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Best Picture Predictions: 2023

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After seeing American Fiction, I'm a bit dubious this will make it into Picture. I really don't see the appeal for international voters and can't imagine the domestic contingent has more passion than the Zone/Anatomy/May December camps. Wright and Screenplay will happen though.

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Shortlists out:

 

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DOCUMENTARY FEATURE FILM
American Symphony
Apolonia, Apolonia
Beyond Utopia
Bobi Wine: The People’s President
Desperate Souls, Dark City and the Legend of Midnight Cowboy
The Eternal Memory
Four Daughters
Going to Mars: The Nikki Giovanni Project
In the Rearview
Stamped from the Beginning
Still: A Michael J. Fox Movie
A Still Small Voice
32 Sounds
To Kill a Tiger
20 Days in Mariupol

DOCUMENTARY SHORT FILM
The ABCs of Book Banning
The Barber of Little Rock
Bear
Between Earth & Sky
Black Girls Play: The Story of Hand Games
Camp Courage
Deciding Vote
How We Get Free
If Dreams Were Lightning: Rural Healthcare Crisis
Island in Between
The Last Repair Shop
Last Song from Kabul
Nǎi Nai & Wài Pó
Oasis
Wings of Dust

INTERNATIONAL FEATURE FILM
Armenia, Amerikatsi
Bhutan, The Monk and the Gun
Denmark, The Promised Land
Finland, Fallen Leaves
France, The Taste of Things
Germany, The Teachers’ Lounge
Iceland, Godland
Italy, Io Capitano
Japan, Perfect Days
Mexico, Totem
Morocco, The Mother of All Lies
Spain, Society of the Snow
Tunisia, Four Daughters
Ukraine, 20 Days in Mariupol
United Kingdom, The Zone of Interest

MAKEUP AND HAIRSTYLING 
Beau Is Afraid
Ferrari
Golda
Killers of the Flower Moon
The Last Voyage of the Demeter
Maestro
Napoleon
Oppenheimer
Poor Things
Society of the Snow

MUSIC (ORIGINAL SCORE)
American Fiction
American Symphony
Barbie
The Boy and the Heron
The Color Purple
Elemental
The Holdovers
Indiana Jones and the Dial of Destiny
Killers of the Flower Moon
Oppenheimer
Poor Things
Saltburn
Society of the Snow
Spider-Man: Across the Spider-Verse
The Zone of Interest

MUSIC (ORIGINAL SONG)
It Never Went Away from American Symphony
Dear Alien (Who Art In Heaven) from Asteroid City
Dance The Night from Barbie
I’m Just Ken from Barbie
What Was I Made For? from Barbie
Keep It Movin’ from The Color Purple
Superpower (I) from The Color Purple
The Fire Inside from Flamin’ Hot
High Life from Flora and Son
Meet In The Middle from Flora and Son
Can’t Catch Me Now from The Hunger Games: The Ballad of Songbirds & Snakes
Wahzhazhe (A Song For My People) from Killers of the Flower Moon
Quiet Eyes from Past Lives
Road To Freedom from Rustin
Am I Dreaming from Spider-Man: Across the Spider-Verse

ANIMATED SHORT FILM
Boom
Eeva
Humo (Smoke)
I’m Hip
A Kind of Testament
Koerkorter (Dog Apartment)
Letter to a Pig
Ninety-Five Senses
Once upon a Studio
Our Uniform
Pachyderme
Pete
27
War Is Over! Inspired by the Music of John & Yoko
Wild Summon

LIVE ACTION SHORT FILM
The After
The Anne Frank Gift Shop
An Avocado Pit
Bienvenidos a Los Angeles
Dead Cat
Good Boy
Invincible
Invisible Border
Knight of Fortune
The One Note Man
Red, White and Blue
The Shepherd
Strange Way of Life
The Wonderful Story of Henry Sugar
Yellow

SOUND
Barbie
The Creator
Ferrari
The Killer
Killers of the Flower Moon
Maestro
Mission: Impossible – Dead Reckoning Part One
Napoleon
Oppenheimer
The Zone of Interest

VISUAL EFFECTS
The Creator
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Indiana Jones and the Dial of Destiny
Mission: Impossible – Dead Reckoning Part One
Napoleon
Poor Things
Rebel Moon – Part One: A Child of Fire
Society of the Snow
Spider-Man: Across the Spider-Verse

 

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What would be nommed if there were still a 5 BP field?

Killers of the Flower Moon, Barbie and Oppenheimer would be locks for sure. But then, there would be a great fight for the last two spots. Holdovers, Poor Things & Maestro concerned with possible surge for Past Lives, American Fiction, Anatomy of a Fall, The Zone of Interest and May December.

 

What a bloodbath we would have witnessed! I miss those times

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59 minutes ago, stripe said:

What would be nommed if there were still a 5 BP field?

Killers of the Flower Moon, Barbie and Oppenheimer would be locks for sure. But then, there would be a great fight for the last two spots. Holdovers, Poor Things & Maestro concerned with possible surge for Past Lives, American Fiction, Anatomy of a Fall, The Zone of Interest and May December.

 

What a bloodbath we would have witnessed! I miss those times

 Thanks god we don’t need to witness that kind of bloodbath. I prefer flexible 5-10 slots. That give award watcher more suspense, not only about who get in, but also how many can slip in. 

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I would compare Maestro with Mank. Both reverred bipics related to Hollywood, both black and white cinematography, both with industry favor, both from Netflix, both with comparable reviews by critics... and both meeting lukewarm audience reception.

 

In a couple of weeks, both will be BP nommed.

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2 hours ago, abracadabra1998 said:

Are we still thinking Maestro is a lock for Best Picture? Audience reactions have been way worse than I thought it would be, so I wonder if Netflix might start to prioritize May December instead

I think it is. Movies of this sort are always more Academy catnip than mainstream hits.

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I think Holdovers has a non-zero chance of winning Best Picture and so I'd definitely have that in the field of five. I think this is a four movie race rn, not a three movie race. I'd probably have Poor Things fifth but I'm not fully sold on that.

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4 hours ago, abracadabra1998 said:

Are we still thinking Maestro is a lock for Best Picture? Audience reactions have been way worse than I thought it would be, so I wonder if Netflix might start to prioritize May December instead

 

I am honestly curious if Maestro is really as big of a contender as people predicted. I know Bradley Cooper's suppose to be an industry favourite, but he really didn't win too much of critic love. The film's target audience also seems to be really niche. I guess we will see at the GG.

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3 hours ago, stripe said:

I would compare Maestro with Mank. Both reverred bipics related to Hollywood, both black and white cinematography, both with industry favor, both from Netflix, both with comparable reviews by critics... and both meeting lukewarm audience reception.

 

In a couple of weeks, both will be BP nommed.


The difference is 2023 is so much more competitive compared to 2020. I would be happily replace maestro with either Air or Saltburn, or boy and the heron. I could even find some suitable contender from the movie I haven’t seen like Iron Claws or the colour purple. 

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1 hour ago, eeetooki said:

 

I am honestly curious if Maestro is really as big of a contender as people predicted. I know Bradley Cooper's suppose to be an industry favourite, but he really didn't win too much of critic love. The film's target audience also seems to be really niche. I guess we will see at the GG.

Best Actor is basically Cooper vs. Murphy at this point with the other spots likely to fall under "happy to be nominated" territory (FWIW I think those two +Leo and Giamatti are all safe with the last spot going to whoever develops enough passion). They're also competing in the Drama category at the Globes so whoever wins (and delivers the potentially memorable acceptance speech) there will be the one that gets a head start as the important "televised awards" part of the season finally begins.

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I’ve been pretty sure on Opp taking it, but suddenly I’ve been getting a really strong feeling they will actually give it to Barbie. It’s just dominating a lot of year end best lists and it feels like this inescapable thing this year in general. They will make a way bigger statement awarding it top prize than Opp as well ironically enough. 

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On 12/30/2023 at 5:50 AM, MovieMan89 said:

I’ve been pretty sure on Opp taking it, but suddenly I’ve been getting a really strong feeling they will actually give it to Barbie. It’s just dominating a lot of year end best lists and it feels like this inescapable thing this year in general. They will make a way bigger statement awarding it top prize than Opp as well ironically enough. 

 

I am also beginning to think Barbie is a viable and probable BP winner. Impact still is there, after months. It's such a wild and unique film that will have a strong support from actors, guilds and producers.

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Barbie is not winning lol. Pretty much the only above the line its likely to win is supporting actor (and even then, against really strong competition). Pretty unlikely to get a BP win with just that. Would probably put in the top 5 though

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15 minutes ago, lorddemaxus said:

Barbie is not winning lol. Pretty much the only above the line its likely to win is supporting actor (and even then, against really strong competition). Pretty unlikely to get a BP win with just that. Would probably put in the top 5 though

 

Barbie is clearly in contention or leading in these categories:

Best Picture
Best Supporting Actor
Best Original Screenplay
Best Costume Design
Best Production Design

Best Song

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4 hours ago, stripe said:

 

Barbie is clearly in contention or leading in these categories:

Best Picture
Best Supporting Actor
Best Original Screenplay
Best Costume Design
Best Production Design

Best Song

The Holdovers is almost definitely winning Original Screenplay. Even if it doesnt, I'd still put Past Lives and May December over Barbie. The other 3 don't matter for Best Picture since they're below the line. Look at how many films have won with just a Best Supporting Actor win from above the line categories.

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3 hours ago, lorddemaxus said:

The Holdovers is almost definitely winning Original Screenplay. Even if it doesnt, I'd still put Past Lives and May December over Barbie. The other 3 don't matter for Best Picture since they're below the line. Look at how many films have won with just a Best Supporting Actor win from above the line categories.

 

Barbie's screenplay is the likeliest place to honor Greta Gerwig's vision and career. With AMPAS we cannot rule out timing, buzz, story and momentum. Gerwig is on fire, she is an actress and thus has a strong support from this branch, Barbie is a phenomenom, and the theme of this movie is timely.

 

I am not saying it will win, but it's just more and more probable with every day.

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