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Tuesday #s (Aquaman, Poppins, Bumble)

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7 minutes ago, lorddemaxus said:

Mary Poppins has had weak bumps on both Christmas Day and New Year's. Wonder why.

Better Christmas Eve and New Year's Eve drops usually means weaker bumps on the following days.

Edited by CoolEric258
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Tuesday bumps for JR, NATM & Hobbit 1 (NYD) were 25.7%, 5.3% & 36.6%. But all these are from a time when discount Tuesday wasn't a thing so not sure if these Tuesday comps are fair.

 

So we can look at it this way, JR's 2nd Tuesday was 110.3% of it's 2nd Sunday. NATM 2's 12th day & Hobbit 1's NYD (also it's 12th day at the dbo) was 90.1% & 97.3% using a similar method. Aquaman's 2nd Tuesday is 100.4% of it's 2nd Sunday. So Aquaman is trending slightly better than Hobbit 1 but worse than JR.

Edited by MaxAggressor
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1 minute ago, MaxAggressor said:

Tuesday bumps for JR, NATM & Hobbit 1 (NYD) were 25.7%, 5.3% & 36.6%. But all these are from a time when discount Tuesday wasn't thing so not sure if these Tuesday comps are fair.

 

So we can look at it this way, JR's 2nd Tuesday was 110.3% of it's 2nd Sunday. NATM 2's 12th day & Hobbit 1's NYD (also it's 12th day at the dbo) was 90.1% & 97.3% using similar method. Aquaman's 2nd Tuesday is 100.4%. So Aqm is better than Hobbit but worse than JR.

I thought Tuesday discount day were mostly suspended due to public holidays?

Or people still rush to theater and hope to see the if discount price is available? 

 

And speaking of holidays, American, you guys too little number of official public holidays. Not even boxing day...... 

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Aquaman would have made about $13.5M for both Monday and Tuesday had it followed NatTreasure2. It looks like it made as much over two days, with cheap Tuesday having a big effect (also, Aquaman is strong in the evening so NY celebrations hurt it relatively more).

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2 minutes ago, titanic2187 said:

I thought Tuesday discount day were mostly suspended due to public holidays?

Or people still rush to theater and hope to see the if discount price is available? 

You could be right. I think @narniadis mentioned something along the lines of that.

 

Quote

And speaking of holidays, American, you guys too little number of official public holidays.

I'm actually from Asia and I have had to go to work everyday this past week except for Christmas Day.

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This observation will probably be confirmed on Saturday but looking at the daily increases and drops during the holidays, Aquaman and Bumblebee are actually playing to the family audience while Poppins and The Mule are playing to an older audience.

 

Poppins should have better weekday holds going forward and maybe even overtake Aquaman in dailies from Monday but Aquaman and Bumblebee will see the best increases on Friday and Saturday. Spiderverse is like a hybrid between the two since it's playing to an older audience but not that old. This weekend's increases and holds should tell us for sure.

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12 minutes ago, MrGlass2 said:

Aquaman would have made about $13.5M for both Monday and Tuesday had it followed NatTreasure2. It looks like it made as much over two days, with cheap Tuesday having a big effect (also, Aquaman is strong in the evening so NY celebrations hurt it relatively more).

National Treasure 2 did another 70M from a 9.5M NYD gross. That seems to be a floor for what Aquaman can do from here even if it just collapses from it's 65% higher NYD gross to finish with 285M. Hobbit 1 also did 65M more after a 9.4M NYD gross with the same calendar configuration.

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isn't during holiday season, movies skewed towards kid-friendly will increase lesser and drop lesser on daily basis?

Example, saturday are known to be a big day for kid-movie, 100% increase is normal in standard season, but that saturday bump muted.

See coco, Ferdinand, and TGS, they were all relatively flatter on 30/12/2017, saturday.

TD YD Title (Click to View) Studio Daily Gross % +/- YD / LW Theaters / Avg Gross To-Date Day
1 1 Star Wars: The Last Jedi BV $19,924,241 +5% -32% 4,232 $4,708 $503,651,719 16
2 2 Jumanji: Welcome to the Jungle Sony $19,398,126 +10% +31% 3,765 $5,152 $156,012,612 11
3 3 Pitch Perfect 3 Uni. $6,613,780 -0% -1% 3,468 $1,907 $59,735,320 9
4 4 The Greatest Showman Fox $5,735,749 +7% +62% 3,316 $1,730 $44,600,397 11
5 5 Ferdinand Fox $4,124,214 -8% +37% 3,337 $1,236 $50,788,875 16
6 6 Coco BV $2,780,723 -2% +26% 2,104 $1,322 $177,981,860 39
7 7 All the Money in the World TriS $2,074,087 +18% - 2,074 $1,000 $10,962,725 6
8 8 Darkest Hour Focus $1,965,850 +13% +29% 943 $2,085 $16,360,937 39
9 9 Downsizing Par. $1,833,026 +15% +5% 2,668 $687 $15,887,621 9
10 10 Father Figures WB $1,494,872 +21% +26% 2,902 $515 $11,789,686 9
11 12 The Shape of Water FoxS $1,356,747 +15% +22% 756 $1,795 $14,673,970 30
12 11 Wonder LGF $1,181,276 -3% +54% 1,193 $990 $120,712,113 44

 

Also, on new year day of 2016, adult-skewing film like hateful 8 or daddy home or the big short have greater increase compared to alvin and chipmucks, and the goo dinosaur

 

<<Prev Day <Wk <Mo <Yr
     
>Yr >Mo >Wk >>Next Day
TD YD Title (Click to View) Studio Daily Gross % +/- YD / LW Theaters / Avg Gross To-Date Day
1 1 Star Wars: The Force Awakens BV $34,394,152 +50% -30% 4,134 $8,320 $686,361,421 15
2 2 Daddy's Home Par. $11,443,748 +95% -27% 3,342 $3,424 $76,128,026 8
3 5 The Hateful Eight Wein. $6,429,176 +104% +235% 2,474 $2,599 $19,768,386 8
4 6 Sisters Uni. $4,779,690 +110% +3% 2,978 $1,605 $53,903,070 15
5 4 Alvin and the Chipmunks: The Road Chip Fox $4,409,796 +37% +22% 3,474 $1,269 $59,985,223 15
6 3 Joy Fox $4,013,424 +25% -42% 2,924 $1,373 $32,323,518 8
7 7 The Big Short Par. $3,414,901 +62% -10% 1,588 $2,150 $27,410,079 22
8 8 Concussion (2015) Sony $3,076,479 +87% -28% 2,841 $1,083 $20,496,848 8
9 9 Point Break (2015) WB $2,696,348 +119% -35% 2,910 $927 $18,280,883 8
10 11 The Hunger Games: Mockingjay - Part 2 LGF $1,740,412 +70% +16% 1,485 $1,172 $271,309,533 43
11 12 Creed WB (NL) $1,470,750 +94% -5% 1,375 $1,070 $100,855,915 38
12 10 The Good Dinosaur BV $1,466,186 +20% +51% 1,735 $845 $112,182,656 38
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I think it's interesting that Poppins daily numbers so far are playing more like a leggy adult drama than a standard family Disney live-action . It makes sense though given it's a musical, has some awards buzz, and has 50 years of heavy nostalgia touching pretty much everyone over the age of 30. The fact that families can bring their kids is icing on the cake but the driving force for going to see it are the adults. It's why silly folks like Scott Mendelson immediately started writing off the film as a disappointment after the Wed-Friday opening and then changed their tune shortly afterwards. He was incorrectly expecting a blockbuster kids movie. 

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