titanic2187

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">RAYA AND THE LAST DRAGON<br>$2.14M Weekend (Est.)<br>1,941 Screens / $1,102 Avg.<br>Weekend 6 / +4.9% Change<br>$35.24M Total (North America)<a href="https://twitter.com/hashtag/Raya?src=hash&amp;ref_src=twsrc%5Etfw">#Raya</a> <a href="https://twitter.com/hashtag/DisneyRaya?src=hash&amp;ref_src=twsrc%5Etfw">#DisneyRaya</a> <a href="https://twitter.com/hashtag/RayaAndTheLastDragon?src=hash&amp;ref_src=twsrc%5Etfw">#RayaAndTheLastDragon</a> <a href="https://twitter.com/hashtag/Disney?src=hash&amp;ref_src=twsrc%5Etfw">#Disney</a> <br> <a href="https://twitter.com/hashtag/BoxOffice?src=hash&amp;ref_src=twsrc%5Etfw">#BoxOffice</a></p>&mdash; Boxoffice Pro (@BoxOffice) <a href="https://twitter.com/BoxOffice/status/1381251789320753153?ref_src=twsrc%5Etfw">April 11, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">THE MARKSMAN<br>$120K Weekend (Est.)<br>281 Screens / $427 Avg.<br>Weekend 13 / -22.0% Change<br>$15.21M Total (North America)<a href="https://twitter.com/hashtag/Marksman?src=hash&amp;ref_src=twsrc%5Etfw">#Marksman</a> <a href="https://twitter.com/hashtag/TheMarksman?src=hash&amp;ref_src=twsrc%5Etfw">#TheMarksman</a> <a href="https://twitter.com/hashtag/BoxOffice?src=hash&amp;ref_src=twsrc%5Etfw">#BoxOffice</a></p>&mdash; Boxoffice Pro (@BoxOffice) <a href="https://twitter.com/BoxOffice/status/1381247368545320960?ref_src=twsrc%5Etfw">April 11, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet"><p lang="en" dir="ltr">MINARI<br>$118K Weekend (Est.)<br>555 Screens / $213 Avg.<br>Weekend 9 / -5.5% Change<br>$2.26M Total (North America)<a href="https://twitter.com/hashtag/Minari?src=hash&amp;ref_src=twsrc%5Etfw">#Minari</a> <a href="https://twitter.com/hashtag/BoxOffice?src=hash&amp;ref_src=twsrc%5Etfw">#BoxOffice</a></p>&mdash; Boxoffice Pro (@BoxOffice) <a href="https://twitter.com/BoxOffice/status/1381247777196408834?ref_src=twsrc%5Etfw">April 11, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Funanimation was very efficient in making a gathering for anime fans, considering My Hero Academia wasn't really a huge record breaking international hit yet still managed to hit 5m opening, a similar number for DS shouldn't be something that too much to ask. The only downside is Canada's cinema closure. Ironically, a 5m opening would be some random small-hit in a normal world but with ongoing pandemic, even a 3m opening for DS , can make some headline-worthy news.

Maybe not nice enough to warranty >KoTM

Seem like they still focus on the area where 50% is allowed

I can only assume such....seem like PWP for double digits grosser have been great. Maybe some spillover effect from last week since PWP and standard shows were selling hot No, the next batch will be on 23Apr.

WB reported 3.88m Fri for GvK. Although this is a much more solid number than we hoped, still I can't help but to get suspicious of the number. Based on the 8m weekday gross, I would assume 4 days midweek number would went something like 2.7 | 2.3 | 1.5 | 1.5, this would give Fri some 160% bump, which seem way too big based on the raw data you have. Is it possible WB fudge friday number?

We also have new info on tenet gross since its last publicly known gross was 57.9m. That 60m total also telling us, GvK made about 8m from Mon - Thurs

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Yesterday, GODZILLA VS. KONG surpassed TENET ($58.5M) to become the top domestic grosser of the pandemic so far.<br><br>$3.88M Friday Estimate<br>$60.0M Domestic Total <a href="https://twitter.com/hashtag/GodzillaVsKong?src=hash&amp;ref_src=twsrc%5Etfw">#GodzillaVsKong</a> <a href="https://twitter.com/hashtag/BoxOffice?src=hash&amp;ref_src=twsrc%5Etfw">#BoxOffice</a></p>&mdash; Boxoffice Pro (@BoxOffice) <a href="https://twitter.com/BoxOffice/status/1380895689178251265?ref_src=twsrc%5Etfw">April 10, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">RAYA AND THE LAST DRAGON<br>$550K Friday Estimate <br>$33.65M Domestic Total <a href="https://twitter.com/hashtag/Raya?src=hash&amp;ref_src=twsrc%5Etfw">#Raya</a> <a href="https://twitter.com/hashtag/RayaAndTheLastDragon?src=hash&amp;ref_src=twsrc%5Etfw">#RayaAndTheLastDragon</a> <a href="https://twitter.com/hashtag/BoxOffice?src=hash&amp;ref_src=twsrc%5Etfw">#BoxOffice</a></p>&mdash; Boxoffice Pro (@BoxOffice) <a href="https://twitter.com/BoxOffice/status/1380891261394124804?ref_src=twsrc%5Etfw">April 10, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script> Not sure if this weekend worth a thread

That could mean 60% from opening week, a beyond terrible holds, GvK may miss 100m total.

From the latest arrangement, I can tell Paramount is still isn't very confident with the box office market.

Maybe he is implying that DS is a trash.

That is a super challenging upset to replicate. On the related note, with both Viola Davis and Carey snubbed at BAFTA, there is no way to measure how much momentum they retain along the season. Frances may that that BAFTA prize and give her some last boost to Oscar win. The only odd against Frances at the Oscar is her recent win, and most notable, her deliberately absence from the campaign spotlight. I can feel Frances is trying every possible way to escape this season.

Overseas number is up by 0.4m to 237.3m. That worldwide total imply that domestic actual opening is at 48m <blockquote class="twitter-tweet"><p lang="en" dir="ltr">GODZILLA VS. KONG<br>$136.5M China Total<br>$237.3M Overseas Total / 38 Markets<br>$285.3M Global Total <a href="https://twitter.com/hashtag/Godzilla?src=hash&amp;ref_src=twsrc%5Etfw">#Godzilla</a> <a href="https://twitter.com/hashtag/Kong?src=hash&amp;ref_src=twsrc%5Etfw">#Kong</a> <a href="https://twitter.com/hashtag/GodzillaVsKong?src=hash&amp;ref_src=twsrc%5Etfw">#GodzillaVsKong</a> <a href="https://twitter.com/hashtag/BoxOffice?src=hash&amp;ref_src=twsrc%5Etfw">#BoxOffice</a></p>&mdash; Boxoffice Pro (@BoxOffice) <a href="https://twitter.com/BoxOffice/status/1379134194006249472?ref_src=twsrc%5Etfw">April 5, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

With this back-to-back success of Hi Mom, and My Sister, I guess a bunch of family-centric heart warming movies perhaps like, Bye Dad, See you again brother, Hello Grandma, Our Grandfather, My aunt and I are all on their way to Chinese theaters.

A great choice from SAG for supporting actress. Her biggest competition would be Olivia or Close but both of them aren't even nominated at BAFTA, so even if Youn won there, the advantage won't be clear. When was the last time an Oscar actor/actress winner isn't even nominated at GG? Alicia Vikander doesn't count since she did score a nomination as lead actress in GG for the danish girl. It is huge blow to Youn's Oscar chance considering GG snub Youn.

I wish the destruction of your campus would be minimal judging how they destroyed Hong Kong for this film. The casualty in your campus should be minimal too thanks to pandemic that keep people at their home.

I too, expect at least 50m for 5 days but that Friday bump turns out lower than I hope.....

I am getting more and more confused of just how much Titanic over the course of its run. BOM keep changing their number although I think 2.195b is the most accurate number

Titanic 3D similarly opened for 5 days during Easter weekend. While not a comparable genre, both Titanic 3D and GvK are widely available on other platforms , free or not. This should provide some comparison point for both titles, Titanic 3D did 25.6m (5 days opening) for a 57.9m total, GvK would gross ~108.6m if follow Titanic 3D's leg.

So DS is expected to take down 800 after its NA debut in 23Apr. So it took 4 months into 2021 to confirm the eventual worldwide winner of 2020 box office. but this is still 1-2 months earlier compared to Frozen when we had to wait til June to confirm Frozen will take over Iron man 3

Japanese trying really hard to top 800 for the 2020 crown, only to have BOM fucked up their exchange rate over the course of its long run and miss out some notable market like Taiwan.

Outside of its stunning ensemble performance, I can't help but to think the direction is a bit weak here. The issue and theme that Minari touch on felt disjointed without holistic impact. The direction is meticulous but somehow just isn't very sharp. Some not-so appropriate cinematography choice. Overall 7/10. To compare this to The farewell, the farewell largely suffer from the lack of plot to drive the film further but overall emotionally effective. Minari mostly suffer from its overuse of "belief in faith" trope.

Croods 2 finally suffer its first harsh drop after nearly 5 months. I wonder why Croods box office achievement is so much less talked about compared to ww84, tenet or even Raya and T&J