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WrathOfHan

Weekend Actuals (Page 96): Dory 73M | IDR 41M | CI 18.2M | Shallows 16.8M | Conjuring 7.7M | Jones 7.6M

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11 minutes ago, grey ghost said:

 

Typically JL-David O'Russel collaborations make 125+ m.

 

Joy didn't even make half that.

 

 

They're previous collaborations had good reviews and Oscar buzz. Joy did not

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18 minutes ago, straggler said:

The problem with the whole who is a draw discussion is that people always move the goalposts. Jlaw helps carry the Hunger Games to good reviews and box office well beyond what was expected and it is "just a franchise." She absolutely helps carry SLP to box office success well beyond its 20 million dollar budget and has the Oscar to prove it and "any actress could have done it." She is key to the marketing and critical reception of AH and it is "just an ensemble." Plus I'm not sure who else is getting Joy to 56 million after the reviews and the DOR fatigue. But the flip side is always there.

 

Meanwhile Blake Lively is in a shark horror film that has a good opening weekend and she is a "draw" despite the fact that these type of films, such as Open Water, have a market. Open Water made 20 times it's budget. I'd say it was a smart choice given where Lively stands in the industry. 

 

I tend to see being a draw as combining the right actor with the right role I'm a film with a sellable concept. No actor can sell films people do not want to see. But it is possible to argue that anyone is or isn't a draw to some extent.

I am pretty sure you can say the same thing about The Hunger Games though. It already had its built in fan base. Having said that, I don't see there actually being a market for shark thrillers. The last few to come out didn't do much at the box office and then you've got Sharknado. Open Water came out over a decade ago so I wouldn't use that as an example of there being a market for shark films. However, with The Shallows and MEG coming out, I can see that changing. But yes I agree. It's all about the right role for the right actor. 

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5 minutes ago, superweirdo87 said:

SLP had awards buzz, word of mouth and good reviews. It never made more than 13M in a weekend.

Her performance was stellar but she's not the reason the movie was huge. It was huge because people loved it. The story, the acting, the ensemble the direction.

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5 minutes ago, JohnnyGossamer said:

No way JLaw hurt X-Men. That's outrageous. But, I think a claim can be made that her box office boosting was ALWAYS overblown. Hunger Games, if of the same quality, would've been huge regardless.

 

Absolutely. Lawrence had projects from 2012 that did well and the win streak in movies with critical and commercial success was incredible. A lot of people were thinking she powered those movies, when she was a part of projects that had a lot going for them.

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No actor can make a film a huge hit if the concept of the movie itself is commercially limited or just not the right project for them.

 

People often mistake a "draw" being just about the actor him/herself when it's really about what they bring to a role that appeals to people. People wanted to see Will Smith being charismatic and badass (so much so that a lot of people showed up to this even if it looked like a disaster from a mile away. In today's climate it would have been lucky to make half of that) but nobody wanted to see him as a golf caddy. You only really lose your "draw" status when people get tired of the thing that drew them to you in the first place (see Johnny Depp in the last few years).

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Ironically Jlaw was supposed to be in Savages instead of Lively but then Jlaw got offered the role in the Hunger Games. Savages wasn't going to be any better nor do any better with Jlaw in it. It's all about picking the right roles which has been said numerous times. 

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Passengers will be a test for both JLaw and Pratt. It'll be her first movie since 2011 that isn't a franchise flick or a Russell joint (unless we actually want to count House at the End of the Street and Serena lol).

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1 minute ago, Nova said:

. Savages wasn't going to be any better nor do any better with Jlaw in it. It's all about picking the right roles which has been said numerous times. 

No shit. No one knew who JLaw was until she did Hunger Games

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2 minutes ago, Ethan Hunt said:

No shit. No one knew who JLaw was until she did Hunger Games

The point is that she wasn't going to make that movie any better even though she's a very talented actress. 

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Economists who crunch numbers and find little support for star power as a lot of people think of it, did show Sandy Bullock can boost grosses a bit, more than most. "Gravity" was different from "The Blind Side" and her romantic comedy roles. And she seemed to be a plus for Gravity.

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5 hours ago, JohnnyGossamer said:

Lively's certainly improved her craft. But, no, I don't consider her a draw. I think there's a list of two dozen actors you could give the lead role to in The Shallows. It was marketed well. It's a decent movie that delivers exactly what's expected of it. Nothing more, nothing less. I'd say the same for Adaline. In saying this, I mean no disrespect to Lively.

Sorry but no. Blake is a knockout. Not many actresses can look nearly as good as her, she's a fashion icon and a good actress.

 

i cant name any other young actress than Jlaw making TS a success.

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6 minutes ago, filmlover said:

Passengers will be a test for both JLaw and Pratt. It'll be her first movie since 2011 that isn't a franchise flick or a Russell joint (unless we actually want to count House at the End of the Street and Serena lol).

 

"Passengers" will do really well, I think. But a lot of that might be the story itself. They will deserve some credit. Recall, though that Cooper went from American Sniper to Burnt and Aloha. 

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