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Weekend Actuals: 36.2 M ALIEN: COVENANT | 34.7 M GOTG II | 11.7 M EVERYTHING, EVERYTHING

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1 N Alien: Covenant Fox $36,160,621 - 3,761 - $9,615 $36,160,621 $97 1
2 1 Guardians of the Galaxy Vol. 2 BV $34,653,754 -46.9% 4,347 - $7,972 $301,391,228 $200 3
3 N Everything, Everything WB $11,727,390 - 2,801 - $4,187 $11,727,390 $10 1
4 2 Snatched Fox $7,832,517 -59.9% 3,511 +10 $2,231 $33,015,117 $42 2
5 3 King Arthur: Legend of the Sword WB $7,152,269 -53.5% 3,702 - $1,932 $27,503,490 $175 2
6 N Diary of a Wimpy Kid: The Long Haul Fox $7,126,084 - 3,157 - $2,257 $7,126,084 $22 1
7 4 The Fate of the Furious Uni. $3,234,040 -40.1% 2,287 -780 $1,414 $219,944,340 $250 6
8 6 The Boss Baby Fox $2,848,253 -36.7% 2,071 -840 $1,375 $166,200,803 - 8
9 5 Beauty and the Beast (2017) BV $2,545,579 -47.1% 1,792 -380 $1,421 $497,924,628 $160 10
10 7 How to be a Latin Lover PNT $2,051,180 -46.8% 948 -175 $2,164 $29,309,990 - 4
11 8 Lowriders BH Tilt $1,183,600 -50.8% 365 +70 $3,243 $4,211,985 - 2
12 11 Gifted FoxS $766,765 -50.3% 824 -602 $931 $22,900,823 - 7
13 13 Going in Style (2017) WB (NL) $600,081 -44.2% 690 -554 $870 $43,372,898 $25 7
14 12 Smurfs: The Lost Village Sony $572,562 -49.6% 652 -953 $878 $43,064,566 $60 7
15 18 Norman: The Moderate Rise and Tragic Fall of a New York Fixer SPC $565,554 +47.8% 373 +220 $1,516 $2,273,140 - 6
16 9 The Circle (2017) STX $451,218 -74.7% 684 -1,448 $660 $20,030,002 $18 4
17 14 Born in China BV $371,765 -59.3% 575 -480 $647 $13,137,812 - 5
18 15 The Wall RAtt. $321,050 -64.2% 524 -16 $613 $1,578,770 - 2
19 31 The Lovers A24 $274,050 +118.8% 105 +82 $2,610 $528,495 - 3
20 17 Get Out Uni. $245,135 -38.3% 262 -143 $936 $174,939,840 $4.5 13
21 19 The Zookeeper's Wife Focus $231,360 -36.8% 275 -150 $841 $16,839,076 - 8
22 23 Logan Fox $205,176 -27.7% 213 -92 $963 $225,885,681 $97 12
23 33 Power Rangers (2017) LGF $204,916 +93.6% 221 +24 $927 $85,067,486 $100 9
24 25 A Quiet Passion MBox $202,731 -4.6% 135 +18 $1,502 $1,081,006 - 6
25 16 The Lost City of Z BST $202,564 -60.1% 217 -280 $933 $8,010,429 - 6
26 22 Kong: Skull Island WB $201,305 -29.6% 238 -108 $846 $167,051,307 $185 11
27 35 Paris Can Wait SPC $188,369 +90.6% 23 +19 $8,190 $318,951 - 2
28 48 The Wedding Plan RAtt. $172,975 +446.4% 53 +45 $3,264 $218,969 - 2
29 29 The LEGO Batman Movie WB $155,339 +3.5% 202 -18 $769 $175,329,830 $80 15
30 20 Their Finest STX $150,709 -50.5% 160 -98 $942 $3,178,763 - 7
31 26 The Case for Christ PFR $91,103 -51.7% 138 -128 $660 $14,450,540 - 7
32 N Champion AAE $87,100 - 31 - $2,810 $87,100 - 1
33 21 Sleight BH Tilt $84,100 -71.6% 113 -251 $744 $3,847,290 $0.25 4
34 28 Unforgettable (2017) WB $81,680 -56.0% 176 -127 $464 $11,274,490 $12 5
35 32 Colossal Neon $77,785 -35.6% 105 -60 $741 $2,868,097 - 7
36 37 Hidden Figures Fox $55,942 -31.4% 81 -22 $691 $169,274,813 $25 22
37 34 Ghost in the Shell (2017) Par. $53,928 -46.9% 124 -64 $435 $40,533,014 $110 8
38 38 Life (2017) Sony $39,204 -44.7% 87 -38 $451 $30,180,466 $58 9
39 24 The Dinner Orch. $38,829 -83.4% 91 -337 $427 $1,280,517 - 3
40 51 Obit. KL $33,851 +69.3% 20 +10 $1,693 $129,299 - 20
41 40 CHiPs WB $33,384 -43.0% 41 -64 $814 $18,591,819 $25 9
42 42 This Is Not What I Expected WGUSA $26,478 -53.3% 12 -17 $2,207 $306,767 - 3
43 79 Like Crazy (2017) Strand $23,232 +489.2% 13 +9 $1,787 $37,508 - 3
44 62 Stalker (2017 re-release) Jan. $21,856 +129.9% 5 +4 $4,371 $73,516 - 3
45 44 Battle of Memories CL $21,433 -54.8% 11 -10 $1,948 $570,992 - 4
46 54 Kedi Osci. $18,000 +2.4% 19 -3 $947 $2,625,882 - 15
47 56 Jeremiah Tower Orch. $15,363 +12.5% 33 +13 $466 $163,446 - 5
48 N Wakefield IFC $14,120 - 1 - $14,120 $14,120 - 1
49 N Abacus: Small Enough to Jail PBS $12,528 - 1 - $12,528 $12,528 - 1
50 45 Risk Neon $12,104 -68.2% 12 -33 $1,009 $171,994 - 3
51 50 Chasing Trane: The John Coltrane Documentary Abr. $11,941 -47.9% 10 -6 $1,194 $222,623 - 6
52 43 Phoenix Forgotten CLF $11,913 -76.9% 13 -42 $916 $3,581,315 $2.8 5
53 58 Stefan Zweig: Farewell to Europe FRun $10,682 -8.9% 4 +3 $2,671 $29,335 - 2
54 53 T2: Trainspotting TriS $10,234 -44.4% 22 -10 $465 $2,395,410 $18 10
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3 hours ago, aabattery said:

Guardians 3-day > Alien 3-day.

 

Previews ruin the box office.

 

Naaaa....midnights have been counted towards Fridy numbers forever.  And if those people didn't see it on Thursday they would have seen it over the weekend for sure....so the number is accurate.

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1 minute ago, baumer said:

 

Naaaa....midnights have been counted towards Fridy numbers forever.  And if those people didn't see it on Thursday they would have seen it over the weekend for sure....so the number is accurate.

 

Don't ruin my narrative, baumer. :P

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2 minutes ago, baumer said:

 

Naaaa....midnights have been counted towards Fridy numbers forever.  And if those people didn't see it on Thursday they would have seen it over the weekend for sure....so the number is accurate.

 

Well... I'm gonna slightly disagree on this.

 

MIDNIGHTS have always been included. But then the TDKR shooting happened and midnights stopped, and we now only have "early previews" which usually take place between 5-8pm. It would be kind of silly to separate them now, but gosh, it annoys the hell out of me.

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Just now, ChipMunky said:

 

Well... I'm gonna slightly disagree on this.

 

MIDNIGHTS have always been included. But then the TDKR shooting happened and midnights stopped, and we now only have "early previews" which usually take place between 5-8pm. It would be kind of silly to separate them now, but gosh, it annoys the hell out of me.

Meh, the early previews are basically a replacement for midnights. I don't like them either (mainly because they allow bad buzz to spread and further depress Fridays for movies that suck, making the early sales argument iffier).

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11 minutes ago, drdungbeetle said:

Meh, the early previews are basically a replacement for midnights. I don't like them either (mainly because they allow bad buzz to spread and further depress Fridays for movies that suck, making the early sales argument iffier).

 

They're not, though. Sure, they allow a wider audience to attend, but they're taking away audience from films already in release for that evening and can pack in more showtimes.

 

The perk of a midnight showing, though, was being able to have every screen available to you.

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3 hours ago, ChipMunky said:

 

Well... I'm gonna slightly disagree on this.

 

MIDNIGHTS have always been included. But then the TDKR shooting happened and midnights stopped, and we now only have "early previews" which usually take place between 5-8pm. It would be kind of silly to separate them now, but gosh, it annoys the hell out of me.

 

They had to adapt somehow.  

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9 hours ago, Cookson said:

I heard Blokamp wants to rewrite Alien 3 basically, where Alien and Aliens are still part of the timeline, but start over from there. Alien 3 and 4 would serve as a "alternate timeline" I guess.

 

Please let this be true.   I already pretend Alien 3 doesn't exist as it is.

 

9 hours ago, Cookson said:

 

The franchise definitely needs a fresh director.. hopefully Fox sees that, and has someone willing to play.

 

I'm not convinced Fox isn't part of the problem.   They could be the ones responsible for skipping ahead of the ending of Prometheus so they could get back to "Xenomorph kills another ship of scientists one by one" formula.   When I see a formula...I think "studio interference".

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Just came back from Alien, the themes explored in this movie are so fucking great! ... but then it pains me so much to see the missed opportunities at play here :mellow:

 

I mean, I liked it, but it could have been a classic if it wasn't for a few, but oh-so-big flaws. The movie definitely has something to say, it's got a voice, and splendid visuals to boot, it's a shame it doesn't work as well as it could.

 

Michael Fassbender kills it though, as usual.

 

Still, recommended, once the movie gets going, it's pretty good

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4 hours ago, baumer said:

 

Naaaa....midnights have been counted towards Fridy numbers forever.  And if those people didn't see it on Thursday they would have seen it over the weekend for sure....so the number is accurate.

 

Not all of them for sure (otherwise preview would be purely useless and studio would not try to make them larger and larger), but you cannot just remove them from the BO, because a lot of them would have seen it in the weekend (for some movie you have people going to the preview and going with other people like their kids during the weekend thought)

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3 hours ago, Barnack said:

 

Not all of them for sure (otherwise preview would be purely useless and studio would not try to make them larger and larger), but you cannot just remove them from the BO, because a lot of them would have seen it in the weekend (for some movie you have people going to the preview and going with other people like their kids during the weekend thought)

 

If you have a preview number of 20 million, then maybe not everyone would see the film on the weekend if it wasn't available Thursday night, but when you have a number like 4 million, I think it's a pretty good assumption that those hardcores would see it opening weekend.

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7 minutes ago, baumer said:

 

If you have a preview number of 20 million, then maybe not everyone would see the film on the weekend if it wasn't available Thursday night, but when you have a number like 4 million, I think it's a pretty good assumption that those hardcores would see it opening weekend.

 

But at the very least you diminish double watch during the first weekend, but still it would be surprising that adding 7pm showing have 0 impact for a 2-10m previews, what would be the points of having them at all ?

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