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That One Girl

Weak-end Thread | Hitman's Bodyguard 21.6M; Annabelle 15.5M; Logan Lucky 8M; Dunkirk 6.7M | Wonder Woman beats Spider-Man and is now at 404M

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1 hour ago, Manchester by the Tree said:
1 N The Hitman's Bodyguard LG/S $21,600,000 - 3,377 - $6,396 $21,600,000 $29 1
2 1 Annabelle: Creation WB (NL) $15,500,000 -55.7% 3,542 +40 $4,376 $64,044,221 $15 2
3 N Logan Lucky BST $8,050,182 - 3,031 - $2,656 $8,050,182 $29 1
4 2 Dunkirk WB $6,700,000 -38.4% 3,271 -491 $2,048 $165,508,079 $100 5
5 3 The Nut Job 2: Nutty by Nature ORF $5,113,278 -38.7% 4,003 - $1,277 $17,696,923 $40 2
6 6 The Emoji Movie Sony $4,350,000 -32.6% 2,791 -428 $1,559 $71,767,352 $50 4
7 7 Spider-Man: Homecoming Sony $4,250,000 -29.4% 2,341 -266 $1,815 $314,051,381 $175 7
8 5 Girls Trip Uni. $3,844,030 -40.6% 2,010 -293 $1,912 $103,986,175 $19 5
9 4 The Dark Tower Sony $3,720,000 -52.4% 3,143 -308 $1,184 $41,604,378 $60 3
10 20 Wind River Wein. $3,025,236 +385.9% 694 +649 $4,359 $4,138,505 $11 3
11 8 Kidnap (2017) Aviron $2,860,000 -43.9% 2,345 -73 $1,220 $24,425,683 $21 3
12 9 The Glass Castle LGF $2,550,000 -45.5% 1,461 - $1,745 $9,706,381 - 2
13 10 Atomic Blonde Focus $2,240,085 -50.0% 1,628 -465 $1,376 $47,218,940 $30 4
14 12 Despicable Me 3 Uni. $2,039,710 -34.8% 1,551 -462 $1,315 $251,740,230 $80 8
15 11 War for the Planet of the Apes Fox $1,975,000 -45.2% 1,608 -490 $1,228 $140,922,203 $150 6
16 15 Wonder Woman WB $1,100,000 -24.0% 803 -158 $1,370 $404,008,376 $149 12
17 14 The Big Sick LGF $1,025,000 -30.0% 618 -91 $1,659 $38,090,430 - 9
18 16 Baby Driver TriS $875,000 -39.3% 683 -182 $1,281 $101,708,441 $34 8
19 13 Detroit Annapurna $850,000 -70.5% 1,428 -1,579 $595 $15,518,463 $34 4
20 18 An Inconvenient Sequel: Truth to Power Par. $300,000 -63.2% 514 -42 $584 $2,993,649 $1 4
21 23 Cars 3 BV $267,000 -19.1% 247 -61 $1,081 $148,790,767 - 10
22 22 A Taxi Driver WGUSA $266,000 -19.8% 41 - $6,488 $842,550 - 2
23 28 Menashe A24 $230,130 +33.4% 86 +39 $2,676 $715,312 - 4
24 30 47 Meters Down ENTMP $219,000 +46.1% 146 -27 $1,500 $43,653,067 $5.5 10
25 24 Step (2017) FoxS $205,000 -23.0% 306 +121 $670 $809,253 - 3
26 21 Wolf Warrior 2 HC $204,000 -50.7% 50 -2 $4,080 $2,343,307 $30.1 4
27 26 Guardians of the Galaxy Vol. 2 BV $185,000 -28.0% 195 -15 $949 $389,192,395 $200 16
28 36 Pirates of the Caribbean: Dead Men Tell No Tales BV $183,000 +65.0% 184 +59 $995 $171,809,932 $230 13
29 35 Good Time A24 $173,044 +38.3% 20 +16 $8,652 $349,007 - 2
30 25 Transformers: The Last Knight Par. $170,000 -35.7% 224 -31 $759 $130,098,855 $217 9
31 43 Brigsby Bear SPC $159,133 +211.3% 408 +371 $390 $354,900 - 4
32 29 Maudie SPC $124,451 -23.9% 124 -39 $1,004 $5,638,829 - 19
33 49 The Trip to Spain IFC $70,889 +73.4% 19 +16 $3,731 $129,889 - 2
34 N Patti Cake$ FoxS $66,000 - 14 - $4,714 $66,000 - 1
35 N The Adventurers WGUSA $65,000 - 17 - $3,824 $65,000 - 1
36 45 Columbus INDEP $44,450 -0.9% 12 +5 $3,704 $152,761 - 3
37 42 The Midwife MBox $34,488 -34.1% 37 -6 $932 $397,886 - 5
38 40 The Little Hours G&S $33,290 -44.1% 39 -21 $854 $1,509,962 - 8
39 48 A Ghost Story A24 $27,846 -33.3% 39 -18 $714 $1,517,996 $0.1 7
40 - Crown Heights IFC $27,552 - 3 - $9,184 $27,552 - 0
41 N Marjorie Prime FR $24,000 - 6 - $4,000 $24,000 - 1
42 N Gook Gold. $15,550 - 2 - $7,775 $31,100 - 1
43 N Dave Made a Maze Grav. $13,178 - 13 - $1,014 $13,178 - 1
44 N Lycan PDF $4,860 - 5 - $972 $4,860 - 1
45 100 City of Ghosts IFC $2,080 +107.2% 13 +2 $160 $122,425 - 7
TOTAL (45 MOVIES): $94,782,462 -18.8% 43,092 -395 $2,200  

So, Spidey has best drop of the top 10, will get me my $325M Casino best win by Labor Day and is on path to the numbers I posted 4ish weeks ago, when I said I expected $337.5M (and up to a 3.0x if everything went right) with how it was doing compared to other similar previous July supers at that time, knowing the crap coming this August...I'm gonna give Ijack his "amazing" Spidey comeback, b/c it has been...and I'm happy to have been in his corner even after weekend #2, b/c someone had to keep his spirits up - just makes the payoff better at the end:)...

 

So makes up for me bombing comedy and horror expectations all summer...I'm gonna stay in the family and supers lane, b/c that's the lane I live it right now thanks to kids:)...

 

And on that note...Leap...not gonna Leap up next weekend...it's really an over/under Nut Job 2 weekend club if ever there was one...

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Channing Tatum hasn't exactly picked the most accessible projects in recent years and that's totally fine. He has grown tremendously as an actor was my thought yesterday while watching Logan Lucky.

 

And Kingsman should pick his spirits up.

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3 minutes ago, MrPink said:

Channing Tatum hasn't exactly picked the most accessible projects in recent years and that's totally fine. He has grown tremendously as an actor was my thought yesterday while watching Logan Lucky.

 

And Kingsman should pick his spirits up.

Agreed. We need some more Gambit-accent Tatum. His full southern accent in Logan Lucky is good, but it's missing something, y'know?

Edited by WrathOfHan
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3 minutes ago, CJohn said:

Hilarious stuff.

I can't remember the last time a fairly high profile indie like Brigsby bombed THIS badly. It's playing by me, but I don't know if I'll have time to catch it this week. I might be out of luck if they put it down to one show late at night next week like they did with A Ghost Story :lol: 

Edited by WrathOfHan
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20 minutes ago, RyneOh1040 said:

Yeah, in this sense it reminds of streaming services in the music industry.  Basically Spotify pushed a price point that would lead to MAJOR decreases in revenue for the traditional chains but it was at a cost that consumers were willing to pay.  I was with MoviePass since Beta but I bailed when it hit 50 in Nashville and they started capping the number of users per day that could see a movie based on geographic location.  You're right, if you see more than 4 movies a month it was still viable but I reached a point where I felt OBLIGED to go see movies because of what I was paying and it was starting to feel like a chore instead of a hobby.  Even if they would go back to the 30/month price point I would stay.  But the $99 plan they were doing in the end for all movies including 3D and IMAX was nuts and was for a VERY niche audience.  Seems to me like this was more about raising awareness of the company than anything.

I definitely get the comparisons to streaming, but this is different in the huge overhead theaters have (rent, electricity, labor, etc).  I'm sure Moviepass can grab a lot of users right away - selling $2 for $1 tends to have that effect.  The power over movie theaters as a result of this user base is something they will need to prove - they are a tiny company that can't survive more than a few months without external funding.  I buy that their user base will be valuable movie-goers, but I don't think that gives them any leverage to demand kickbacks from movie chains and certainly not to threaten them.  If they decide to exclude Regal/AMC/Cinemark/Marcus, etc that will hurt them the most. 

 

A moviepass variation that I could see succeeding is that a low priced cost covers movies after their first 2 weeks of release and you need a premium pass to watch movies anytime.  This could be a good answer to PVOD if that meaningfully moves forward.

 

 

 

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Just now, FantasticBeasts said:

Holly crap at that Annabelle hold!!

Clearly showing signs of frontloadness!!!

:rofl:

I mean, it isn't a terrible hold, but let's not act like it's amazing. 55.7% isn't anything to be proud about :lol: 

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3 minutes ago, WrathOfHan said:

I mean, it isn't a terrible hold, but let's not act like it's amazing. 55.7% isn't anything to be proud about :lol: 

It is better than the first Annabelle and The Conjuring 2 and far above the doom and gloom projections from early in the week.

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1 minute ago, WrathOfHan said:

I mean, it isn't a terrible hold, but let's not act like it's amazing. 55.7% isn't anything to be proud about :lol: 

It is a very good hold. Especially for a horror sequel.Weren't you all assuring everyone that it was droping +60%? 

I mean, maybe not anything spectacular (I exaggerated a bit), but certainly a very nice result.

 

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Why Logan Lucky opening is not bad as has been reported and Steven Soderbergh marketing plan actually works:

 

If they had went with a studio conventional distribution, this movie would had been a true flop. They would have spent $30-$40m on P&A and open only at $18m.

A conventional strategy would look like this:

(-$29M budget)+(-$35m P&A)+(-$35m Foreign P&A)+($18m b/o)+(-15% b/o distribution fee)+(-50% Theater take)= -92.7

 

Steven Soderbergh strategy:

(-$29m budget+Foreign distribution sell)= $0

(-$20 P&A+Amazon first right streaming sell)=$0

(distribution fee)=$0

($8m b/o-50% theater take)=+$4m


This shows even an studio type P&A and $10m more ow would have been worse.

Soderbergh's experiment actually works.

 

The media focus on box office numbers in the tradition and conventional way, they should focus on the actual finances of each movie

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