Jump to content

WrathOfHan

Weekend Actuals (Page 80) | Black Panther 111.7M | Game Night 17M | Peter Rabbit 12.8M | Annihilation 11.1M | Fifty Shades Freed 7.1M | Jumanji 5.7M

Recommended Posts

Coco update

Theatrical Performance
Domestic Box Office $208,032,413 Details
International Box Office $530,903,424 Details
Worldwide Box Office $738,935,837

 

Added ~9m globally over last week. Should be close to 750 without Japan. 30-40 there will give it 780-790 ww.

  • Like 2
Link to comment
Share on other sites



1 minute ago, a2knet said:

Coco update

Theatrical Performance
Domestic Box Office $208,032,413 Details
International Box Office $530,903,424 Details
Worldwide Box Office $738,935,837

 

Added ~9m globally over last week. Should be close to 750 without Japan. 30-40 there will give it 780-790 ww.

 

Good chance at $800 million WW with Oscars boost for Japan's run (unless Coco somehow loses Best Animated Feature).

Link to comment
Share on other sites

3 hours ago, meriodejaneiro said:

I wonder if @IronJimbo in the supermarket is like

 

- IJ: excuse me sir, how much for this can of beans? 

- attendant: it's 1$, sir. 

- IJ: you mean 0.000000000358A, right?

- attendant: :huh:

I love how you actually did the maths on that and got the correct number!

  • Like 1
  • Thanks 1
Link to comment
Share on other sites





54 minutes ago, aabattery said:

 

A soft win. Maybe.

Not even that. the movie isn't a breakout and it won't be some legs sensation either. It opened on the lower side of studio projections. It didn't have amazing PTA which was easier to have with only 2000 theaters. It also won't be an awards player either. Cult movie status is the best it can hope for down the line. Will be forgotten by most people by summer. 

Edited by Valonqar
Link to comment
Share on other sites



1 hour ago, Krissykins said:

At least $60m domestic costs. 

 

What goes into domestic cost ?, 

 

Theatrical Domestic marketing + Print + WPF DUES cost +

Home entertainment marketing + DHE releasing cost + domestic TV marketing ?

 

Possible (60m domestic release for all windows is not that special for a studio movie) but it does feel lower key/cutting their lost than that.

Edited by Barnack
Link to comment
Share on other sites



17 minutes ago, Valonqar said:

Not even that. the movie isn't a breakout and it won't be some legs sensation either. It opened on the lower side of studio projections. It didn't have amazing PTA which was easier to have with only 2000 theaters. It also won't be an awards player either. Cult movie status is the best it can hope for down the line. Will be forgotten by most people by summer. 

 

Eh. They've already made a decent amount from the Netflix stuff, and that's just raw cash. If it can leg it out it should get itself into the black at some stage. 

Link to comment
Share on other sites



3 minutes ago, aabattery said:

 

Eh. They've already made a decent amount from the Netflix stuff, and that's just raw cash. If it can leg it out it should get itself into the black at some stage. 

I don't understand that release strategy to be honest. Did they anticipate a bomb? 

Link to comment
Share on other sites





16 minutes ago, Valonqar said:

I don't understand that release strategy to be honest. Did they anticipate a bomb? 

Studio selling market (or buying only some from the start) is really common it is not that dissimilar too getting third party investor on board, the general idea is too reduce expense and risk (while lowering reward when the movie blows up, making the business more predictable with smaller noise).

 

It could have many reason maybe one financier was expected to finance half the P&A, didn't not wanted too, so they transformed a 40m with a 65-70m world release they felt could not work at that price tag into a 15m movie with a small 15-25m domestic release.

 

If they would have sold it to theater distributor/world tv rights (like for Suburbicon or like Liongates do for most if not all their movies, Sony for a lot of them) we would have not talked about it (not exact similar scenario. agreeing to an HD version online in just 2 weeks has some impact, but I imagine not that dissimilar to regular market selling Europacorp did on Valerian and hundreds of example), Netflix is a media magnet to think piece.

Edited by Barnack
  • Like 1
Link to comment
Share on other sites



1 (1) Black Panther Walt Disney $111,658,835 -45% 4,020 $27,776   $403,613,257 2
2 new Game Night Warner Bros. $17,005,332   3,488 $4,875   $17,005,332 1
3 (2) Peter Rabbit Sony Pictures $12,760,382 -27% 3,707 $3,442   $71,506,084 3
4 new Annihilation Paramount Pictures $11,071,584   2,012 $5,503   $11,071,584 1
5 (3) Fifty Shades Freed Universal $7,147,285 -59% 3,265 $2,189   $89,793,065 3
6 (4) Jumanji: Welcome to the Jungle Sony Pictures $5,650,497 -29% 2,519 $2,243   $387,284,712 10
7 (5) The 15:17 to Paris Warner Bros. $3,573,259 -53% 2,752 $1,298   $32,231,011 3
8 (6) The Greatest Showman 20th Century Fox $3,411,649 -32% 1,601 $2,131   $160,778,519 10
9 new Every Day Orion Pictures $3,100,000   1,667 $1,860   $3,100,000 1
10 (7) Early Man Lionsgate $1,773,963 -44% 2,494 $711   $6,853,385 2
11 (13) Three Billboards Outside Eb… Fox Searchlight $1,247,624 -18% 691 $1,806   $50,152,203 16
12 (10) The Post 20th Century Fox $1,240,961 -38% 795 $1,561   $78,888,962 10
13 (12) The Shape of Water Fox Searchlight $1,180,255 -29% 721 $1,637   $55,366,099 13
14 (11) Samson Pure Flix Entertain… $970,708 -50% 1,140 $851   $3,743,204 2
15 (8) Maze Runner: The Death Cure 20th Century Fox $962,619 -63% 952 $1,011   $56,329,223 5
16 (9) Winchester CBS Films $929,450 -58% 852 $1,091   $23,735,224 4
17 (19) Phantom Thread Focus Features $864,510 +20% 651 $1,328   $19,016,604 9
18 (16) Darkest Hour Focus Features $745,625 -20% 795 $938   $54,465,467 14
19 (24) Lady Bird A24 $669,640 +7% 601 $1,114   $47,301,770 17
20 (17) I, Tonya Neon $582,853 -36% 423 $1,378   $28,096,626 12
21 (22) 2018 Oscar Shorts ShortsHD $488,311 -28% 232 $2,105   $2,634,591 3
22 (21) Coco Walt Disney $469,403 -32% 266 $1,765   $208,032,413 14
  • Like 11
Link to comment
Share on other sites





1 hour ago, Noctis said:

When Fifty Shades Freed has a better audience retention rate than Mockingjay 2...

 

 

I thought probable the last 50 shades would have a really good retention rate, the first movie became an event and overreached the book fanbase but by the second I felt they were already fully down to the core fan, that will be there for the next one (I mean if after the first you went to the 2 why woud you not go for the 3, Mockingjay part 2 is easy to see why it would be possible to go see the first 2 sequel, but not Mockingjay quite different movie than the previous entry sequel)

Link to comment
Share on other sites









  • Recently Browsing   0 members

    • No registered users viewing this page.



×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Guidelines. Feel free to read our Privacy Policy as well.