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charlie Jatinder

Monday (7/08) Numbers

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18 minutes ago, lorddemaxus said:

These movies capture everything I want in a Spider-Man movie in terms of the texture (the atmosphere, humour, etc) but they don't really have the depth the first two had. The ending to Spider-Man is still one of the heartbreaking endings to a superhero movie (which I rewatched just  yesterday) because it does such a good job of exploring the burdens of being a superhero. Honestly, most superhero movies haven't come anywhere close to Spider-Man 1 and 2 in answering what it means to be superhero as a whole.

I mean that's your opinion and you are entitled to it. I disagree and find most of your rankings either harsh or opposite of me.  Doesn't mean they are wrong, they are just a vastly different point of view.

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Seriously, what is everyone’s problem with Kirsten Dunst? I thought she was a good MJ. I would get if you were complaining about how she was played in Spider-Man 3, because everyone but Thomas Haden Church and Rosemary Harris were going full camp melodrama, but I hear these complaints about her and her chemistry with Tobey in the first two. I just don’t see the problems everyone else does.

Edited by TServo2049
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5 minutes ago, lorddemaxus said:

These movies capture everything I want in a Spider-Man movie in terms of the texture (the atmosphere, humour, etc) but they don't really have the depth the first two had. The ending to Spider-Man is still one of the heartbreaking endings to a superhero movie (which I rewatched just  yesterday) because it does such a good job of exploring the burdens of being a superhero. Honestly, most superhero movies haven't come anywhere close to Spider-Man 1 and 2 in answering what it means to be superhero as a whole.

The first two had good ideas in them, yes. Like the ending of the first one highlights his sacrificing a chance at being with MJ/having his own life in favor of his duty as Spider-Man, but the impact is blunted for me by the fact that Peter's relationship with MJ in that movie seems very superficial and contrived. And in SM2 when he gives up being Spider-Man and just watches a person getting mugged without even trying to help it just makes Peter seem like a jerk, in a sequence that seemed to be intended to make his struggle feel tragic. I just don't buy that Peter would make that decision in that moment, even if he had given up being Spider-Man. Honestly my biggest issue with those movies is that Peter ends up feeling like a bit more of a vessel for ideas about heroism instead of a fully realized character (this becomes a movie-crippling issue in SM3 when he makes dumb and out-of-character decisions all over the place, in 1 and 2 I find it a bit irritating but not too bad).

 

Also, I think you're selling Homecoming short a bit (won't discuss FFH due to spoilers). At the beginning of Homecoming Peter is ready to give up his life as Peter Parker in order to be a full-time Spider-Man. As he encounters the threat of Vulture, this escalates, and he ditches school, his decathlon team, etc. to fight Vulture, and he desperately wants to leave behind his old life and be an Avenger.  When Tony takes away the suit, he's forced to realize the value of his that life (which is seen in a montage of him regaining aspects of it). And when he's under the rubble, he realizes that it's not a choice between being Peter Parker and being Spider-Man, because Peter Parker is Spider-Man (the choice between keeping his old identity and being a hero is a false one). Thus, when Tony presents him with what he had wanted at the beginning, a chance to be an Avenger, he declines, because he knows the value of what he has in life and won't abandon it to chase fame and glory, and he knows that he doesn't need to stop being Peter Parker in order to be a hero. To me, that was a pretty powerful arc.

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Spider-man 2 is easily the best of the live-action Spidey movies and one of the GOAT superhero movies. Holland's MCU version just has too much humor for my tastes. I tolerated it in HC, but when you consider what has happened to the character in the MCU canon since then, you would think there would be some more seriousness and maturity.

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I generally agree that the Raimi movies (the first two at least) have some really solid set pieces and emotional moments, but the way the movies are tied together never really click for me. They feel disconnected scene to scene and I've never really particularly been wowed by Maguire in the role, which might be because the script doesn't give him a ton to work with. I agree that he's kind of a shallow character in those movies.

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I get that the Raimi Spider-Man movies are the ultimate to some people, but I don’t get why someone HAS to jump in to well actually an opinion that prefers the MCU Spider-Man movies.  

 

Anyway, did CinemaScore change the way they rate movies or have audiences become more lenient towards movies in general? I know CinemaScore and online ratings aren’t the greatest judge of WOM, but I was surprised to see that none of the previous Spider-Man movies had higher than A-. The first 2 at least were clearly well received given their legs. Plus the B+ for SM3 and TASM2’s make sense. Doesn’t mean anything I guess. 

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3 minutes ago, Deja23 said:

I get that the Raimi Spider-Man movies are the ultimate to some people, but I don’t get why someone HAS to jump in to well actually an opinion that prefers the MCU Spider-Man movies.  

 

Anyway, did CinemaScore change the way they rate movies or have audiences become more lenient towards movies in general? I know CinemaScore and online ratings aren’t the greatest judge of WOM, but I was surprised to see that none of the previous Spider-Man movies had higher than A-. The first 2 at least were clearly well received given their legs. Plus the B+ for SM3 and TASM2’s make sense. Doesn’t mean anything I guess. 

My guess is you get a lot more fanboys rushing to opening weekend nowadays so they inflate the score. 

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Quote

Monday, July 8, 2019

     
TD YD Title (Click to View) Studio Daily Gross % +/- YD / LW Theaters / Avg Gross To-Date Day
1 1 Spider-Man: Far from Home Sony $10,876,965 -58% - 4,634 $2,347 $195,940,027 7
2 2 Toy Story 4 BV $4,174,707 -54% -48% 4,540 $920 $310,292,606 18
3 3 Annabelle Comes Home WB (NL) $1,280,531 -51% -50% 3,613 $354 $51,117,685 13
4 4 Yesterday Uni. $1,128,775 -56% -44% 2,614 $432 $37,316,935 11
5 5 Aladdin (2019) BV $1,008,976 -49% -35% 2,758 $366 $321,714,241 46
6 6 Midsommar A24 $966,399 -50% - 2,707 $357 $11,866,743 6
7 7 The Secret Life of Pets 2 Uni. $669,010 -47% -44% 2,846 $235 $141,327,940 32
8 8 Men in Black International Sony $467,568 -49% -50% 2,716 $172 $72,605,351 25
9 9 Avengers: Endgame BV $381,012 -54% -56% 1,985 $192 $848,262,162 74
10 10 Rocketman Par. $275,173 -57% -50% 1,409 $195 $89,290,111 39
11 11 John Wick: Chapter 3 - Parabellum LG/S $238,223 -57% -45% 1,493 $160 $165,354,577 53
12 12 Child's Play (2019) UAR $230,896 -43% -62% 1,707 $135 $26,985,466 18
- - Ma (2019) Uni. $199,240 +326% +174% 197 $1,011 $45,314,475 39
- - Godzilla: King of the Monsters WB $113,482 -49% -65% 721 $157 $108,376,652 39
- - Shaft (2019) WB (NL) $68,023 -62% -60% 439 $155 $20,153,816 25
- - Dark Phoenix Fox $59,900 -45% -74% 426 $141 $64,700,961 32
- - Pavarotti CBS $58,755 -57% -31% 250 $235 $3,030,493 32
- - The Other Side of Heaven 2: Fire of Faith AAE $40,439 +101% -63% 179 $226 $1,006,862 11
- - Pokemon Detective Pikachu WB $34,543 -47% -45% 247 $140 $143,102,251 60
- - Anna (2019) LG/S $27,981 -51% -87% 324 $86 $7,308,166 18
- - The Dead Don't Die Focus $25,510 -49% -67% 267 $96 $6,328,560 25
- - Booksmart UAR $23,602 -57% -41% 160 $148 $21,728,095 46
- - A Dog's Journey Uni. $9,215 -43% -39% 116 $79 $22,406,420 53
- - Dumbo (2019) BV $8,403 -51% -36% 103 $82 $114,556,101 102
- - The Hustle UAR $8,368 -52% -28% 85 $98 $35,383,321 60
- - Shazam! WB (NL) $7,813 -47% -29% 104 $75 $140,212,968 95
- - Framing John DeLorean IFC $1,195 -58% -57% 25 $48 $132,079 32
- - The Quiet One IFC $1,089 -34% +64% 11 $99 $26,759 18
- - Hampstead IFC $1,015 -66% +13% 11 $92 $80,686 25
- - Non-Fiction IFC $510 -66% -55% 9 $57 $687,819 67
- - Missing Link UAR $203 -54% -50% 12 $17 $16,644,952 88

 

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32 minutes ago, Darth Lehnsherr said:

I'd be curious what a potential Spider-Man 4 would have done had Sony decided to revive that series after TASM 2 underperformed instead of doing the Marvel deal.

More than homecoming. The larger issue would be Maguire 5,6,7 vs Holland 2,3,4

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8 minutes ago, Menor said:

3 wasn't too well received though...not totally sure if 4 would've beaten Homecoming

SM4 in 2010 would get hit by that much more than SM4 in 2017 (question was about after TASM2). At that point you have some actual nostalgia to tap and get a fresh take on the character ala old Parker in Spiderverse. By the time SM5 rolls around the nostalgia effect is weaker (see TLJ, JWFK, etc) and Maguire being old goes from being fresh to not really feeling like Spider-Man. Maybe pair old Maguire with a live-action Miles and you could get somewhere.

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1 minute ago, Thanos Legion said:

SM4 in 2010 would get hit by that much more than SM4 in 2017 (question was about after TASM2). At that point you have some actual nostalgia to tap and get a fresh take on the character ala old Parker in Spiderverse. By the time SM5 rolls around the nostalgia effect is weaker (see TLJ, JWFK, etc) and Maguire being old goes from being fresh to not really feeling like Spider-Man. Maybe pair old Maguire with a live-action Miles and you could get somewhere.

Maybe, though by 2017 the Maguire movies would have already lost their "big fish in the genre" status to Avengers and so I doubt 4 would get anywhere near the original trilogy success and popularity even with the nostalgia factor. It may have beaten Homecoming but probably not by much.

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