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New Weekend Thread..Shazam 6.3 Little 5.3 Hell 4.9...NO FLAME WARS PLEASE!

By baumer, in Numbers and Data

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AhmiiZafii Straight-to-DVD

AhmiiZafii

Posted
Posted
1 minute ago, mulderfox said:

Making over 4 times its budget is now only decent :hahaha:

How much profit will be made by that 4 times box office is the real thing that will determine if its a decent success or a HUGE SUCCESS? 

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mulderfox Cult Classic

mulderfox

Posted
Posted
4 minutes ago, AhmiiZafii said:

How much profit will be made by that 4 times box office is the real thing that will determine if its a decent success or a HUGE SUCCESS? 

True. Ant-Man made $103 million net profit from 3.99 times its budget. So we will see where it lands

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a2k Global Phenomenon

a2k

Posted
Posted (edited)

Shazam's China contribution is pretty small.

 

Approx theatrical revenue compared to ALITA,

150*0.55 + 45*0.25 + 180*0.40 = 166 on 375 ww with 100 prod budget

85.5*0.55 + 133*0.25 + 185*0.40 = 154 on 403.5 ww with 165+ prod budget

Edited by a2k
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Barnack Global Phenomenon

Barnack

Posted
Posted (edited)
32 minutes ago, mulderfox said:

True. Ant-Man made $103 million net profit from 3.99 times its budget. So we will see where it lands

We do not know how much profit Ant-Man did or is net budget (being a Georgia production), we will never know where this land, chance are good we will never even know the movie budget (Canada production historically, we rely on someone telling it at one point and they not always do).

 

UK tax report seem to indicate 170m gross spending on Ant Man, making 130m net possible but a bit low:

 

https://www.forbes.com/sites/csylt/2018/04/27/disney-reveals-avengers-infinity-wars-financial-muscle/#2ff0dfd14e48

 

Marvel-table-1200x669.jpg

 

Avengers 3 look really low here, but that from an April 2018 article with the accounting just starting.

 

Has for huge / descent success, I think one is taking the opportunity cost of using a SH annual slot into account and the strength of the genre here, it is hard to dissociated itself completely from it (Like if Solo had the Fury Road budget and did similar, the subjective notion of how successful it is would be quite different, same if Captain Marvel would have done Mission Impossible fallout domestic numbers...).

 

How much of being a huge or descent or deception success depend of what the studio did put on their budgeted prediction at greenlight time, beginning of the year time, last quarter time, etc... will see the legs on it and Japan, etc.. etc... but it seem headed more on the descent success than the huge one.

Edited by Barnack
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mulderfox Cult Classic

mulderfox

Posted
Posted
24 minutes ago, Barnack said:

We do not know how much profit Ant-Man did or is net budget (being a Georgia production), we will never know where this land, chance are good we will never even know the movie budget (Canada production historically, we rely on someone telling it at one point and they not always do).

 

UK tax report seem to indicate 170m gross spending on Ant Man, making 130m net possible but a bit low:

 

https://www.forbes.com/sites/csylt/2018/04/27/disney-reveals-avengers-infinity-wars-financial-muscle/#2ff0dfd14e48

 

Marvel-table-1200x669.jpg

 

Avengers 3 look really low here, but that from an April 2018 article with the accounting just starting.

 

Has for huge / descent success, I think one is taking the opportunity cost of using a SH annual slot into account and the strength of the genre here, it is hard to dissociated itself completely from it (Like if Solo had the Fury Road budget and did similar, the subjective notion of how successful it is would be quite different, same if Captain Marvel would have done Mission Impossible fallout domestic numbers...).

 

How much of being a huge or descent or deception success depend of what the studio did put on their budgeted prediction at greenlight time, beginning of the year time, last quarter time, etc... will see the legs on it and Japan, etc.. etc... but it seem headed more on the descent success than the huge one.

https://deadline.com/2016/03/ant-man-profit-box-office-2015-marvel-paul-rudd-1201723544/

 

Quote

The end results speak for themselves: Ant-Man delivered a $103M net profit, and a Cash on Cash Return of 1.31. Marvel is hard at work on Ant-Man And The Wasp, the latter being played by Evangeline Lilly.

 

i got the net profit from Deadline here yeah they could be wrong i do not think anyone knows what profit movies make other than the studios.

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CJohn Cinematic Universe

CJohn

Posted
Posted (edited)
2 hours ago, MCKillswitch123 said:

What is it with this country and fucking BDSM psychos, man :WHATanabe:

 

Dat fuckin' Dumbo number, though :ohmygod:

After's OW is bonkers. The Hunger Games sold 35.000 tickets on OW for comparison.

 

Dumbo is the family event of this Easter. It is gonna be the 3rd biggest live action Disney remake only behind Alice in Wonderland and The Beauty And The Beast.

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cdsacken Summer Tentpole

cdsacken

Posted
Posted (edited)
1 hour ago, a2k said:

Shazam's China contribution is pretty small.

 

Approx theatrical revenue compared to ALITA,

150*0.55 + 45*0.25 + 180*0.40 = 166 on 375 ww with 100 prod budget

85.5*0.55 + 133*0.25 + 185*0.40 = 154 on 403.5 ww with 165+ prod budget

You are honest about the production budget. Reshoots for a month aren't free. It's still a good haul but people keep inciting arguments.

Edited by cdsacken
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terrestrial Global Phenomenon

terrestrial

Posted
Posted
 17 minutes ago

flies to new series high with final season debut viewership

‘Game Of Thrones’ Flies To New Series High With Final Season Debut Viewership

Quote

The end of the penultimate season of Game of Thrones was the best the HBO blockbuster had ever done with viewers, but last night’s final season opener just put that record on ice.

Back almost two years after Season 7 premiered, Sunday’s “Winterfell” Season 8 debut snared 17.4 million viewers for the premium cabler on-air and HBOGo and HBO Now

Even with a brief leak on DirecTV Now earlier on Sunday and the lack of HBO on Dish now,  that’s up 4% from the Season 7 “The Dragon and the Wolf” ender of August 27, 2017 once all the premium cabler’s linear and digital platforms are added up. The record breaker of last night’s season opener was also way up from the previous season opener record holder of Season 7’s “Dragonstone” of July 16, 2017.

A point that HBO will undoubtedly rightly emphasis as the habits of viewers in this Peak TV era is the huge surge in digital participation that the Season 8 debt had. Not only was last night the best night ever that the now WarnerMedia-run premium cabler has ever had but GoT was up almost 50% over the Season 7 ender and a whooping 97% over the Season 7 opener on HBOGo and HBO Now.

Just on linear, the first of the six-episode Season 8 run rose 12% over that Season 7 premiere. Again, just on linear, last night’s episode took a dip of 7% next to the Season 7 finale, with that carriage dispute with Dish likely a not insignificant factor on the margins.

Rising almost weekly from episode-to-episode and year-to-year, Season 7 of the  David Benioff and D.B. Weiss EP’d multiple Emmy winner based on George R.R. Martin’s writings actually debuted much later than the series had in past years. Starting in Season 1 in 2011 and all the way to Season 6 in 2016, the Emilia Clarke, Peter Dinklage, Lena Headey and Kit Harington-led drama opened in late March or mid-April.

In fact, the premiere of Season 5 almost matched the Season 8 premiere with its April 12, 2015 airing.

The long wait and Emmy victories between the penultimate season and the eighth and final season has clearly deepened and broadened GoT‘s culture relevance and overall appeal.

Over the last week or so the series and its return has become a constant touchstone and reference as the public release of the Mueller Report looms, Disney unveiled their streaming service strategy and launch date, and the Trump administration saw forced resignations and more firings over immigration policy. Add to that GoT shout outs in relation to the general election in Israel, Brexit chaos in the UK and Europe continuing and the WGA and the Association of Talent Agents going to war in Hollywood and the end of the show has spread across the cultural landscape in a way the small screen hasn’t seen since the almost equally name checked  Breaking Bad wrapped up its five season run on September 29, 2013 – an eon ago in the fast changing TV environment.

As this morning also shows around the water cooler, on social media and otherwise, it  probably didn’t hurt that the table setting David Nutter directed and Dave Hill penned Winterfell Season 8 debut was one of the best episodes of the series so far, at least in my opinion.

In fact, the real question may become not if Game of Thrones continues to reach new audience heights as it heads towards the May 19 series finale. From the live same day results to the delayed viewing to come on DVRs and more, the real game here could be how high will it go on the path to finding a new occupant on the Iron Throne.

https://deadline.com/2019/04/game-of-thrones-ratings-series-high-final-season-debut-kit-harington-emilia-clarke-hbo-1202596119/

 

 

 

 27 minutes ago

 

EXCLUSIVE: Netflix and Mark Millar announce their latest in-house creation, , a female-led sci-fi story

 

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xiazhi Sleeper Hit

xiazhi

Posted
Posted
1 hour ago, a2k said:

Shazam's China contribution is pretty small.

 

Approx theatrical revenue compared to ALITA,

150*0.55 + 45*0.25 + 180*0.40 = 166 on 375 ww with 100 prod budget

85.5*0.55 + 133*0.25 + 185*0.40 = 154 on 403.5 ww with 165+ prod budget

You should see shazam's drop in China. China really hate this movie

 

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