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Porthos

Tuesday Numbers (Dec 26): TLJ 27.7, Jumanji: 17.1, PP3 7.4, TGS 5.1 (actuals/estimates)

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15 minutes ago, Porthos said:

Now you see, I'm not THAT sure we SHOULD think that.  The higher the OW the less the multiplier we should expect, no matter what the season.  

 

Take Return of the King. It had a five day opening bow, so that messes with things more than a little bit.  But if we take its 5day as an indication of its OW it got a 3.03x multiplier.  Adj it comes out to around a 183m 5day OW (Dec 17 - Dec 21).  Final total is around 549.5 adj.

 

If people squawk at that, whatever.  Bump up the multi slightly, I don't care.  Fact is it made "only" 253m after its opening weekend (366m adj).

 

This is one of THE most beloved epics of all freaking time.  And, yes, I remember people being disappointed with its holiday run as well at the time.  

 

Now I already hear the complaints about five day versus three day.  Well, I heard them last year too and I still don't buy the counter arguments. 

 

In a way, it shows how utterly bonkers TFA really was that it was burning demand all the way up to Christmas Fucking Day.

 

And this is why I think it is more than a little ridiculous to look at a film that opens at 155 OW (R1) and one that opens at 220 OW (TLJ) and expect them to get the same multiplier.  We wouldn't in the summer time, so why should we in the holiday season?

 

None of this is to say that TLJ shouldn't have gotten a 3x.  It probably should.  I'm just talking purely about how a very large OW should temper expectations for the multiplier, unless there is extreme circumstances.

 

====

 

One thing that these current blockbusters in the winter time MIGHT be doing is giving us actual data sets for films that earn more than 150m OW during this holiday season.  Before we had imperfect comparisons with things like 5 days and 3 days and three plus hour films. And so on and so on and so on.  There was plenty of theorycrafting going on, is more or less what I am saying.

 

Well actual hard data trumps theorycrafting.  And the more data we get the better we should be able to predict the future blockbusters that are coming to the holiday frame.

 

Like say those Avatar films people keep wondering about. ;)

 

You should not assume Return of the King’s 5-day gross would be equal to a hypothetical 3-day gross with a Friday opening. More accurate approach is to average the 5-day and 3-day grosses.

 

Gonna get ugly if we take the 5-day multiplier for Last Jedi and compare it with that 5-day multi you mentioned for ROTK. Would require a $796m gross to pull a 3.04 multiplier from the 5-day opening. 

Edited by redfirebird2008
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6 minutes ago, redfirebird2008 said:


You should not assume Return of the King’s 5-day gross would be equal to a hypothetical 3-day gross with a Friday opening. More accurate approach is to average the 5-day and 3-day grosses.

Which is why I noted how much money RotK did Dec 22nd on.

 

Of course, RotK is imperfect comparison for another reason:  3:30 is longer than 2:30, last time I checked.  But one would think that would help the legs due to less showtimes per day.

 

All I is really saying is that we are now, finally, getting real hard data for honest to goodness blockbusters in the Xmas season.  Before there were all sorts of mitigating factors making comparisons very hard (and debatable).  And the more data we get for this time frame the better our predictions and expectations should be.

 

No more, no less. :)

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2 minutes ago, Sand-omJC said:

Not the dumbest thing I've seen in this thread.

Considering we had the poster who is convinced Disney is cooking the books in regards to TLJ post earlier here: low bar is low. ;)

 

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9 minutes ago, cannastop said:

With exchange rates they are, I doubt it.

People really should not disregard exchange rates.  In that respect, Avatar released in just about the perfect climate. 

The dollar was incredibly weak in early 2010.

Edited by LinksterAC
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4 minutes ago, cannastop said:

We finally have Jumanji numbers! 10% drop! Crumbing!

 

TUESDAY BOX OFFICE
1. Star Wars: The Last Jedi $27,734,356
2. Jumanji (2017) $17,100,000

More BOM numbers, mixture of estimates and actuals:

 

<< PREVIOUS
     
 
Rank* Title Monday
12/25
Tuesday
12/26
Wednesday
12/27
Thursday
12/28
1 STAR WARS: THE LAST JEDI
Buena Vista

4,232
$27,459,557

+55.8% / $6,489
$395,627,411 / 11
$27,734,356

+1% / $6,553
$423,361,767 / 12

N/A

N/A
2 JUMANJI: WELCOME TO THE JUNGLE
Sony / Columbia

3,765
$19,000,000
(estimate)
+109.7% / $5,046
$72,005,967 / 6
$17,100,000
(estimate)
-10% / $4,542
$89,105,967 / 7

N/A

N/A
3 PITCH PERFECT 3
Universal

3,447
$6,496,365

+146.7% / $1,885
$26,424,890 / 4
$7,445,505

+14.6% / $2,160
$33,870,395 / 5

N/A

N/A
4 THE GREATEST SHOWMAN
Fox

3,006
$5,604,273

+161.8% / $1,864
$19,008,847 / 6
$5,138,347

-8.3% / $1,709
$24,147,194 / 7

N/A

N/A
5 FERDINAND
Fox

3,630
$2,801,780

+83.7% / $772
$29,601,410 / 11
$4,000,815

+42.8% / $1,102
$33,602,225 / 12

N/A

N/A
6 COCO
Buena Vista

2,111
$2,805,466

+112.6% / $1,329
$164,307,743 / 34
$2,746,967

-2.1% / $1,301
$167,054,710 / 35

N/A

N/A
7 DOWNSIZING
Paramount

2,668
$2,715,843

+135% / $1,018
$7,670,130 / 4
$1,926,413

-29.1% / $722
$9,596,543 / 5

N/A

N/A
8 ALL THE MONEY IN THE WORLD
TriStar

2,068
$2,600,000
(estimate)
-- / $1,257
$2,600,000 / 1
$1,760,000
(estimate)
-32.3% / $851
$4,360,000 / 2

N/A

N/A
9 DARKEST HOUR
Focus Features

806
$1,622,510

+73% / $2,013
$8,367,532 / 34
$1,518,300

-6.4% / $1,884
$9,885,832 / 35

N/A

N/A
10 FATHER FIGURES
Warner Bros.

2,902
$2,200,000
(estimate)
+201.4% / $758
$5,480,000 / 4
$1,445,000
(estimate)
-34.3% / $498
$6,925,000 / 5

N/A

N/A
11 THE SHAPE OF WATER
Fox Searchlight

730
$1,419,891

+95.4% / $1,945
$8,986,046 / 25
$1,140,599

-19.7% / $1,562
$10,126,645 / 26

N/A

N/A
12 WONDER
Lionsgate

794
$710,214

+76.6% / $894
$115,654,826 / 39
$880,000
(estimate)
+23.9% / $1,108
$116,534,826 / 40

N/A

N/A
- MOLLY'S GAME
STX Entertainment

271
$1,042,075

-- / $3,845
$1,042,075 / 1
$668,250

-35.9% / $2,466
$1,710,325 / 2

N/A

N/A
- JUSTICE LEAGUE
Warner Bros.

1,101
$450,000
(estimate)
+83.7% / $409
$223,133,455 / 39
$440,000
(estimate)
-2.2% / $400
$223,573,455 / 40

N/A

N/A
- DADDY'S HOME 2
Paramount

1,073
$544,612

+149.5% / $508
$99,751,582 / 46
$433,169

-20.5% / $404
$100,184,751 / 47

N/A

N/A
- LADY BIRD
A24

372
$415,989

+60.4% / $1,118
$28,715,314 / 53
$428,468

+3% / $1,152
$29,143,782 / 54

N/A

N/A
- THOR: RAGNAROK
Buena Vista

701
$329,457

+64.3% / $470
$309,454,093 / 53
$330,578

+0.3% / $472
$309,784,671 / 54

N/A

N/A
- THE DISASTER ARTIST
A24

488
$325,057

+77.2% / $666
$16,020,034 / 25
$315,305

-3% / $646
$16,335,339 / 26

N/A

N/A
- MURDER ON THE ORIENT EXPRESS (2017)
Fox

361
$203,411

+58.3% / $563
$99,444,878 / 46
$195,017

-4.1% / $540
$99,639,895 / 47

N/A

N/A
- THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Fox Searchlight

264
$207,975

+42.5% / $788
$22,949,085 / 46
$187,107

-10% / $709
$23,136,192 / 47

N/A

N/A
- THE POST
Fox

9
$236,046

+35.2% / $26,227
$762,057 / 4
$156,610

-33.7% / $17,401
$918,667 / 5

N/A

N/A
- PHANTOM THREAD
Focus Features

4
$127,272

-- / $31,818
$127,272 / 1
$66,733

-47.6% / $16,683
$194,005 / 2

N/A

N/A
- A BAD MOMS CHRISTMAS
STX Entertainment

275
$60,302

+121.9% / $219
$71,571,546 / 55
$57,638

-4.4% / $210
$71,629,184 / 56

N/A

N/A
- THE FLORIDA PROJECT
A24

43
$9,430

+45.9% / $219
$5,204,890 / 81
$13,108

+39% / $305
$5,217,998 / 82

N/A

N/A
- HOSTILES
Entertainment Studios

3
$9,606

+64.5% / $3,202
$32,455 / 4
$4,834

-49.7% / $1,611
$37,289 / 5

N/A

N/A
- VICTORIA AND ABDUL
Focus Features

24
$2,840

+114.3% / $118
$22,205,730 / 95
$4,405

+55.1% / $184
$22,210,135 / 96

N/A

N/A
- MARSHALL
Open Road Films

58
$1,937

+82.9% / $33
$9,450,507 / 74
$2,532

+30.7% / $44
$9,453,039 / 75

N/A

N/A
- THE KILLING OF A SACRED DEER
A24

8
$602

+3.4% / $75
$2,289,085 / 67
$1,008

+67.4% / $126
$2,290,093 / 68

N/A

N/A
- LET THERE BE LIGHT
Atlas Distribution

8
$736

+1.1% / $92
$7,203,504 / 60
$304

-58.7% / $38
$7,203,808 / 61

N/A

N/A
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