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Weekend Thread | Actuals ~ BR2049 32.753M :((, TMBU 10.551M, It 9.972M, MLP:TM 8.885M, K:TGC 8.675M, AM 8.446M, TLNM 7.002 M, V&A 4.171M | All those posts will be lost in time, like tears in rain. Time to die

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Yea I kinda felt that shit coming when I checked on Monday and no showing the entire run had sold more than three seats tbh. I predicted about a Mad Max OW in the over Gravity club but I'm not stunned it went this low at all. That still blows though, this is probably my favorite movie of the year and I wanted to see ambition rewarded.

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Just now, hasanahmad said:

Outside of hardcore movie fans and even among those blade runner was never a popular movie . ask any SciFi fan what is the best SciFi movie and they will say the matrix or star wars etc . blade runner was and is a cult film which always had a niche audience and now you know the population of that audience 

 

It INCLUDES Mistah Nolan

 

We should thank Blade Runner for influencing the greatest director of our time! :sparta:

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Much like last year, only one movie will cross the $100M mark, both a WB early September title, during September-October. On the bright side, like last year, November will be a nice rebound.

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5 minutes ago, filmlover said:

I don't see Blade Runner getting any Oscar nominations above the tech line anymore (and it'll get a slew of those so no need to feel sorry for it). It was always much more dependent on being perceived as a box office success than something like The Florida Project is when it comes to the top categories.

 

1 minute ago, MOVIEGUY said:

 

What makes you think it's in for Best Picture or Adapted Screenplay? The only sci-fi movies that get in multiple categories like that are the big hits and like the other dude said I don't think WB is gonna launch a big oscar campaign for this.

Adapted Screenplay is really fucking weak this year. The Top 3 is Call Me by Your Name/Molly's Game/Disaster Artist, and Blade Runner is a solid fourth. The fifth spot is an absolute nightmare because there's a whole lot of nothing.

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5 minutes ago, Alli said:

Come on, she's perfect for Cleo.  AJ has a shit filmography for an A-lister, but Cleopatra is the role she was born to play. It fits her acting persona

She'd be terrible and distracting as Cleopatra.  You'd be watching Angelina Jolie in ancient Egypt, not Cleopatra.

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1 minute ago, MrGamer2558 said:

Oh shit, CJohn is pulling out the anti-America gimmick. 

 

He speaks from a position of strength.

 

Behold, the superiority of Portugal cinematic taste!

 

Portugal and Angola Yearly Box Office

2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007
Rank Movie Title Distributor Gross Release
1 The Fate of the Furious UPI $4,814,925 4/13
2 Despicable Me 3 UPI $3,375,586 6/29
3 Beauty and the Beast (2017) n/a $3,137,035 3/16
4 Pirates of the Caribbean: Dead Men Tell No Tales n/a $2,634,293 5/25
5 Fifty Shades Darker UPI $2,489,044 2/9
6 The Boss Baby Fox $2,069,179 4/13
7 The Emoji Movie Sony $1,800,061 8/10
8 Baywatch PPI $1,760,088 7/20
9 La La Land Aud. Vis. $1,711,125 1/26
10 Cars 3 n/a $1,441,725 7/20
11 The Mummy (2017) UPI $1,406,714 6/8
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Did Nolan sabotage BR2049 because he was jealous? Because he knew Denis was far more talented of a director? Because he recognises his own mediocrity and doesn't want his sheep fans to see an actual masterpiece?

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Just now, TalismanRing said:

 

He speaks from a position of strength.

 

Behold, the superiority of Portugal cinematic taste!

 

Portugal and Angola Yearly Box Office

2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007
Rank Movie Title Distributor Gross Release
1 The Fate of the Furious UPI $4,814,925 4/13
2 Despicable Me 3 UPI $3,375,586 6/29
3 Beauty and the Beast (2017) n/a $3,137,035 3/16
4 Pirates of the Caribbean: Dead Men Tell No Tales n/a $2,634,293 5/25
5 Fifty Shades Darker UPI $2,489,044 2/9
6 The Boss Baby Fox $2,069,179 4/13
7 The Emoji Movie Sony $1,800,061 8/10
8 Baywatch PPI $1,760,088 7/20
9 La La Land Aud. Vis. $1,711,125 1/26
10 Cars 3 n/a $1,441,725 7/20
11 The Mummy (2017) UPI $1,406,714 6/8

:gold:

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Just now, WrathOfHan said:

 

Adapted Screenplay is really fucking weak this year. The Top 3 is Call Me by Your Name/Molly's Game/Disaster Artist, and Blade Runner is a solid fourth. The fifth spot is an absolute nightmare because there's a whole lot of nothing.

It's lucky that Netflix getting shunned rules Mudbound out. 

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The director will be completely fine going by the reception and handling a big budget movie with big stars smoothly. He had Arrival just last year after all. Ritchie didn't get thrown out of Aladdin. Marketing has to take the blame.

 

After Children of Men floppage (76 prod budget, 70 ww = 0.9x...so % wise worse than Pac Rim's 2x and eventually worse than BR49) Cuaron did Gravity with WB.

Edited by a2knet
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7 minutes ago, Alli said:

Come on, she's perfect for Cleo.  AJ has a shit filmography for an A-lister, but Cleopatra is the role she was born to play. It fits her acting persona

Both Cleo and Dune need a major star to sell them. AJ as Cleo or Lady Jessica or both is money in the bank. But AJ as Cleo is basically AJ as Maleficent, something that people just feel is perfect casting. 

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