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Eric Duncan

Weekend Thread: Actuals - TS4 59.7, Annabelle 20.3 (31.1 5-Day), Yesterday 17, Aladdin 10.1, Pets 7.3, MIB 6.7, Endgame 6.1

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Music seems to be the most successful thing of the summer. Aladdin(even though I wasn’t a fan), Rocketman, and now Yesterday are all doing well! Maybe Blinded By The Light will do well in August next. 

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2 hours ago, Darth Homer said:

How does Box Office Mojo remain so popular when they’re so bad at this stuff? Aside from killing the forums and making obvious mistakes (like Dumbo this week) their writeups are never insightful. At least Guru makes interesting historical comparisons in the weekend writeup.

Because the site continues to do its one job and is the #1 result when Googling for "box office". The home page has high information density and the site is easy to navigate. Even in your post complaining about it, you didn't suggest a better alternative, guru's site looks awful even if you think the analysis is better. The second Google result is called "boxofficepro" and seems more interested in selling a premium product that 99% of people Googling don't want.  I also got an "internal server error" when clicking one of their links. So even if Boxofficemojo is making mistakes, their competition is too. There's only so much money to be made reporting raw box office results.

 

I'm not saying boxofficemojo can't be improved, but it's damn hard to knock out the #1 player in a space, even with a "superior" product. I know this, because I worked at a startup a decade ago that tried to kill craigslist. Craigslist is still around and that startup is not. It was a good life lesson for me, I was much more careful picking tech companies going forward.

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54 minutes ago, Pure Spirit said:

Because the site continues to do its one job and is the #1 result when Googling for "box office". The home page has high information density and the site is easy to navigate. Even in your post complaining about it, you didn't suggest a better alternative, guru's site looks awful even if you think the analysis is better. The second Google result is called "boxofficepro" and seems more interested in selling a premium product that 99% of people Googling don't want.  I also got an "internal server error" when clicking one of their links. So even if Boxofficemojo is making mistakes, their competition is too. There's only so much money to be made reporting raw box office results.

 

I'm not saying boxofficemojo can't be improved, but it's damn hard to knock out the #1 player in a space, even with a "superior" product. I know this, because I worked at a startup a decade ago that tried to kill craigslist. Craigslist is still around and that startup is not. It was a good life lesson for me, I was much more careful picking tech companies going forward.

Well, if it makes you feel better, Craigslist is not long for this world either. You guys were just ahead of your time.

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Summer RT Update (for those who care): We’ve received a needed influx of ‘Fresh’ films over the last couple of weeks, so that the Fresh to Rotten ratio has improved (12 Fresh, 16 Rotten). Far From Home and Midsommar, opening this Tuesday and Wednesday respectively, are both firmly in the ‘Fresh’ column. We now have 7 films with 80+%, with Toy Story 4 and Booksmart the only films with an 8+ average rating.

 

2019 Summer Films RT Watch (Wide-Release — May/June/July/August)

  1. Toy Story 4 — 97% — 8.4 rating
  2. Booksmart — 97% — 8.3 rating
  3. Spider-Man: Far From Home — 91% — 7.4 rating
  4. John Wick: Chapter 3 — 90% — 7.5 rating
  5. Rocketman — 89% — 7.6 rating
  6. Midsommar — 86% — 7.7 rating
  7. Long Shot — 81% — 7.1 rating
  8. Late Night — 79% — 6.9 rating
  9. Annabelle Comes Home — 70% — 6.0 rating
  10. Pokémon Detective Pikachu — 66% — 6.0 rating
  11. Yesterday — 60% — 6.4 rating
  12. Child’s Play — 60% — 5.8 rating
  13. Secret Life of Pets 2 — 57% — 5.7 rating
  14. Aladdin — 56% — 5.9 rating
  15. Brightburn — 56% — 5.6 rating
  16. Ma — 55% — 5.6 rating
  17. Tolkien — 51% — 5.8 rating
  18. A Dog’s Journey — 49% — 5.1 rating
  19. The Sun Is Also a Star — 47% — 5.6 rating
  20. Godzilla: King of the Monsters — 40% — 5.1 rating
  21. Poms — 34% — 4.9 rating
  22. Shaft — 31% — 4.8 rating
  23. The Intruder — 31% — 4.2 rating
  24. Anna — 30% — 4.6 rating
  25. UglyDolls — 29% — 4.4 rating
  26. Dark Phoenix — 23% — 4.6 rating
  27. Men in Black International — 22% — 4.5 rating
  28. The Hustle — 15% — 3.9 rating

 

2019 — 28 wide-release films (*SO FAR*)

  • 12 fresh, 16 rotten
  • 80% or higher: 7 films
  • 8.0+ rating: 2 films (Toy Story 4, Booksmart)

2018 — 45 wide-release films

  • 22 fresh, 23 rotten
  • 80% or higher: 13 films
  • 8.0+ rating: 3 films (BlacKkKlansman, Mission: Impossible - Fallout, and Hereditary)

2017 — 42 wide-release films

  • 18 fresh, 24 rotten
  • 80% or higher: 14 films
  • 8.0+ rating: 4 films (Dunkirk, The Big Sick, War for the Planet of the Apes, Baby Driver)

2016 — 42 wide-release films

  • 20 fresh, 22 rotten
  • 80% or higher: 9 films
  • 8.0+ rating: 1 film (Kubo and the Two Strings)

Peace,

Mike

Edited by MikeQ
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2 hours ago, Chaz said:

Can we talk about Austin Powers adjusted? 

 

International Man of Mystery: $105m

The Spy Who Shagged Me: $365m

Goldmember: $330m

 

Peak comedy box office of my lifetime for sure. I saw Spy Who Shagged Me in theaters when I was 13 and honestly thought it was the funniest thing I had ever seen.

 

I think it is easy to forget how big the Hangover / Meet the fockers / Rush hours / Home Alone got.

 

Rank Title (click to view) Studio Adjusted Gross Unadjusted Gross Release
1 Rush Hour 2 NL $360,024,800 $226,164,286 8/3/01
2 Rush Hour NL $269,285,000 $141,186,864 9/18/98
3 Rush Hour 3 NL $183,508,000 $140,125,968 8/10/07

 

1 Meet the Fockers Uni. $397,998,900 $279,261,160 12/22/04
2 Meet the Parents Uni. $277,441,500 $166,244,045 10/6/00
3 Little Fockers Uni. $168,507,900 $148,438,600 12/22/10

 

1 The Hangover WB $334,864,700 $277,322,503 6/5/09
2 The Hangover Part II WB $284,602,500 $254,464,305 5/26/11
3 The Hangover Part III WB $120,771,400 $112,200,072 5/23/13

 

Average mojo ticket

 

Fockers: 31.2

Rush Hours: 30.1

Austin powers: 29.7

Hangover: 27.4

Night at the museum: 24.9

 

Home Alone made 610M adjusted, the sequel 377m.

Edited by Barnack
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2 hours ago, Maxmoser3 said:

Music seems to be the most successful thing of the summer. Aladdin(even though I wasn’t a fan), Rocketman, and now Yesterday are all doing well! Maybe Blinded By The Light will do well in August next. 

Bodes well for The Lion King 👍

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1 hour ago, Barnack said:

 

I think it is easy to forget how big the Hangover / Meet the fockers / Rush hours / Home Alone got.

 

Rank Title (click to view) Studio Adjusted Gross Unadjusted Gross Release
1 Rush Hour 2 NL $360,024,800 $226,164,286 8/3/01
2 Rush Hour NL $269,285,000 $141,186,864 9/18/98
3 Rush Hour 3 NL $183,508,000 $140,125,968 8/10/07

 

1 Meet the Fockers Uni. $397,998,900 $279,261,160 12/22/04
2 Meet the Parents Uni. $277,441,500 $166,244,045 10/6/00
3 Little Fockers Uni. $168,507,900 $148,438,600 12/22/10

 

1 The Hangover WB $334,864,700 $277,322,503 6/5/09
2 The Hangover Part II WB $284,602,500 $254,464,305 5/26/11
3 The Hangover Part III WB $120,771,400 $112,200,072 5/23/13

 

Average mojo ticket

 

Rush Hours: 30.1

Austin powers: 29.7

Hangover: 27.4

 

Home Alone made 610M adjusted, the sequel 377m.

Bring night at the museum to the mix

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Yesterday is doing pretty damn great at my theatre, and even Annabelle is recovering after somewhat of a soft first day. The former is at our equivalent of 29.3M after 3-days (and I'm expecting big Monday/Tuesday for it) while Annabelle did 23.5M over the weekend and is at 31.3M 5-day opening. 

 

And Yesterday is having really great WOM too. I hope this one legs out and can do something like 70M/150M WW

Edited by DAJK
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8 hours ago, Slambros said:

I think July is going to be a very interesting month, not just for the new releases, but for the holdovers, too.

 

I say this because July only has six new nationwide releases. Six. That's not a lot of releases at all. So if a few films don't completely hog the audiences all to themselves (*glares at Spider-Man and The Lion King*), then we could see a lot of films benefit from the lack of releases. At least, this is my hope.

 

For instance, a film that might be able to have better legs than people are expecting is Yesterday, because it's a feel-good film that won't really have anything directly competing against it.

 

Plus, there's the horror film Crawl. If $40M's worth of moviegoers are seeing The Meg on opening weekend, I think Crawl has the potential to be a sleeper hit.

 

Once Upon a Time in Hollywood is a huge wildcard, but I think it has potential, too.

I can’t see anything but one of the bigger Tarantino grossers with OUATIH. 

 

It’ll open in at least the $40-50 million range, and you’d think a solid multiplier considering its critical reception. 

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1 minute ago, Charlie Jatinder said:

TS 4 19.6

Annabelle 5.9

Yday 4.9

Aladdin 3.05

Slop 2.3

Mibi 2.1

 

Enough?

Total Wends:

TS4: 59.6m (-50.7% about 200k above TS3 weekend)

Aladdin: 9.83m (-25.8%)

 

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8 minutes ago, john2000 said:

these could be higher is fri and sat are also higher

Normally Friday and Saturday don't change that much after the Sunday estimate, but you are right they both could be higher but I doubt it will be by much, maybe they together will be 400k higher, so the weekend is 60m.

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