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Cmasterclay

2015 Awards and Precusors (PGA NOMS ON PG. 10)

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NATIONAL BOARD OF REVIEW (11/30/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: Ridley Scott (The Martian)
  • Best Actor: Matt Damon (The Martian)
  • Best Actress: Brie Larson (Room)
  • Best Supporting Actor: Sylvester Stallone (Creed)
  • Best Supporting Actress: Jennifer Jason Leigh (The Hateful Eight)
  • Best Ensemble: The Big Short
  • Best Original Screenplay: Quentin Tarantino (The Hateful Eight)
  • Best Adapted Screenplay: Drew Goddard (The Martian)
  • Best Animated Feature: Inside Out
  • Best Directorial Debut: Jonas Carpignano (Mediterranea)
  • Best Foreign Feature: Son of Saul
  • Best Documentary: Amy
  • Best Breakthrough Performance: Abraham Attah (Beasts of No Nation), Jacob Tremblay (Room)
  • Spotlight Award: Sicario
  • Freedom of Expression Award: Beasts of No Nation, Mustang
  • Film History Award: Cecilia De Mille Presley
  • Best Films: Bridge of Spies, Creed, The Hateful Eight, Inside Out, The Martian, Room, Sicario, Spotlight, Straight Outta Compton
  • Best Foreign Films: Goodnight Mommy, Mediterranea, Phoenix, The Second Mother, The Tribe
  • Best Documentaries: Best of Enemies, The Black Panthers: Vanguard of the Revolution, The Diplomat, Listen to me Marlon, The Look of Silence
  • Best Independent Films: 45 Years, '71, Cop Car, Ex Machina, Grandma, It Follows, James White, Mississippi Grind, Welcome to Me, While We're Young

 

 

NEW YORK FILM CRITICS CIRCLE (12/2/2015)

 

Spoiler

 

  • Best Picture: Carol
  • Best Director: Todd Haynes (Carol)
  • Best Actor: Michael Keaton (Spotlight)
  • Best Actress: Saoirse Ronan (Brooklyn)
  • Best Supporting Actor: Mark Rylance (Bridge of Spies)
  • Best Supporting Actress: Kristen Stewart (Clouds of Sils Maria)
  • Best Screenplay: Phyllis Nagy (Carol)
  • Best Nonfiction Film: In Jackson Heights
  • Best Animated Film: Inside Out
  • Best Foreign Film: Timbuktu
  • Best First Film: Son of Saul
  • Best Cinematography: Edward Lachman (Carol)

 

 

BOSTON ONLINE FILM CRITICS ASSOCIATION  (12/5/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Michael B. Jordan (Creed)
  • Best Actress: Saoirse Ronan (Brooklyn)
  • Best Supporting Actor: Sylvester Stallone (Creed)
  • Best Supporting Actress: Kristen Stewart (Clouds of Sils Maria)
  • Best Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Documentary: Amy
  • Best Animated Film: Inside Out
  • Best Foreign Film: Son of Saul
  • Best Cinematography: Mad Max: Fury Road
  • Best Editing: Mad Max: Fury Road
  • Best Original Score: Mad Max: Fury Road
  • Best Ensemble: Spotlight
  • Best Films: Mad Max: Fury Road, Creed, Brooklyn, Carol, Spotlight, Clouds of Sils Maria, Bridge of Spies, The Martian, Anomalisa, Tangerines

 

 

BOSTON ONLINE FILM CRITICS ASSOCIATION  (12/5/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: Todd Haynes (Carol)
  • Best Actor: Leonardo DiCaprio (The Revenant) AND Paul Dano (Love and Mercy)
  • Best Actress: Charlotte Rampling (45 Years)
  • Best Supporting Actor: Mark Rylance (Bridge of Spies)
  • Best Supporting Actress: Kristen Stewart (Clouds of Sils Maria)
  • Best Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Documentary: Amy
  • Best Animated Film: Inside Out  AND Anomalisa
  • Best Foreign Film: Son of Saul
  • Best Cinematography: Mad Max: Fury Road
  • Best Editing: Mad Max: Fury Road
  • Best Original Score: Mad Max: Fury Road
  • Best Ensemble: Spotlight
  • Best Films: Mad Max: Fury Road, Creed, Brooklyn, Carol, Spotlight, Clouds of Sils Maria, Bridge of Spies, The Martian, Anomalisa, Tangerines

 

BOSTON FILM CRITICS (12/6/2015)

 

Spoiler

 

  • Best Picture: Spotlight
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Michael B. Jordan (Creed)
  • Best Actress: Saoirse Ronan (Brooklyn)
  • Best Supporting Actor: Sylvester Stallone (Creed)
  • Best Supporting Actress: Kristen Stewart (Clouds of Sils Maria)
  • Best Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Documentary: Amy
  • Best Animated Film: Inside Out
  • Best Foreign Film: Son of Saul
  • Best Cinematography: Carol
  • Best Editing: Mad Max: Fury Road
  • Best Ensemble: Spotlight
  • Best Use of Music: Love and Mercy

 

LA FILM CRITICS ASSOCIATION (12/6/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Michael Fassbender (Steve Jobs)
  • Best Actress: Charlotte Rampling (45 Years)
  • Best Screenplay: Tom McCarthy and Josh Singer (Spotlight)

 

WASHINGTON DC FILM CRITICS ASSOCIATION (12/6/2015)

 

Spoiler

 

  • Best Picture: Spotlight
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Leonardo DiCaprio (The Revenant)
  • Best Actress: Saoirse Ronan (Brooklyn)
  • Best Supporting Actor: Idris Elba (Beasts of No Nation)
  • Best Supporting Actress: Alicia Vikander (Ex Machina)
  • Best Original Screenplay: Pete Docter, Josh Cooley, and Meg LeFauve (Inside Out)
  • Best Adapted Screenplay: Emma Donoghue (Room)
  • Best Documentary: Amy
  • Best Animated Film: Inside Out
  • Best Foreign Film: Son of Saul
  • Best Cinematography: The Revenant
  • Best Editing: Mad Max: Fury Road
  • Best Production Design: Mad Max: Fury Road
  • Best Ensemble: Spotlight
  • Best Original Score: Sicario

 

EUROPEAN FILM AWARDS (12/12/2015)

 

Spoiler

 

  • Best Picture: Youth
  • Best Director: Paolo Sorrentino (Youth)
  • Best Actor: Michael Caine (Youth)
  • Best Actress: Charlotte Rampling (45 Years)
  • Best Documentary: Amy

 

ONLINE FILM CRITICS SOCIETY AWARDS (12/14/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Michael Fassbender (Steve Jobs)
  • Best Actress: Cate Blanchett (Carol)
  • Best Supporting Actor: Oscar Isaac (Ex Machina)
  • Best Supporting Actress: Rooney Mara (Carol)
  • Best Original Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Adapted Screenplay: Phyllis Nagy (Carol)
  • Best Documentary: The Look of Silence
  • Best Animated Film: Inside Out
  • Best Foreign Film: The Assassin
  • Best Cinematography: Mad Max: Fury Road
  • Best Editing: Mad Max: Fury Road

 

CHICAGO FILM CRITICS ASSOCIATION (12/22/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Leonardo DiCaprio (The Revenant)
  • Best Actress: Brie Larson (Room)
  • Best Supporting Actor: Benicio Del Toro (Sicario)
  • Best Supporting Actress: Alicia Vikander (Ex Machina)
  • Best Original Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Adapted Screenplay: Adam McKay and Charles Randolph (The Big Short)
  • Best Documentary: The Hunting Ground
  • Best Animated Film: Inside Out
  • Best Foreign Film: Son of Saul
  • Best Editing: Mad Max: Fury Road
  • Best Production Design: Mad Max: Fury Road
  • Best Cinematography: Mad Max: Fury Road
  • Best Original Score: The Hateful Eight
  • Most Promising Performer: Jacob Tremblay (Room)
  • Most Promising Director: Alex Garland (Ex Machina)

 

NEVADA FILM CRITICS ASSOCIATION (12/22/2015)

 

Spoiler

 

  • Best Picture: Spotlight
  • Best Director: Alejandro G. Inarritu (The Revenant)
  • Best Actor: Leonardo DiCaprio (The Revenant)
  • Best Actress: Brie Larson (Room)
  • Best Supporting Actor: Tom Hardy (The Revenant)
  • Best Supporting Actress: Alicia Vikander (Ex Machina)
  • Best Original Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Adapted Screenplay: Drew Goddard (The Martian) AND Emma Donoghue (Room)
  • Best Documentary: Amy
  • Best Animated Film: Inside Out
  • Best Visual Effects: Ex Machina
  • Best Production Design: Brooklyn
  • Best Cinematography: The Revenant
  • Best Youth Performance: Jacob Tremblay (Room)
  • Best Ensemble: Spotlight

 

ST. LOUIS FILM CRITICS ASSOCIATION (12/22/2015)

 

Spoiler

 

  • Best Picture: Spotlight
  • Best Director: Tom McCarthy (Spotlight)
  • Best Actor: Leonardo DiCaprio (The Revenant)
  • Best Actress: Brie Larson (Room)
  • Best Supporting Actor: Sylvester Stallone (Creed)
  • Best Supporting Actress: Alicia Vikander (Ex Machina)
  • Best Original Screenplay: Tom McCarthy and Josh Singer (Spotlight)
  • Best Adapted Screenplay: Drew Goddard (The Martian) 
  • Best Documentary: Amy
  • Best Animated Film: Inside Out
  • Best Comedy: Trainwreck
  • Best Foreign Film: Goodnight Mommy
  • Best Visual Effects: Mad Max: Fury Road
  • Best Editing: Mad Max: Fury Road
  • Best Production Design: Mad Max: Fury Road
  • Best Cinematography: The Revenant
  • Best Original Score: The Hateful Eight
  • Best Original Song: Spectre ("Writing's On The Wall")
  • Best Soundtrack: Love and Mercy
  • Worst Picture: Fantastic Four

 

UTAH FILM CRITICS ASSOCIATION (12/22/2015)

 

Spoiler

 

  • Best Picture: Mad Max: Fury Road
  • Best Director: George Miller (Mad Max: Fury Road)
  • Best Actor: Leonardo DiCaprio (The Revenant)
  • Best Actress: Brie Larson (Room)
  • Best Supporting Actor: Sylvester Stallone (Creed)
  • Best Supporting Actress: Rose Byrne (Spy)
  • Best Original Screenplay: Pete Docter, Josh Cooley, and Meg LeFauve (Inside Out)
  • Best Adapted Screenplay: Drew Goddard (The Martian)
  • Best Documentary: The Hunting Ground
  • Best Animated Film: Inside Out
  • Best Foreign Film: Timbuktu
  • Best Cinematography: Mad Max: Fury Road
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THE MARTIAN picking up some few awards bodes well for its Oscar chances, although it's already seen as a big contender. So that's not a big surprise (but still good news for it).

 

FURY ROAD's win is utterly delightful, and that's what the movie needs if it wants to gain traction: some recognition to get people talking about it again.

 

Good news for THE ROOM as well.

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While some people online are already saying "Well, Most Wanted Year won Best Picture and didn't get nominated, so Fury Road won't either!, it's really worth noting that until last year, every single NBR Best Pic Winner since 2001 has been nominated for Best Picture (and many of those in years of only five nominees.) So this really does bode well for MM: FR picking up a nomination for Best Picture. 

 

Pretty great awards generally. Very, very popular films being picked, and can't really argue too with a single one. I don't really GET the hype for Ridley Scott's direction of the Martian- it was an average direction of a good screenplay based off a terrific book, IMO- but if the Oscars looked something like this, maybe we could get one year without people whining "Wahhh the Oscars only nominate pretentious indie films"- while still also having great movies nommed. 

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Wow, NBR was very populist this year. This is how well they typically line up with the Oscars:

 

Picture: Haven't matched a winner since Slumdog Millionaire and last year's winner (Most Violent Year) wasn't even nominated. Not including this decade, on average they have 2-3 movies per decade that don't get nominated.

Director: Their track record is very hit or miss here. The last three winners weren't even nominated and last decade they only got 2 winners and one nominee right (Scorsese for Departed was the most recent match). On average 2 directors match per decade and they've yet to be correct so far this decade.

Actor: The winner is almost always nominated, so this is good news for Damon. Oscar Isaac missed last year while Michael Keaton didn't, and before that you have to go all the way back to 2002 when Campbell Scott wasn't nominated. For winners they've yet to be correct this decade, but on average they get 3-4 winners right per decade.

Actress: Their track record this decade has been very spotty but Julianne Moore won last year. Typically the winner has almost never missed a nomination since the 70's and they get 3 winners right per decade on average.

Supporting Actor: They have had a very strong record for nominations, missing only 6 since 1980 (2 being this decade). The bad news is they only get 2 right per decade on average, and two have won already this decade. Stallone will likely get nominated still.

Supporting Actress: They have an awful record here, Jacki Weaver was the only NOMINEE they got correct this decade in 2010. They get 4 nominees on average per decade, and with how weak the category is JJL should be able to get in.

Original Screenplay: Ever since the category started in 2003, they have only gotten 6 nominations and 1 winner right. A Serious Man in 2009 was the last nominee. Given how weak the category is, Hateful Eight should be fine for a nomination.

Adapted Screenplay: Ever since the category started in 2003, only two movies have missed a nomination: Cold Mountain in 2003 and Painted Vail in 2006. This is a great sign for The Martian. They've gotten 5 winners right with the last one being in 2011. 

 

 

Edited by WrathOfHan
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2 minutes ago, misafeco said:

Last year:

A Most Violent Year 
American Sniper 
Birdman 
Boyhood 
Fury 
Gone Girl 
The Imitation Game 
Inherent Vice 
The Lego Movie 
Nightcrawler 
Unbroken

 

I bet half of the Top Films won't be nominated this year either.

LOL these awards are also notorious for being Eastwood biased as well. How else does one explain why Fury won Best Ensemble other than his son Scott having a supporting role in it? I bet Jersey Boys would've gotten in the top 10 despite its floppiness if American Sniper hadn't come out last year as well.

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Well, there's no clear picture of how much those movies really screened for NBR members. They're both screening really late in the game outside of the DGA/PGA. Then again, so iss H8ful, and it got nominated. 

 

Also, how did Mad Max win best Picture and Miller NOT win Best Director? I know it's all a matter of opinion and stuff, but honestly, it seems pretty much impossible to separate Mad Max's greatness from it's direction. The direction is what makes it what it is in so many ways. The film's final product is as intricately linked to its direction as any movie in recent memory. I just don't follow the thought process where someone says "Yes, Mad Max is the best movie of the year, but the visionary director who MADE it the best movie of the year....is not the best director." But what do I know?

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45 minutes ago, Cmasterclay said:

Well, there's no clear picture of how much those movies really screened for NBR members. They're both screening really late in the game outside of the DGA/PGA. Then again, so iss H8ful, and it got nominated. 

 

Also, how did Mad Max win best Picture and Miller NOT win Best Director? I know it's all a matter of opinion and stuff, but honestly, it seems pretty much impossible to separate Mad Max's greatness from it's direction. The direction is what makes it what it is in so many ways. The film's final product is as intricately linked to its direction as any movie in recent memory. I just don't follow the thought process where someone says "Yes, Mad Max is the best movie of the year, but the visionary director who MADE it the best movie of the year....is not the best director." But what do I know?

Wouldn't surprise me at all if they gave it to Ridley for overdueness. 

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Looking at these awards, it's clear Mad Max: Fury Road isn't out of the Best Picture race yet. Similar to Inside Out, I think it's quite more than 5% of voters could place MM:FR as their #1 pick. It's in a much better position than A Most Violent Year was last year anyways.

 

Other than that, I don't think the rest of the list for Best Films matter. There's hardly any chance of Sicario making it's way into the BP field, let alone Straight Outta Compton. :P

Edited by Alpha
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