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John Marston

Wednesday Box Office - (Asgard pg 17) R1 about 15, Sing 11, Ass 4.5, Pass 4.1, Moana 2.2

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24 minutes ago, IronJimbo said:

 

alt right would overturn right wing government? hmm

 

You know what I meant dammit. :ohmyzod:

 

I was referring to the authority or government from each movie I mentioned.

 

Not the anti-establishment protagonist. 

Edited by grey ghost
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7 minutes ago, straggler said:

It really never has. Heck during the hpeak of the Stallone/Arnold box office wars you had Rhinestone, Cobra, Running Man, etc. At the end of the day this had a blacklist script, a seemingly very talented director, and a major co-star. It just happens.  

I don't know about that. I think in the history of film throughout the entire 20th century, star power was by far the most important factor in a movie's success. People really couldn't have cared less what critics thought pre-internet prominence, as they were widely stereotyped by the GA as crusty old art farts who had no touch with reality. Of course Ebert would be one of the first big exceptions to get people to care about critics, but overall "who's in it" was something that I think was always on people's lips about a new film before the internet age. That's why certain genres like the rom-com have died off, because they were entirely dependent on that superstar name that doesn't quite exist now. I think that toxic WOM has always mattered, but it seems like in a decade like the 90's certain actors could open virtually anything to a strong start and have a lot more bend with audiences in terms of actual film quality.

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1 minute ago, RandomJC said:

 

Which is why it starred and was centered around Hugh Jackman.

It was a star part, the person everyone in the film is talking about even when she was not on screen. Not just anyone could fill those shoes with a cast that significant. But believe otherwise.  Still I agree the fanboys would have spontaneously combusted if she was being followed frame to frame. 

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#1 is still only estimates

 

Quote

Daily Domestic Chart for Wednesday December 21st, 2016

← Previous Chart Chart Index  
 
    Movie Distributor Gross Change Thtrs. Per Thtr. Total Gross Days
1 (1) Rogue One: A Star Wars Story Walt Disney $15,000,000 -15% 4,157 $3,608   $205,260,809 6
2 new Sing Universal $11,010,175   4,022 $2,737   $11,010,175 1
- (3) Office Christmas Party Paramount Pictures $1,240,561 -18% 3,059 $406   $35,736,474 13
- (8) Arrival Paramount Pictures $306,638 -37% 1,091 $281   $87,947,199 41
- (11) Nocturnal Animals Focus Features $115,605 -46% 1,246 $93   $9,366,073 34
- (12) Allied Paramount Pictures $72,493 -65% 414 $175   $39,031,916 29
- (-) Lion Weinstein Co. $53,380 +134% 53 $1,007   $798,278 27
- (14) Almost Christmas Universal $50,845 -42% 720 $71   $41,440,565 41
- (-) Loving Focus Features $25,711 -47% 396 $65   $7,228,166 48
- (-) Miss Sloane EuropaCorp $20,027 -76% 1,463 $14   $3,374,229 27
- (-) Jack Reacher: Never Go Back Paramount Pictures $17,515 -21% 198 $88   $58,332,181 62
- (-) Fences Paramount Pictures $15,208 -1% 4 $3,802   $175,182 6
- (-) The Secret Life of Pets Universal $11,310 -5% 165 $69   $368,256,695 167
- (-) The Edge of Seventeen STX Entertainment $10,032 -53% 221 $45   $14,319,691 34
- (-) The Girl on the Train Universal $8,325 -16% 112 $74   $75,338,040 76
- (-) Incarnate High Top Releasing $4,516 -76% 318 $14   $4,777,253 20
- (-) Shut In EuropaCorp $3,389 -17% 78 $43   $6,876,720 41
- (-) Believe Smith Global Media $923 -77% 42 $22   $881,555 20
 

 

Edited by terrestrial
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1 minute ago, straggler said:

It was a star part, the person everyone in the film is talking about even when she was not on screen. Not just anyone could fill those shoes with a cast that significant. But believe otherwise.  Still I agree the fanboys would have spontaneously combusted if she was being followed frame to frame. 

 

You watched a different movie than I did. Wolverine was what the movie was sold on, what it survived on. He's primary protagonist, Mystique was step above McGuffin.

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52 minutes ago, bcf26 said:

Is it now safe to say that Jennifer Lawrence and Chis Pratt are not draws?

Rogue One and bad reviews probably hurt this film more than any other factor. Still if it does end up crossing 100m i'd credit that to the stars. 

Jennifer has a few more non-franchise type hits on her resume than Pratt does, so i'd say she is a draw. Pratt has only co-starred with two established stars so the jury is still out on him. Mag 7  did typical Denzel numbers, his presence made no difference, in fact it likely would have made less without Denzel. 

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Quote

Daily Domestic Chart for Wednesday December 21st, 2016

← Previous Chart Chart Index  
 
    Movie Distributor Gross Change Thtrs. Per Thtr. Total Gross Days
1 (1) Rogue One: A Star Wars Story Walt Disney $14,965,790 -15% 4,157 $3,600   $205,226,599 6
2 new Sing Universal $11,010,175   4,022 $2,737   $11,010,175 1
- (2) Moana Walt Disney $2,126,327 -31% 3,587 $593   $170,457,987 29
- (3) Office Christmas Party Paramount Pictures $1,240,561 -18% 3,059 $406   $35,736,474 13
- (4) Collateral Beauty Warner Bros. $854,192 -30% 3,028 $282   $10,095,862 6
- (5) Fantastic Beasts and Where … Warner Bros. $734,502 -31% 1,966 $374   $210,467,126 34
- (7) La La Land Lionsgate $603,205 -2% 200 $3,016   $7,198,823 13
- (8) Arrival Paramount Pictures $306,638 -37% 1,091 $281   $87,947,199 41
- (9) Doctor Strange Walt Disney $252,769 -38% 1,930 $131   $227,330,731 48
- (11) Nocturnal Animals Focus Features $115,605 -46% 1,246 $93   $9,366,073 34
- (13) Hacksaw Ridge Lionsgate $74,434 -55% 544 $137   $63,290,828 48
- (12) Allied Paramount Pictures $72,493 -65% 414 $175   $39,031,916 29
- new Patriots Day Lionsgate $64,644   7 $9,235   $64,644 1
- (-) Lion Weinstein Co. $53,380 +134% 53 $1,007   $798,278 27
- (14) Almost Christmas Universal $50,845 -42% 720 $71   $41,440,565 41
- (-) Storks Warner Bros. $34,989 -1% 235 $149   $71,985,083 90
- (-) Loving Focus Features $25,711 -47% 396 $65   $7,228,166 48
- (-) Miss Sloane EuropaCorp $20,027 -76% 1,463 $14   $3,374,229 27
- (-) Jack Reacher: Never Go Back Paramount Pictures $17,515 -21% 198 $88   $58,332,181 62
- (-) Fences Paramount Pictures $15,208 -1% 4 $3,802   $175,182 6
- (-) The Accountant Warner Bros. $14,601 -42% 155 $94   $85,390,322 69
- (-) The Secret Life of Pets Universal $11,310 -5% 165 $69   $368,256,695 167
- (-) The Polar Express Warner Bros. $10,694 -21% 129 $83   $185,538,146 4,425
- (-) Tyler Perry’s Boo! A Made… Lionsgate $10,582 -18% 110 $96   $73,193,919 62
- (-) The Edge of Seventeen STX Entertainment $10,032 -53% 221 $45   $14,319,691 34
- (-) Sully Warner Bros. $8,701 +2% 94 $93   $124,853,786 104
- (-) The Girl on the Train Universal $8,325 -16% 112 $74   $75,338,040 76
- (-) Incarnate High Top Releasing $4,516 -76% 318 $14   $4,777,253 20
- (-) Shut In EuropaCorp $3,389 -17% 78 $43   $6,876,720 41
- (-) Believe Smith Global Media $923 -77% 42 $22   $881,555 20

 

too busy to do the usual deleting thing to clean up

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2 hours ago, superweirdo87 said:

 

First, Tele, I think you're right that avoiding gossip and fluff helps avoid the hate. Media coverage and tone factor in.

 

It's fine for her to negotiate a good deal. But, demanding 20M is going to bring scrutiny and doing it on a risky project had the potential for negative blowback. 

 

This movie wasn't remotely risky for her. She's a well established star and the movie just ended up not too good. It happens to every actor at some point. 

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19 minutes ago, FantasticBeasts said:

If anything, Passengers' numbers show that J Law and Pratt ARE draws. If it wasn't for them, the movie wouldn't have grossed anything..

 

With $110m budget supported by marketing that started in May - whatever one may think of the quality of that marketing -?   This isn't some $10m indie with radio ads living and breathing on reviews and WOM. 

 

Edited by TalismanRing
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3 minutes ago, terrestrial said:

the theatre count of The-Numbers for Wednesday seems to be off, or they changed the counts during the evening or.... does not match at all with BOMs theatre count for 21 December

 

Yeah, they just used the numbers from yesterday.  You can tell by the drops which movies had their huge theater cuts already

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8 minutes ago, DealWithIt said:

 

This movie wasn't remotely risky for her. She's a well established star and the movie just ended up not too good. It happens to every actor at some point. 

 

I don't know. It was original material with some controversial storytelling. So, it was not as sure a bet to not flop as The Hunger Games franchise, or Marvel, DC, adaptations, etc.

 

Many actors do work in movies that turn out bad.  But, some of them take pay cuts for material that is not a sure thing.

It is also worth noting that with stardom, it is a serendipitous thing. A couple of bombs or underperformers, or a number of them and one can ggo from A-list to B-list.

Edited by superweirdo87
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3 hours ago, Treecraft said:

implying either jennifer lawrence or chris pratt have star power

 

Lawrence absolutely does. Pratt is still new but his performance in Guardians alone made him a star, despite someone with a straight face saying Kellan Lutz of Twilight fame (I hate myself for knowing he was in those movies) would have helped the movie make the same amount of money. I mean, we all remember that Gladiator movie or whatever it was that Lutz starred in, right? Big money maker! 

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the-numbers tweets this chart is it for now, beside not finished.

 

I guess we will have either to check repeatedly for updates /as usual) or wait for BOM

 

I have a question:

 

are people aware about foreign people do not understand all the abbreviations, or non fanfic or non gamer whatever might have no idea about what was written here?

 

Plus trying to check if something was already posted before posting makes it rather impossible to avoid to 'work' through what had happened here?

 

I have still no idea what the most as even about, and for now am not interested to learn it

 

I guess that is for a Thursday thread? @Grand Moff Tele ?

 

‘Rogue One’ Targets $221.7M Opening Week, ‘Sing’ Raises Voice To $20M Over Two Days – Noon Update

 

Quote

THURSDAY’S BOX OFFICE: Disney/Lucasfilm’s Rogue One: A Star Wars Story is expected to increase today by 10% over  its $15M Wednesday for $16.5M bringing its first week’s tally to $221.7M. Pic is expected to gross $100M over four-days, which by the end of Monday could brings its running cume to $321M-plus.

 

Quote

Sing is looking at $9M today, down an estimated 18% for a two day take of $20M per industry projections. The movie received an A CinemaScore last night,

Passengers should ease 30% from yesterday’s $4.1M for $2.9M and a two day take of $7M. It received a B CinemaScore last night.

 

Assassin’s Creed is expected to decline 50% for $2.3M today and $6.9M over two days. Videogame fans gave it a B+ yesterday. The movie opened No. 1 today in France with $1.8M, -18% from Rogue One‘s opening day there, and defeating the first day of former video game movie champ Lara Croft 2. Though carrying a production cost of $125M, the notion is that this movie will resonate bigger abroad like a Resident Evil which can post 60% or more of its global tally in foreign ticket sales.

 

Edited by terrestrial
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14 minutes ago, TalismanRing said:

 

With $110m budget supported by marketing that started in May - whatever what may think of the quality of that marketing?   This isn't some $10m indie with radio ads living and breathing on reviews and WOM. 

 

Also, Pratt and J. Law came at a high price. They got 32M, and the movie might not open much higher. If having the two of them boosted tickets by 10M altogether, but they cost 32M, then that's not a great trade-off.

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Jennifer Lawrence starred in a movie as the inventor of the Miracle Mop and the movie ended up grossing just over $100 million dollars despite middling reviews that still praised her performance. 

 

No star power though. 

Edited by DealWithIt
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