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Finnick

MOEDAY NUMBERS (The Last Chapter): DUNKIRK:$6.44M | GT:$3.46M | SMH:$3.36M | APES:$2.9M | DP3:$2.32M | VAL:$1.82M | WW:$0.73M

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All movies bar Apes, Valerian and Transformers seemed to hold well. Apart from Apes and Transformers (47MD and The House which suffered a crippling theater loss), good holds from last week as well. DM3, WW, Big Sick and Cars with crazy holds from last week. A little too late for Cars unfortunately, looks like it will sputter to a halt at about 150M domestic and a sub 3x which is hilarious for an animated movie released in summer.

 

TD YD Title (Click to View) Studio Daily Gross % +/- YD / LW Theaters / Avg Gross To-Date Day
1 1 Dunkirk WB $6,444,109 -51% - 3,720 $1,732 $56,957,597 4
2 2 Girls Trip Uni. $3,464,800 -59% - 2,591 $1,337 $34,666,720 4
3 3 Spider-Man: Homecoming Sony $3,361,636 -51% -38% 4,130 $814 $255,213,302 18
4 4 War for the Planet of the Apes Fox $2,603,761 -60% -55% 4,100 $635 $100,838,898 11
5 6 Despicable Me 3 Uni. $2,326,850 -41% -12% 3,525 $660 $215,947,125 25
6 5 Valerian and the City of a Thousand Planets STX $1,820,364 -60% - 3,553 $512 $18,827,988 4
7 7 Baby Driver TriS $922,117 -49% -23% 2,503 $368 $85,226,968 27
8 8 Wonder Woman WB $730,589 -49% -17% 1,971 $371 $389,741,896 53
9 9 The Big Sick LGF $622,557 -56% -19% 2,597 $240 $25,170,078 32
10 10 Wish Upon BG $393,139 -44% -43% 2,154 $183 $10,912,417 11
11 11 Cars 3 BV $377,939 -37% -18% 1,294 $292 $144,391,201 39
12 12 Transformers: The Last Knight Par. $155,888 -57% -58% 1,025 $152 $127,762,371 34
- - Captain Underpants: The First Epic Movie Fox $73,026 -47% +48% 291 $251 $71,938,377 53
- - 47 Meters Down ENTMP $66,202 -47% -64% 449 $147 $42,338,479 39
- - The House WB (NL) $64,521 -43% -74% 453 $142 $24,520,790 25
- - Guardians of the Galaxy Vol. 2 BV $55,260 -47% -30% 268 $206 $387,315,212 81
- - Pirates of the Caribbean: Dead Men Tell No Tales BV $46,535 -35% -42% 229 $203 $170,664,282 60
- - The Beguiled (2017) Focus $41,240 -47% -65% 331 $125 $10,202,229 32
- - The Mummy (2017) Uni. $31,970 -53% -35% 214 $149 $79,433,035 46
- - The Boss Baby Fox $24,639 -37% +2% 163 $151 $174,481,618 116
- - A Ghost Story A24 $19,063 -52% +32% 43 $443 $495,487 18
- - Baywatch Par. $12,821 -48% -27% 125 $103 $58,022,263 61
- - Alien: Covenant Fox $7,707 -61% -21% 103 $75 $74,092,060 67
- - Everything, Everything WB $7,145 -46% -40% 90 $79 $34,099,031 67
- - Megan Leavey BST $6,655 -51% -57% 87 $76 $12,825,691 46
- - All Eyez on Me LG/S $4,504 -50% -76% 62 $73 $44,829,502 39
- - The Exception A24 $2,940 -47% -53% 28 $105 $654,843 53
- - It Comes At Night A24 $2,904 -51% -39% 33 $88 $13,818,780 46
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26 minutes ago, Stutterng baumer Denbrough said:

 

So i should not be allowed to state an opinion?

Let's be real about this one. We're not debating the film's quality. I don't care who does or doesn't like the movie. What I'm debating is the fact that the sole reason people care for this movie is because it's about a gay black man. That is what you and many others assert about this film and, I'm sorry, but I do have to disagree with that assertion. Vehemently.

Edited by nomyth
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3 minutes ago, FantasticBeasts said:

I think competition is sometimes overrated. No one can force someone see a movie if not intrested.

I think that competition can influence about 5-10% the final total maximum.

Studies did show that it seem to have a negative affect if you fail at getting award and are perceived as an award player, it is a risk.

 

I don't think it is fair to talk about percentage, maybe a movie like Room made nearly 100% more but that would be just 7 million dbo.

 

http://www.investopedia.com/articles/investing/021116/financial-impact-golden-globes-and-oscars.asp

 

The golden globes has the biggest effect on the domestic box office (by being earlier) in general it would be apparently around 15 million in average if you win, best picture win is clearly a good boost (around 18m).

 

But some category like Best actor historically do nothing for a movie (less than the campaign cost) because those movie already had all the visibility they could have usually.

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Homecoming drops and numbers cought up to Ant-Mans 11th day and if it follows that its on track for around 325 mill.

AM did 71 mill after grossing same number on a monday in late July

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31 minutes ago, Bastien said:

The way he said it was not contemptuous.  He wanted, I think, to say that Americans love america, and that this foreign film on foreign characters is not for them.

He got D list american leads and most of the other humans were also americans...what's so foreign about that? Now if he had hired French actors as the leads that would have been Foreign. 

 

He should have either casted A list leads in this 200+ million budget movie OR gone total french with it...maybe that would have made it more authentic and got France more excited. 

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2 minutes ago, Barnack said:

Studies did show that it seem to have a negative affect if you fail at getting award and are perceived as an award player, it is a risk.

 

I don't think it is fair to talk about percentage, maybe a movie like Room made nearly 100% more but that would be just 7 million dbo.

 

http://www.investopedia.com/articles/investing/021116/financial-impact-golden-globes-and-oscars.asp

 

The golden globes has the biggest effect on the domestic box office (by being earlier) in general it would be apparently around 15 million in average if you win, best picture win is clearly a good boost (around 18m).

 

But some category like Best actor historically do nothing for a movie (less than the campaign cost) because those movie already had all the visibility they could have usually.

I was mainly talking about release schedule and competition from otber films. 

Anyway.. Yet again very insightful comment.

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Just now, FantasticBeasts said:

I was mainly talking about release schedule and competition from otber films. 

Anyway.. Yet again very insightful comment.

A sorry, yes I agree that competition can be overstated sometime (just looking at how well Avatar competition performed did show that you can have a lot of room), in a way competition bring at the same time people in theater that see your movie poster, your movie trailer in the best possible condition, etc... if they liked their experience they can want to come again.

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1 hour ago, cannastop said:

More pretentious? Do you know what that means?

 

It needed more Nolan "philosophical speeches" in it, apparently.

1 hour ago, JohnnyGossamer said:

Undervalued? I don't know anyone that doesn't love it. Great, great flick. Gosling, Hardy and Jake G. get a lot of talk... But, Pine and, especially, Foster are exceptional actors. Ben Foster's pretty much exceptional in everything he's in. Get him a big role. When watching Okja, I just kept wishing it was him instead of Jake G. in that role. And, I like Jake G. by the way.

 

Pine would have been cool in that role. Could have been interesting to see have a high pitched "scummy voice", and for the record I eventually got used to Jake G in that film.

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4 minutes ago, marveldcfox said:

He got D list american leads and most of the other humans were also americans...what's so foreign about that? Now if he had hired French actors as the leads that would have been Foreign. 

 

He should have either casted A list leads in this 200+ million budget movie OR gone total french with it...maybe that would have made it more authentic and got France more excited. 

Delevigne is extremely British and not american, kind of in the royalty there:

 

Her godfather is Condé Nast executive Nicholas Coleridge and her godmother is actress Joan Collins. Delevingne's maternal grandfather was publishing executive and English Heritage chairman Sir Jocelyn Stevens, the nephew of magazine publisher Sir Edward George Warris Hulton and the grandson of newspaper proprietor Sir Edward Hulton, 1st Baronet. Her paternal great-grandfather was the Canadian-born British politician Hamar Greenwood, 1st Viscount Greenwood, and her maternal grandmother Janie Sheffield was lady-in-waiting to Princess Margaret. Through one of her maternal great-great-grandfathers, Sir Lionel Lawson Faudel-Phillips, 3rd Baronet, Delevingne descends from the Anglo-Jewish Faudel-Phillips baronets; two of her ancestors on that line served as Lord Mayor of London

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1 hour ago, AHepBurn said:

I brought this up before, but with Wonder Woman still experiencing ridiculously solid drops and Dunkirk looking really good as well we could be looking at a banner year for Warners domestically. Below are the remaining movies on their schedule:

 

Annabelle: Creation Warner Bros. (New Line) 8/11/17
It Warner Bros. (New Line) 9/8/17
Ninjago Warner Bros. 9/22/17
Blade Runner 2049 Warner Bros. 10/6/17
Geostorm Warner Bros. 10/20/17
Justice League Warner Bros. 11/17/17
Bastards (2017) Warner Bros. 12/22/17

 

Warners just crossed $1 billion and their total stands at $1,017.7. They're already up 9.3% from last year, which was #3 unadjusted all-time for them. With that lineup, I could definitely see them crossing the $2 billion mark for #2 unadjusted all-time and a good shot at #1 all-time should they somehow push past $2,105.7.

Annabelle would debut with $25-$30 million OW, and a domestic total of at least between $55-$65 million domestic total

 

IT as a horror film has had the most talk right next to Kingsman as the big film of September and should do at least $35-$40 million OW, and make $100-$105 million domestic total. 

 

Ninjago may or may not have the level of Hotel Transylvania 1 & 2 but a debut and domestic total around Cloudy With A Chance Meatballs 2 seems more likely.

 

Blade Runner 2049 could go either way in October, but more likely a big fall blockbuster with a debut north of $40 million and a total around $150 million. 

 

Geostorm will die, and be a financial dud stateside but China, and Japan save it from being a huge failure.

 

Justice League will be one of the big 3 films of the Holiday season, and should debut with at least $150-$155 million OW and make $400 million easily.

 

Bastards has long delayed dud written all over it. But it could actually perform like Office Christmas Party or Why Him and still do ok. But it's hard to tell as Christmas weekend is smashed with comedies at this moment.

 

so WB with 4-5 films having a shot over $150 million. Two possible duds. WB should make around $1.8-$2 billion.

Edited by Maxmoser3
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1 minute ago, Barnack said:

Delevigne is extremely British and not american, kind of in the royalty there:

 

Her godfather is Condé Nast executive Nicholas Coleridge and her godmother is actress Joan Collins. Delevingne's maternal grandfather was publishing executive and English Heritage chairman Sir Jocelyn Stevens, the nephew of magazine publisher Sir Edward George Warris Hulton and the grandson of newspaper proprietor Sir Edward Hulton, 1st Baronet. Her paternal great-grandfather was the Canadian-born British politician Hamar Greenwood, 1st Viscount Greenwood, and her maternal grandmother Janie Sheffield was lady-in-waiting to Princess Margaret. Through one of her maternal great-great-grandfathers, Sir Lionel Lawson Faudel-Phillips, 3rd Baronet, Delevingne descends from the Anglo-Jewish Faudel-Phillips baronets; two of her ancestors on that line served as Lord Mayor of London

That's quite fancypants. Daisy Ridley is also a Gentry, not as posh as Delvigne but posh compared to American actors and most of the Brits. 

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5 minutes ago, Barnack said:

Delevigne is extremely British and not american, kind of in the royalty there:

 

Her godfather is Condé Nast executive Nicholas Coleridge and her godmother is actress Joan Collins. Delevingne's maternal grandfather was publishing executive and English Heritage chairman Sir Jocelyn Stevens, the nephew of magazine publisher Sir Edward George Warris Hulton and the grandson of newspaper proprietor Sir Edward Hulton, 1st Baronet. Her paternal great-grandfather was the Canadian-born British politician Hamar Greenwood, 1st Viscount Greenwood, and her maternal grandmother Janie Sheffield was lady-in-waiting to Princess Margaret. Through one of her maternal great-great-grandfathers, Sir Lionel Lawson Faudel-Phillips, 3rd Baronet, Delevingne descends from the Anglo-Jewish Faudel-Phillips baronets; two of her ancestors on that line served as Lord Mayor of London

jesus christ.

 

Are you related to her?

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