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GI Joe rules int'l on $40.2m

7 April, 2013 | By Jeremy Kay

G.I. Joe: Retaliation held on to its international berth thanks to an estimated $40.2m weekend through Paramount Pictures International that propelled the early running total to $145.2m after two sessions.

 

The Paramount, MGM and Skydance Productions action sci-fi was active in 9,220 theatres in 60 markets and generated the biggest sum in South Korea where $3.7m from 590 sites raised the running total to $11.2m.

Russia produced a $3.2m number one hold from 1,267 locales for $14.6m, while $2.6m from 510 in Germany elevated the tally to $8.5m and Mexico’s $2.5m from 580 resulted in $10.8m.

G.I. Joe: Retaliation added $2.2m in Australia from 409 for $8.3m, $1.7m in the UK from 438 for $8.6m and $1.8m number one holds in both France from 495 for $5.8m and Brazil from 420 for $5.8m, respectively.

Channing Tatum and Dwayne Johnson scored a trio of number one debuts, opening in Belgium on a mighty $961,000 from 60 locations, some 60% ahead of 2009’s franchise launchpad G.I. Joe: The Rise Of Cobra. The film opened in South Africa on $397,000 from 97 or approximately 40% ahead of its predecessor, and opened in Vietnam on a terrific $574,000 from 31.

Hansel And Gretel: Witch Hunters added $1.5m from 1,200 locations in 23 international markets to reach $163.8m. The fantasy adventure stands at $17.4m in Germany after six weekends and grossed $280,000 from 52 sites in its second weekend in Venezuela for $1.6m.

    [*]DreamWorks International’s The Croods crossed $200m in its third weekend through Fox International as $34.1m from 11,347 screens in 62 markets boosted the tally to $206.8m.

Fox International claimed the film ranks number one in 18 markets including nine of the top 15. They are: Australia, which generated $3.6m from 533 for $11.9m after two; the UK on $3.6m from 1,050 for $26.8m after three; Germany on $3.5m from 1,025 for $16.5m after three; Mexico on $2.5m from 1,397 for $20.6m after three; Italy on $1.9m from 749 for $12.9m after three; Brazil on $1.9m from 606 for $11.1m after three; Spain on $1.9m from 604 for $13.5m after three; Belgium on $917,000 from 140 for $2m after three; Argentina on $843,000 from 210 in for $5.5m; and Sweden on $496,000 from 20 for $2.9m after three.

The Croods coaxed a further $2.2m from 1,398 Russian screens in its third weekend to reach $25.1m. The debut in nearby Poland produced $968,000 from 214 screens.

As usual there was a string of notable results from Latin America as the family release added $933,000 from 125 in the increasingly impressive Venezuela for $4.7m to stay top for the third weekend in a row. The film stayed top for the third consecutive session in two other markets on the continent: $504,000 from 194 in Colombia for $3.9m and $587,000 from 121 in Chile for $26m.

Fox International Productions’ Running Man opened top in South Korea on $3.7m from 565 and scored a $4.4m second weekend in Japan with Dragonball Z (a co-production with Toei) on 312 screens as that film climbed to $18.7m.

Danny Boyle’s Trance grossed $3.2m from 1,400 in six markets, boosting the early score to $7.2m. The thriller opened in Russia at number five on $1.2m from 628 and arrived in Australia on $616,000 from 200 in sixth place. The UK ranks third after generating a further $1.2m from 456 to reach $5.1m after two weekends.

A Good Day To Die Hard added $1.6m from 13 markets for $234m.

    [*]Walt Disney Studios Motion Pictures International reported that  in its fifth weekend fantasy adventure Oz The Great And Powerful grossed $13.6m from 56 territories to stand at $241.3m internationally and $454.1m worldwide.

Russia remains the lead market on $27m followed by China on $20.9m, the UK on $20.6m, Japan on $17.2m, Mexico on $14.8m, Australia on $14.4m, Germany on $13.7m, Brazil on 13m, France on $12.1m, Italy on $10.6m, Spain on $7.7m, Venezuela on $4.1m, Argentina on $3.5m and South Korea on $2.7m.

    [*]Jack The Giant Slayer brought in a further $10.9m through Warner Bros Pictures International from 61 markets to stand at $116.8m. The fantasy adventure added $1.4m in France for $4.1m after two weekends and $1.1m in the UK for $9.1m after three.

    [*]Sony Pictures Releasing International reported that theEvil Dead remake, distributed in the US this weekend through TriStar, grossed an estimated $4.5m from 1,110 screens in 21 markets.

Russia led the way and is frequently does these days, grossing $1.6m from 386 for fourth place, followed by Spain on $1.5m from 263 for number two. Mexico generated $390,000 from 15.

    [*]Jurassic Park 3D opened through Universal Pictures International in Australia, Hong Kong, India, Lebanon, Middle East, Russia, Ukraine and the UAE on an estimated $3m from 1,017 sites. Russia generated $1.4m from 601 in sixth place, Australia ranks fifth on $650,000 from a limited 26 sites.

Identity Thief added $6.4m from 27 for $25.8m and arrived in Australia in second place on $2.7m from 235.Mama grossed $2.3m from 32 for $58.6m, while Working Title’sLes Misérables stands at $288.6m. Anna Kareninastands at $56.2m and Ted $330.5m and $45.2m in Japan after 12 sessions.

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GI Joe rules int'l on $40.2m

7 April, 2013 | By Jeremy Kay

G.I. Joe: Retaliation held on to its international berth thanks to an estimated $40.2m weekend through Paramount Pictures International that propelled the early running total to $145.2m after two sessions.

 

 

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Evil Dead has done well so far with it's $10m in 2 weeks.

 

It opens in 10 markets tomorrow (UK today, can't wait).

 

Then 6 the following week, 5 the next, 11 the following, then 6 again before the smaller markets throughout the end of May and start of June.

 

I'm hoping it can eventually pass $100m worldwide. $53.1m just now.

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The Asian market’s powerhouse status is nothing new, however its ability to shape the box office landscape continued to inspire awe as a $33m opening week single-handedly returned the international box office crown to Paramount’s G.I. Joe: Retaliation.

 

The $40m result includes the entire first week’s result from China, which is consistent with the way China currently reports box office debuts.

Oblivion ruled the roost last weekend thanks to a terrific $60m launch and Universal Pictures International (UPI) reported a solid $33.7m second session that elevated the running total to $112m.

Paramount Pictures International’s (PPI) G.I. Joe sequel soared past $200m to reach $211.7m with Japan still to come on Jun 8. Active in 13,616 locations in 62 territories, the sci-fi adventure led the way in China on 7,500 sites and in the course of a single week has already overtaken the lifetime gross of its predecessor.

G.I. Joe: Retaliation generated approximately $3m from 101 IMAX screens in China for a per-screen average of more than $30,000.

Brazil was the highest of the fourth-weekend holdovers on $600,000 from 400 theatres for $8.8m. Russia stands at $15.9m, Mexico $13.8m, the UK $11.1m, Australia $10.7m, Germany $10m and France $7.3m.

Hansel And Gretel: Witch Hunters has reached $165.4m and arrives in Italy on May 1. PPI looks likely to maintain an iron grip on the box office for a while. This week it launches Iron Man 3 internationally, one week ahead of the North American debut on May 3.

    [*]UPI’s Oblivion is playing in 60 territories and arrived in a further nine territories including Poland and South Africa. The sci-fi thriller grossed $1.6m on IMAX screens as the running total climbed to more than $6m on the giant screen format.

The Tom Cruise sci-fi thriller held on to its number one status in most of last weekend’s debut market including Russia, where a further $3.5m from 850 propelled the running total to $14.8m. The film grossed $2.6m from 525 in the UK for $12.3m and ranks top in Germany on $2.1m from 580 for $5.5m.

France returned a number four rank as $2.1m from 419 resulted in $7.1m after two weekends. Oblivion ranks top in Spain where $1.7m from 350 pushed the tally to $5.2m, while Italy generated $1.3m from 362 for $3.9m.

Cruise and friends rank third in Australia after $2m from 234 boosted the score to $6.7m and the film placed top in South Korea on $3.1m from 542 for $8.3m. A further $1.9m in Mexico from 561 elevated the running total to $5.8m while a $1.8m number one haul in Brazil from 420 boosted the score to $4.5m. 

The Japanese launch is set for May 31 and China will open on a date to be determined.

Mama brought in $2.9m from 900 venues in 22 territories to push the running total to $64.2m. The horror tale opened in Germany in second place on $1.6m from 329 and debuted at number one in Austria on $358,000 from 71. Identity Thief stands at $32.9m and Jurassic Park 3D $6.6m from 10 territories.

    [*]Fox International reported that DreamWorks Animation’s The Croods added $23.4m from 14,717 screens in 68 markets to push the running total to $274.5m.

The family filmed debuted in China on $6m from 5,000 and added $3.2m in France from 767 for $7.6m after two sessions and $2.2m from 512 Australian screens for $20.8m after four.

After five weekends of The Croods, Russia has generated $27.2m, the UK $35.9m, Mexico $24.3m, Germany $18.1m and Spain $15m.

Fox International Productions’ (FIP) Dragonball Z added $1.4m from 312 in its fourth weekend in Japan in association with Toei to reach $26.1m while FIPsRunning Man stands at $7.8m in South Korea following a $1m haul from 331 in the third weekend. Lincoln stands at $85.1m overall.

    [*]According to Rentrak, Olympus Has Fallen grossed $7.8m through Nu Image licensees over the weekend, while UGC’s Les Profs grossed $5.8m, The Weinstein Company’s Scary Movie 5 took $3.5m, Les Gaminsgenerated $2.7m through Gaumont, Japan’s Detective Conan Private Eye took $2.3m and The Place Beyond The Pines, licensed by Sierra/Affinity, generated $1.6m. [*]Evil Dead grossed $2.3m through Sony Pictures Releasing International from 1,250 screens in 32 markets to reach $13.3m. The horror remake opened in Brail on $600,000 from 102. The lead market is Russia on $5.6m after three weekends. [*]Oz The Great And Powerful added $1.5m through Walt Disney Studios Motion Pictures International to push the running total to $254.8m.

http://www.screendaily.com/box-office/gi-joe-2-storms-into-china/5054095.article?blocktitle=Latest-News&contentID=1846

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I think this is a good thread to say this: If I am not wrong, BOM has updated some WW figures.

 

Deathly Hallows 2 has risen to 1.341 billion (960 OS). That is about 14 million more.

The Dark Knight Rises is now at 1.084 billion (636 OS). I think that is just 3 or 4 million more, but still remarkable.

And Hobbit has been closed with 1.017 billion.

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As things stand China ranks as the lead market, followed by South Korea on $42.6m, the UK on $38.3m, Mexico on $35.8m, Brazil on $30.1m, Australia on $28.4m and France on $27.8m.

Iron Man 3 has amassed $21.7m in Russia, where it scored the third biggest opening weekend and the biggest opening day. It stands at $17.4m in Italy, $16.4m in Japan, $15.1m in Taiwan, $12.3m in the Philippines, $10.6m in Indonesia, $10.5m in Hong Kong and $10.5m in Malaysia.

Germany delivered the biggest launch of the year-to-date on $10m with a €7.6m equivalent that has already overtaken the €7m final tally of Iron Man 2.

A $6.2m haul in Thailand powered by the biggest opening day resulted in the biggest opening weekend. There were record debut weekends in the Asia-Pacific and Latin American regions.

 

 

http://www.screendaily.com/box-office/im3-soars-past-500m-intl/5054616.article?blocktitle=Box-Office&contentID=610

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