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Weekend Numbers THG: 123, BH6 20.1, IS 15.1 pg 205

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Angels and Demons collapsing hard says other-otherwise.

Angels and Demons sold 1/3 of the books DVC did. It's good to look at the article on BOM. That explains it really well.

 

While Mona Lisa might frown at the more earthly sum, The Da Vinci Code sequel Angels & Demons uncovered a spirited $46.2 million on approximately 7,000 screens at 3,527 sites, leading the weekend ahead of a storming Star Trek. Overall weekend business rang in at more than $137 million, which was a four percent improvement over the same weekend last year but not among the best showings for the timeframe.

Three years ago, The Da Vinci Code blazed into 3,735 theaters with a $77.1 million opening, ultimately grossing $217.5 million (not to mention another $540.7 million overseas, and Angels & Demons is on track to have a similar domestic-to-foreign ratio with its $102.1 million foreign take). Based on one of the biggest-selling novels of all time and embroiled in controversy, Da Vinci was a unique phenomenon. No adult-oriented thriller had such a first weekend high before or since. It was never in the cards for Angels & Demons to come close to Da Vinci

 

 

http://boxofficemojo.com/news/?id=2587&p=.htm

Edited by James
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Angels and Demons is nowhere near the cultural and WW phenom that DVC was.

This. In fact, Angels and Demons was published before DVC. Just after DVC success in both book sales and box office, Angels and Demons was done. It has similarities to Middle Earth case.

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The Artist is a cash grab.

So is ET

So is WallE

So is every film in the history of film.

Hollywood is a business.

When it gets naked enough that moviegoers with some degree of intelligence feel that said intelligence is being insulted, a movie WILL suffer to some degree. Not always as much as said film deserves, but the Spider-Man reboot, Hobbit 2, Pirates 4, Transformers 4 all show that some of the audience either knew they were being played and rejected the product, or didn't show up because the attempts to play them backfired by only producing apathy.

Audiences are not as stupid as some would think. These films still made money, but there have to have been people who thought, "And just WHY do I need to see this, anyway?"

Edited by TServo2049
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Tarkovsky's Stalker. Good luck proving that it was a cash grab.

 

So the best you could come up with is a Russian film made in 1979?

 

I rest my case.

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So the best you could come up with is a Russian film made in 1979?

 

I rest my case.

 

Do David Lynch movies count? His recent producers joke in on-set interviews that they'll be lucky to make their money back, but they just love working with him.

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Name one.  Seriously, tell me a major studio film that was made  in the hopes that they would NOT make money for the studio,

Just because films are meant to make money does not make them a "cash grab". A cash grab is something made purely for money, with no care for the quality of the product.

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When it gets naked enough that moviegoers with some degree of intelligence feel that said intelligence is being insulted, a movie WILL suffer to some degree. Not always as much as said film deserves, but the Spider-Man reboot, Hobbit 2, Pirates 4, Transformers 4 all show that some of the audience either knew they were being played and rejected the product, or didn't show up because the attempts to play them backfired by only producing apathy.

 

I don't disagree with some of this but you can't say that audiences rejected Trf4 or Pirates 4.  A billion dollars says otherwise.  The Spiderman reboot, imo, sucked and the Hobbits are shells of the other films, but again, they are making close to a billion dollars.  

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Hollywood might be a business, but that doesn't mean every movie ever made is a cash grab. There are plenty of art films out there that are about as far from a cash grab as you can get.

But every studio plans on making a profit from the movie unless it is independently funded. 

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Also, Angels and Demons partly collapsed on domestic "buyer's remorse" about the first film. Domestic audiences showed up out of the goodwill of DVC the book, and were roundly disappointed by the film. Does nobody remember the complaints that the film was dull, that Tom Hanks seemed to be on the verge of falling asleep, and so on?

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Just because films are meant to make money does not make them a "cash grab". A cash grab is something made purely for money, with no care for the quality of the product.

 

That's not true at all.  How do you know that the studio cares about the quality of the film?  All they want is the money that comes with it.  

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This. In fact, Angels and Demons was published before DVC. Just after DVC success in both book sales and box office, Angels and Demons was done. It has similarities to Middle Earth case.

It's kinda similar to Narnia. How The Wardrobe movie is always done first even though it shouldn't be.

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