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2013 Best Picture Thread

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  @LexG_III

Sasha Stone entering that ever-rational phase of Oscar time where she's calling for the execution of anyone who doesn't love 12 Yrs a Slave

10/15/13 3:21 PM

 

  @LexG_III

Some of you guys know Sasha Stone irl. Like does she just walk into CVSs and 7-11s terrorizing everybody about the Oscar race?

10/15/13 3:22 PM

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*cough* Nope *cough*

Amen!! I despise that the Weinsteins are allowed to buy off voters and hawk mediocre garbage for Oscar nods when crowd pleasers like This is the End and The Conjuring aren't even going to come close to BP (TitE will probably get an Original Screenplay nod but not much else)

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Amen!! I despise that the Weinsteins are allowed to buy off voters and hawk mediocre garbage for Oscar nods when crowd pleasers like This is the End and The Conjuring aren't even going to come close to BP (TitE will probably get an Original Screenplay nod but not much else)

 

 

:blink:  :blink:  :blink:  :blink:  :blink: You sure you're following the same race I am? Cus this looks like a distant alternative reality to me. OS is so crowded this year. 

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Updated

 

Pole Position (very huge buzz, strong reviews)

12 years a slave - also, the clear frontrunner.

Gravity - also, the crowd pleaser & the  technical gem spot

Philomena - also, the emotional drama and Weinstein's bigest contender

Captain Phillips - also, Hanks comeback & thrilling emotional true heroism

Rush - the weakest of these five contender. But very strong reviews. Plus, it's Howard.

 

Second line (good prebuzz)

Nebraska (starting to generate buzz, but it's too early)

American Hustler (the hype for this is strong, but can AH survive it?)

Mr Banks (never bet against an inner Hollywood story, and early buzz seems solid)

Llewyn Davies (never bet against the Coens. Also very good prebuzz, but will this be appealing to GA?)

All is lost (solid reception at Cannes, Redford's comeback, but still needs to pick up the buzz)

 

Third line (solid points, but maybe seen as a screenplay or actors vehicle) 

Her (screenplay?)

August (the buzz at tiff is there are solid perfs, but the film is not that strong. Needs BO to be in the conversation)

The Butler (sup actress)

Dallas Buyers Club (actor, sup actor)

Blue Jasmine (actress)

 

Might surprise (longshots or unseen)

Monuments Men

Prisoners

Walter Mitty

The counselor

Labor Day

 

Updated

 

Pole Position (very huge buzz, strong reviews)

12 years a slave - still, the clear frontrunner

Gravity - the crowd pleaser & the technical gem spot

Philomena - the emotional drama and Weinstein's biggest contender

Captain Phillips - Hanks comeback, true heroism, big success & emotional finale

Her - raves after being showed, plus Jonze increasing prestige & Phoenix buzz

 

Second line (very good chances)

Nebraska (great buzz, but it's too early, increasing hype)

American Hustler (the hype for this is strong, but it has yet to be widely shown)

Mr Banks (never bet against an inner Hollywood story, and early buzz seems solid)

Llewyn Davies (never bet against the Coens. Also very good prebuzz, but will this be appealing to GA?)

Rush (never bet against Howard, but that poor BO run...)

 

Third line (solid points, but maybe seen as a screenplay or actors vehicle) 

August (the buzz at tiff is there are solid perfs, but the film is not that strong. Needs BO to be in the conversation)

The Butler (sup actress, also thematically overshadowed by 12 years a slave)

All is lost (solid reception at Cannes, can be seen only as a Redford's comeback vehicle)

Dallas Buyers Club (actor, sup actor)

Blue Jasmine (actress, but Woody Alllen has a lot of AMPAS followers)

 

Might surprise (longshots or unseen)

Monuments Men 

Prisoners (overshadowed already by Captain & Gravity)

Walter Mitty (a mistery)

The counselor

Labor Day (early buzz not that strong)

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