Jump to content

CoolioD1

Film Critics Awards 2014. (winners in 1st post)

Recommended Posts

National Board of Review

 

Best Film:  A Most Violent Year
Best Director:  Clint Eastwood – American Sniper
Best Actor (TIE):  Oscar Isaac – A Most Violent Year; Michael Keaton – Birdman
Best Actress: Julianne Moore – Still Alice
Best Supporting Actor:  Edward Norton – Birdman
Best Supporting Actress:  Jessica Chastain – A Most Violent Year
Best Original Screenplay:  Phil Lord & Christopher Miller – The Lego Movie
Best Adapted Screenplay:  Paul Thomas Anderson – Inherent Vice
Best Animated Feature:  How to Train Your Dragon 2
Breakthrough Performance:  Jack O’Connell – Starred Up & Unbroken
Best Directorial Debut:  Gillian Robespierre – Obvious Child
Best Foreign Language Film:  Wild Tales
Best Documentary:  Life Itself
William K. Everson Film History Award:  Scott Eyman
Best Ensemble:  Fury
Spotlight Award:  Chris Rock for writing, directing, and starring in – Top Five
NBR Freedom of Expression Award:  Rosewater
NBR Freedom of Expression Award:  Selma

  • Like 4
Link to comment
Share on other sites



NBR:

Best Film: A Most Violent Year

Best Director: Clint Eastwood – American Sniper

Best Actor (TIE): Oscar Isaac – A Most Violent Year; Michael Keaton – Birdman

Best Actress: Julianne Moore – Still Alice

Best Supporting Actor: Edward Norton – Birdman

Best Supporting Actress: Jessica Chastain – A Most Violent Year

Best Original Screenplay: Phil Lord & Christopher Miller – The Lego Movie

Best Adapted Screenplay: Paul Thomas Anderson – Inherent Vice

Best Animated Feature: How to Train Your Dragon 2

Breakthrough Performance: Jack O’Connell – Starred Up & Unbroken

Best Directorial Debut: Gillian Robespierre – Obvious Child

Best Foreign Language Film: Wild Tales

Best Documentary: Life Itself

William K. Everson Film History Award: Scott Eyman

Best Ensemble: Fury

Spotlight Award: Chris Rock for writing, directing, and starring in – Top Five

NBR Freedom of Expression Award: Rosewater

NBR Freedom of Expression Award: Selma

And now we can officially take Chashitto and O'Connell out of contention for good.

  • Like 1
Link to comment
Share on other sites









The rest of NBR

 

 

Top Films
American Sniper
Birdman
Boyhood
Fury
Gone Girl
The Imitation Game
Inherent Vice
The Lego Movie
Nightcrawler
Unbroken

 

Top 5 Foreign Language Films
Force Majeure
Gett: The Trial of Vivian Amsalem
Leviathan
Two Days, One Night
We Are the Best!

 

Top 5 Documentaries
Art and Craft
Jodorowsky's Dune
Keep On Keepin’ On
The Kill Team
Last Days in Vietnam

 

Top 10 Independent Films
Blue Ruin
Locke
A Most Wanted Man
Mr. Turner
Obvious Child
The Skeleton Twins
Snowpiercer
Stand Clear of the Closing Doors
Starred Up
Still Alice

 

===========================

 

How does LEGO get into top 10 (or rather the top 10 that aren't Indies except when they are, Foreign Films or Documentaries)   when it doesn't even win their Best Animated film?

 

And how many times have NBR named Eastwood Best Director?  5 times?

Edited by TalismanRing
  • Like 1
Link to comment
Share on other sites



How does LEGO get into top 10 (or rather the top 10 that aren't Indies except when they are, Foreign Films or Documentaries)   when it doesn't even win their Best Animated film?

 

And how many times have NBR named Eastwood Best Director?  5 times?

Well NBR only loves 3 things. WB, Eastwood (preferably WB and Eastwood) and picking non-nominee winners.

  • Like 1
Link to comment
Share on other sites



I think the lego movie would technically be an adapted screenplay at the oscars, and the competition is much weaker there this year... (not saying it'll happen. just let me entertain the idea for a sec.)

LEGO can't be adapted. That makes no sense. Adapted from what? Anyway, if LEGO pulls a screenplay nod that would be fucking awesome!

  • Like 1
Link to comment
Share on other sites







That's bullshit. The Academy is so full of shit with their rules. Don't they know what original means? 

 

The argument, from Toy Story 3, was that since they are using characters that are already in existence, the art of writing the screenplay is therefore substantially different from the art of writing a screenplay that was wholly based on new characters because the writers already had some sort of screenplay/pre-existing material to base some of the characters off of. 

  • Like 1
Link to comment
Share on other sites



The argument, from Toy Story 3, was that since they are using characters that are already in existence, the art of writing the screenplay is therefore substantially different from the art of writing a screenplay that was wholly based on new characters because the writers already had some sort of screenplay/pre-existing material to base some of the characters off of. 

And yet, The King's Speech got best original screenplay. And, that film was based on lots of pre-existing material. The Academy has such fucked up rules at times.

Link to comment
Share on other sites







Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.



  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Guidelines. Feel free to read our Privacy Policy as well.