southern Wild

Phillip Seymour Hoffman, The Master

Tommy Lee Jones, Lincoln

BEST SUPPORTING ACTRESS

Amy Adams, The Master

Emily Blunt, Looper

Judi Dench, Skyfall

Sally Field, Lincoln

Anne Hathaway, Les Miserables

BEST ORIGINAL SCREENPLAY

Django Unchained by Quentin Tarantino

Looper by Rian Johnson

The Master by Paul Thomas Anderson

Moonrise Kingdom by Wes Anderson & Roman Coppola

Zero Dark Thirty by Mark Boal

BEST ADAPTED SCREENPLAY

Argo by Chris Terrio

Beasts of the Southern Wild by Lucy Alibar & Benh Zeitlin

Lincoln by Tony Kushner

The Perks of Being a Wallflower by Stephen Chbosky

Silver Linings Playbook by David O. Russell

BEST FOREIGN-LANGUAGE FILM

Amour

Holy Motors

The Intouchables

Once Upon a Time in Anatolia

Rust and Bone

BEST DOCUMENTARY

The Central Park Five

The Invisible War

The Queen of Versailles

Searching For Sugar Man

West of Memphis

BEST ANIMATED FILM

Brave

Frankenweenie

ParaNorman

The Secret World of Arrietty

Wreck-It Ralph

BEST CINEMATOGRAPHY

Claudio Miranda, Life of Pi

Janusz Kaminski, Lincoln

Mihai Milaimare Jr., The Master

Roger Deakins, Skyfall

Greig Fraser, Zero Dark Thirty

BEST ORIGINAL SCORE

Alexandre Desplat, Argo

Dan Romer and Benh Zeitlin, Beasts of the Southern Wild

Jonny Greenwood, The Master

Alexandre Desplat, Moonrise Kingdom

Alexandre Desplat, Zero Dark Thirty

BEST ART DIRECTION

Anna Karenina

Les Miserables

Lincoln

The Master

Moonrise Kingdom

BEST EDITING

Willian Goldenberg, Argo

Alexander Berner and Claus Wehlisch, Cloud Atlas

Leslie Jones and Peter McNulty, The Master

Stuart Baird, Skyfall

William Goldenberg and Dylan Tichenor, Zero Dark Thirty

MOST PROMISING PERFORMER

Samantha Barks, Les Miserables

Kara Hayward, Moonrise Kingdom

Dwight Henry, Beasts of the Southern Wild

Tom Holland, The Impossible

Quvenzhane Wallis, Beasts of the Southern Wild

MOST PROMISING FILMMAKER

Stephen Chbosky, The Perks of Being a Wallflower

Drew Goddard, The Cabin in the Woods

Nicholas Jarecki, Arbitrage

Colin Trevorrow, Safety Not Guaranteed

Benh Zeitlin, Beasts of the Southern Wild

Read more at http://www.hitfix.com/in-contention/the-master-leads-with-10-chicago-critics-nods#vcoidoRVb5U8ED2X.99

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Indiana Film Journalists Association announces its winners Monday.You can find its longlist of all films its members submitted for consideration in each category here:http://www.hitfix.com/in-contention/indiana-film-journalists-association-announces-longlists-of-nominees-the-master-leads-the-way

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I'm sure they don't give a damn what you think. And you remaining ignorant of the precursor process is probably fine by them as well.

:lol: I was a little hostile. I'm curious though why lesser critics' branches from these guys to the Dubuque Online Critics of Color Association thinks they need to release longlists.
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Honestly probably so they can go full disclosure with the people who normally read their reviews, etc.It's interesting to see what films are actually considered in a category, rather than just who wins. Shows the actual mindset of the critics, since the longlists show the group considers the female acting categories to be more narrow in suitable contenders than the male ones.

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