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UK Box Office Thread

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A kind of part prediction for the upcoming weekend... I guess

 

 

If I Stay tops UK social media buzz

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And some text too is here to find:

 

http://www.screendaily.com/news/if-i-stay-tops-uk-social-media-buzz/5077132.article?referrer=RSS&utm_medium=twitter&utm_source=1%26WT.tsrc%3Dtwitter%26WT.mc_id%3Dtwitter_twitterfeed_latestnews

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So every country seems to be entering a dead time. America because the Summer is over and the big new releases of the Fall only start in the middle of September and OS because countries are using the last weekend of August and the first couple of weeks of September to release the weaker movies of the Summer (here between August 28 and September 11 the following films opened/will open: Let's Be Cops, Sin City 2, If I Stay, Into the Storm, Deliver Us From Evil, Magic in the Moonlight, The Giver, As Above So Below and What If; very weak line-up). Only on September 18 we get the first big release of the Fall: The Maze Runner. 

Edited by CJohn
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Sony’s comedy debuts top with $2.3m (£1.43m), including previews; Universal’s Lucy crosses £10m and led Fri-Sun with $1.9m (£1.19m).

 

Further distributor results to come…

Sex Tape has done what it couldn’t do in the US, landing top of the UK box office on debut.

Sony’s comedy scored a $2.3m (£1.43m) bow from its 441 sites, including $717,000 (£445,000) in previews. That marks director Jake Kasdan’s second best-ever UK debut, behind Bad Teacher’s $3.2m (£2m) from 427 sites.

Bad Teacher is also Kasdan’s best-ever UK performer with $12.4m (£7.7m) and Sex Tape’s holdover this coming weekend will indicate whether it has any chance of challenging it.

Based solely on Fri-Sun takings, it’s worth noting that Sex Tape would have charted second with $1.6m (£985,000), behind Lucy.

Also for Sony, Deliver Us from Evil has grossed $2.1m (£1.3m) after three weeks in play.

UNIVERSAL

It might have been prevented from a third straight week at the summit, but Lucy has now crossed £10m at the UK box office. Universal’s action sci-fi fell 39% on its way to $1.9m (£1.19m) - leading the way over Fri-Sun - for a healthy $16.8m (£10.44m) to date.

Also for Universal, The Boxtrolls stacked up $1.102m (£684,000) from previews on Saturday and Sunday ahead of its release this Friday [sept 12], while As Above, So Below fell 67% in its second weekend to scare up $210,000 (£130,000) for $1.3m (£816,000).

Boyhood stands at $4.5m (£2.8m).

STUDIOCANAL

Before I Go to Sleep woke up at the UK box office with an sturdy opening of $1.3m (£790,270) from its 363 sites through StudioCanal.

Rowan Joffe’s adaptation of S. J. Watson’s best selling novel achieved the director’s strongest UK debut and will shortly become his best-ever UK performer, currentlyBrighton Rock’s $1.7m (£1.04m).

EONE

Based on Richard C. Morais’ novel, eOne’s The Hundred-Foot Journey charted fourth after a $1.11m (£691,343) debut from its 498 sites. That marks director Lasse Hallström’s fifth best UK bow, behind Safe Haven’s $1.4m (£847,692) from 388 sites.

The Hundred-Foot Journey enjoyed its best day on Saturday (up 80% on Friday), but it’ll likely be its mid-week returns that determine its longevity at the box office.

Also for eOne, The Grand Seduction posted a second weekend of $36,000 (£22,400) for $147,000 (£91,000) to date.

DISNEY

Guardians of the Galaxy added a further $1.09m (£677,000) after falling a respectable 34% in its sixth weekend.

Disney’s latest Marvel Studios outing is now up to $41.6m (£25.8m) in the UK, and should surpass X-Men: Days of Future Past’s $43.7m (£27.1m) tally to become 2014’s highest grossing superhero/comic book film.

Also for Disney, Planes 2: Fire & Rescue took $140,000 (£87,000) for $6.9m (£4.3m) to date, while Million Dollar Arm held onto 174 sites but fell a hefty 79% in its second weekend for $52,000 (£32,000) and a ten-day total of $439,000 (£272,000).

FOX

Dropping 43% (excluding previews) in its second weekend, Fox’s Let’s Be Cops added $1.07m (£663,761) for $5.1m (£3.1m) to date. As expected, the action comedy is now director Luke Greenfield’s best-ever UK performer.

Also for Fox, Dawn of the Planet of the Apes and How to Train Your Dragon 2 stand at $52.13m (£32.35m) and $38.9m (£24.1m), respectively.

ENTERTAINMENT

Now in its fifth week of release, Entertainment’s The Inbetweeners 2 took an additional $1m (£632,732) to climb to an excellent $52.06m (£32.31m). It will shortly overtake Dawn of the Planet of the Apes to become the second highest grosser of 2014.

ICON FILM DISTRIBUTION

Film4 FrightFest opener The Guest checked in with a $506,000 (£312,970) debut from its 274 sites through Icon Film Distribution.

That’s down on the $846,000 (£523,549) bow of director Adam Wingard’s previous UK outing You’re Next, but it’s worth noting that did include $275,000 (£169,997) in previews and came from slightly more sites at 318.

You’re Next went on to take $1.9m (£1.2m) and The Guestwill need a sturdy hold to have a chance of surpassing that.

ARTIFICIAL EYE / CURZON FILM WORLD

The Dardenne Brothers’ best-ever UK performer Two Days, One Night has amassed $962,000 (£597,400) through Artificial Eye, a tally that’s especially impressive given it’s been available on VoD since its release date.

Released in 22 sites through Curzon Film World (and also simultaneously on VoD), Life of Crime posted a UK debut of $34,000 (£21,202).

METRODOME

The Guvnors recorded an $11,700 (£7,266) second weekend through Metrodome for $165,000 (£102,499), while Attila Marcel grossed $5,400 (£3,348) from its three sites on debut.

UPCOMING RELEASES

This week sees a saturation release for Universal’s The Boxtrolls, as eOne’s A Most Wanted Man and Fox/Pathe’s Pride both receive wide releases.

Warner Bros’ The Wizard of Oz receives a 3D IMAX release, while Metrodome’s In Order of Disappearance, Soda’s A Spell to Ward Off the Darkness and Fox’sFinding Fanny are among the films receiving a limited release.

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