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House Clock DHD says $26.9m, ASF $10.2m, The Nun ($10.1m) burries Predator ($8.7m), F $3.1m, LI $1.99m || Weekend Thread

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6 minutes ago, WrathOfHan said:

I didn't realize this was so close to 170M. Even though the summer theme inflated this one, it's still impressive as hell that the franchise hasn't lost any steam. If another one is made, it can probably stay over 100M.

A while back someone compared Hotel Transylvania's track record to Ice Age (domestically of course, not worldwide), which seems like a fair comparison. Using that comparison, a fourth one would probably do a solid 35/125. Hopefully Sony doesn't push out a fifth one though. :lol: 

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1 THE HOUSE WITH A CLOCK IN ITS WALLS
Universal

3,592
$7,823,000

-- / $2,178
$7,823,000 / 1

N/A

N/A

N/A
2 A SIMPLE FAVOR
Lionsgate

3,102
$3,300,000

+165% / $1,064
$25,462,414 / 8

N/A

N/A

N/A
3 THE NUN
Warner Bros. (New Line)

3,707
$2,955,000

+179.1% / $797
$93,600,307 / 15

N/A

N/A

N/A
4 THE PREDATOR (2018)
Fox

4,070
$2,450,000

+98.4% / $602
$34,185,122 / 8

N/A

N/A

N/A
5 CRAZY RICH ASIANS
Warner Bros.

2,802
$1,850,000

+167.6% / $660
$154,774,483 / 38

N/A

N/A

N/A
6 WHITE BOY RICK
Studio 8

2,504
$1,485,000

+123.1% / $593
$13,895,368 / 8

N/A

N/A

N/A
7 FAHRENHEIT 11/9
Briarcliff

1,719
$1,055,000

-- / $614
$1,055,000 / 1

N/A

N/A

N/A
8 PEPPERMINT
STX Entertainment

2,680
$1,050,000

+131.9% / $392
$27,662,559 / 15

N/A

N/A

N/A
9 LIFE ITSELF (2018)
Amazon Studios

2,609
$760,000

-- / $291
$760,000 / 1

N/A

N/A

N/A
10 SEARCHING
Sony / Screen Gems

1,787
$655,000

+174.2% / $367
$21,595,344 / 29

N/A

N/A

N/A
11 THE MEG
Warner Bros.

2,003
$570,000

+244.5% / $285
$138,742,919 / 43

N/A

N/A

N/A
12 UNBROKEN: PATH TO REDEMPTION
Pure Flix

1,484
$425,000

+93% / $286
$3,680,522 / 8

N/A

N/A

N/A
- MISSION: IMPOSSIBLE - FALLOUT
Paramount

871
$325,000

+87.3% / $373
$217,299,667 / 57

N/A

N/A

N/A
- DISNEY'S CHRISTOPHER ROBIN
Buena Vista

1,252
$250,000

+120.1% / $200
$96,085,797 / 50

N/A

N/A

N/A
- BLACKKKLANSMAN
Focus Features

454
$179,000

+77.2% / $394
$46,659,350 / 43

N/A

N/A

N/A
- HOTEL TRANSYLVANIA 3: SUMMER VACATION
Sony / Columbia

518
$115,000

+267% / $222
$165,591,985 / 71

N/A

N/A

N/A
- INCREDIBLES 2
Buena Vista

500
$114,000

+216.4% / $228
$605,938,358 / 99

N/A

N/A

N/A
- ALPHA
Studio 8

544
$100,000

+31.7% / $184
$34,922,570 / 36

N/A

N/A

N/A
- OPERATION FINALE
MGM

525
$93,900

-4.5% / $179
$16,918,174 / 24

N/A

N/A

N/A
- ANT-MAN AND THE WASP
Buena Vista

260
$70,000

+168.7% / $269
$215,608,206 / 78

N/A

N/A

N/A
- THE SISTERS BROTHERS
Annapurna Pictures

4
$37,519

-- / $9,380
$37,519 / 1

N/A

N/A

N/A
- GOD BLESS THE BROKEN ROAD
Freestyle Releasing

224
$25,000

-43.4% / $112
$2,649,822 / 15

N/A

N/A

N/A
- THE RIOT ACT
Hannover House

10
$4,440
(actual)
+38.1% / $444
$43,678 / 8

N/A

N/A

N/A
- A.X.L.
Global Road

40
$3,223

-11.1% / $81
$6,403,238 / 29

N/A

N/A

N/A
- BEAUTIFULLY BROKEN
ArtAffects

3
$1,555

+170.4% / $518
$1,186,568 / 29

N/A

N/A

N/A
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52 minutes ago, sfran43 said:

With less then $4M to go after this weekend, I'm almost positive Disney will AWIT Christopher Robin over the century mark!

Should be a $1.15m+ w/e for CR and close to $97m and it hasn't even done a discount theater run.   

 

PD made another $2m after a 870k w/e.  With the same drops CR would make $2.64m more but it's holding better.

 

AWIT was at $92.5m after a $1.3m w/e and then a month later after  double features with AIW and a 1k plus expansion was at $96.8m with a $1.15m w/e. 

 

I doubt there will be need for AWIT's extensive B.O.  gymnastics

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WIDE (1000+)

# TITLE WEEKEND   LOCATIONS   AVG. TOTAL WKS. DIST.
1 The House With A Clock In Its Walls $25,000,000 3,592 $6,960 $25,000,000 1 Universal Pictures
2 A Simple Favor $10,500,000 -34% 3,102 0 $3,385 $32,662,414 2 Lionsgate
3 The Nun $9,200,000 -50% 3,707 -169 $2,482 $99,845,307 3 Warner Bros.
4 The Predator $8,500,000 -65% 4,070 33 $2,088 $40,235,122 2 Fox
5 Crazy Rich Asians $6,400,000 -26% 2,802 -583 $2,284 $159,324,483 6 Warner Bros.
6 White Boy Rick $5,100,000 -42% 2,504 0 $2,037 $17,510,368 2 Sony / Studio 8
7 Peppermint $3,600,000 -40% 2,680 -300 $1,343 $30,212,559 3 STX Entertainment
8 Fahrenheit 11/9 $2,400,000 1,719 $1,396 $2,400,000 1 Briarcliff Entertainment
9 Life Itself $2,300,000 2,609 $882 $2,300,000 1 Amazon Studios
10 Searching $2,100,000 -34% 1,787 -222 $1,175 $23,040,344 5 Sony Pictures
11 The Meg $2,100,000 -46% 2,003 -848 $1,048 $140,272,919 7 Warner Bros.
12 Unbroken: Path to Redemption $1,400,000 -37% 1,484 -136 $943 $4,655,522 2 Pure Flix
13 Disney’s Christopher Robin $1,100,000 -49% 1,252 -650 $879 $96,935,797 8 Disney

LIMITED (100 — 999)

# TITLE WEEKEND   LOCATIONS   AVG. TOTAL WKS. DIST.
1 Mission: Impossible – Fallout $1,200,000 -47% 871 -890 $1,378 $218,174,667 9 Paramount
2 Hotel Transylvania 3: Summer Vacation $660,000 -15% 518 -155 $1,274 $166,136,985 13 Sony / Columbia
3 BlacKkKlansman $630,000 -50% 454 -488 $1,388 $47,110,350 7 Focus Features
4 Incredibles 2 $560,000 -25% 500 -210 $1,120 $606,384,358 15 Disney
5 Alpha $420,000 -61% 544 -990 $772 $35,242,570 6 Sony / Columbia
6 Operation Finale $305,000 -74% 525 -947 $581 $17,129,274 4 MGM
7 Ant-Man and the Wasp $270,000 -31% 260 -96 $1,038 $215,808,206 12 Disney
8 Ya Veremos $120,000 -55% 114 -140 $1,053 $4,009,158 4 Lionsgate / Pantelion Films
9 God Bless the Broken Road $80,000 -81% 224 -977 $357 $2,704,823 3 Freestyle Releasing
10 The Spy Who Dumped Me $52,000 -35% 107 -50 $486 $33,542,820 8 Lionsgate

PLATFORM (1 — 99)

# TITLE WEEKEND   LOCATIONS   AVG. TOTAL WKS. DIST.
1 The Sisters Brothers $100,000 4 $25,000 $100,000 1 Annapurna Pictures
2 Kin (2018) $20,000 -34% 77 -39 $260 $5,704,168 4 Lionsgate / Summit
3 A.X.L. $15,000 -74% 40 -60 $375 $6,415,015 5 Global Road Entertainment
4 Beautifully Broken $8,500 161% 4 -8 $2,125 $1,194,233 5 ArtAffects Entertainment
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Saw Fahrenheit. It's pretty powerful but it preaches to the choir, and Moore always leans more into opinion and conjecture versus investigation. It makes for a more entertaining documentary, if not very informative. 

 

Judging by the box office I take it most liberals have moved past his schtick I guess. 

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5 minutes ago, Boxofficerules said:

But.... Everyone says that R rated horror movies don’t make money.

Excuse me, but it's tiresome to hear this argument be snarkily made over and over and over and over and over again. NO ONE says that anymore. Absolutely no one. You could even go as far as to say it's factually incorrect, nevermind pointless to say it.... do I need to point out 2017's slate of horror? It. Get Out. Annabelle: Creation. Especially It, which performed to comic book tentpole levels of strong. There is no argument for R-rated horrors being a poor greenlighting in the current Hollywood climate. So cut that nonsense out, because you're putting words in invisible mouths there.

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1 hour ago, MCKillswitch123 said:

Excuse me, but it's tiresome to hear this argument be snarkily made over and over and over and over and over again. NO ONE says that anymore. Absolutely no one. You could even go as far as to say it's factually incorrect, nevermind pointless to say it.... do I need to point out 2017's slate of horror? It. Get Out. Annabelle: Creation. Especially It, which performed to comic book tentpole levels of strong. There is no argument for R-rated horrors being a poor greenlighting in the current Hollywood climate. So cut that nonsense out, because you're putting words in invisible mouths there.

I've definitely heard it even in the past year, but only by a few people likely trolling who aren't even worth mentioning anyways.

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